TESTAMENT: “TITANS OF CREATION”

 Album Reviews  10 Responses »
Mar 232020
 

 

The half-witted editor of this site (that would be me) didn’t realize until this past weekend that Wil Cifer had sent in this review a week ago. And thus it is purely a coincidence, and a very sad one, that it’s now being posted the day after we learned that Chuck and Tiffany Billy and members of Testament’s crew have tested positive for COVID-19, apparently contracted during the band’s recently completed European tour. Members of their tour-mates Death Angel and Exodus have also tested positive for the virus. We wish them all the best under these unfortunate circumstances. Titans of Creation will be released on April 3rd by Nuclear Blast. And now, on to Wil’s review…

 

Testament lurk just outside of the “Big 4 “ but, The Ritual aside, they have held their own against Slayer over the years when it has come to putting out quality heaviness. The New Order might have been the metal album of 1988. That year had some tough competition, so at least in the top five. The first song on this album, “Children of the Next Level”, feels like it is fueled with the same fire that propelled their glory days. Continue reading »

DEMONS & WIZARDS: “III”

 Album Reviews, Exceptions to the Rule  2 Responses »
Feb 282020
 

 

(This is Wil Cifer‘s review of the new album by Demons & Wizards, which unites the talents of Jon Schaffer (Iced Earth) and Hansi Kürsch (Blind Guardian) and was released by Century Media on February 21st.)

Fifteen years later and this project has returned.

Before we get into the meat of the metal here it should be said that I am pretty picky when it comes to power metal. This might surprise some since I grew up listening to the bands that influenced power metal. Even when Helloween came out with Keeper of the Seven Keys pt 2, I was still on board. The only problem was the bands who took inspiration from that album were too happy for me. Continue reading »

KVELERTAK: “SPLID”

 Album Reviews  3 Responses »
Feb 052020
 

 

(This is Wil Cifer‘s review of the new album by the Norwegian band Kvelertak. The album will be released by Rise Records on February 14th.)

The third album from these Norwegian punks is not only more refined, it is also their first with new vocalist Ivar Nikolaisen. The youthful attitude in his snarl gives more weight to the punk slant of this album.

When punk is referred to here, think more of a ’90s European direction like Refused. Punk is also only one side of the equation, as they also offer a large dose of rock ‘n’ roll with guitar harmonies that have a warm Thin Lizzy-like tone. Not that any of these elements are coming out of left field. They have all been hinted at on the previous albums, but have now been brought further into center stage. Continue reading »

ESOTERIC: “A PYRRHIC EXISTENCE”

 Album Reviews  6 Responses »
Nov 082019
 

 

(We present Wil Cifer‘s review of the new album by the British doom lords Esoteric, which is being released on November 8th by Season of Mist, along with a complete stream of the album.)

What I love about this band is their ability to take doom to places that have little to do with Black Sabbath. Nothing against Geezer and the boys, but I don’t need a genre of impersonators. I want the kind of sonic despair a band like Esoteric are capable of delivering. Eight years after Paragon of Dissonance, which is pretty much a perfect album. expectations are high. What is a band to do after such an achievement?

In the case of Esoteric, they decide to open the album with an almost 28-minute song. To put this in perspective, that is the length of the entire Reign in Blood album. Granted, Slayer were moving at the speed of punk, and these guys are a slow trudge through the apocalypse. With a song of this length I tend to approach it as if it is a symphonic work, written in movements rather than the compact verse-chorus formula. Continue reading »

CLOAK: “THE BURNING DAWN”

 Album Reviews  No Responses »
Oct 312019
 

 

(This is Wil Cifer‘s review of the new album by Atlanta’s Cloak, which was released by Season of Mist on October 25th and includes cover art by Adam Burke.)

Cloak’s 2017 album To Venomous Depths showed a great deal of potential. I wanted to hear more of who they were than who they aspired to be. The album was dark and melodic enough for me to invest the time in their sophomore album.

This new album finds the band giving me what I originally wanted from their debut. They are still more committed to sounding Swedish than devoting themselves to black metal, and I am fine with this. After all, there are 100 blast-beaters sitting in my emails every morning. I want something fresh, not warmed up, even if it’s warmed in the fires of hell. Continue reading »

CHELSEA WOLFE: “THE BIRTH OF VIOLENCE”

 Album Reviews, Exceptions to the Rule  1 Response »
Sep 182019
 

 

(This is Wil Cifer‘s review of the new album by Chelsea Wolfe, which is out now on the Sargent House label.)

Metal is a sound. Heavy is a feeling. There are plenty of bands that on paper are metal, but when played are not heavy. There are some entire genres of metal that might be suited for the Friday night D&D game or drinking mead with your mates, but are not heavy. Then there are artists who are not metal, but given their sense of darkness, despair, or pure sonic gravity, are heavier than a great number of metal bands. Artists like Swans, Diamanda Galas, and The Birthday Party come to mind. Chelsea Wolfe is also one of those.

Her Burzum cover brought her to the attention of metal fans early in her career before she caught the ear of the indie rock crowd. I have obviously covered her here before, since I tend to prefer sonic heaviness and melancholic heaviness over metallic heaviness. This album falls more under melancholic heaviness and is less sonically heavy than her past three albums. Continue reading »

COFFINS: “BEYOND THE CIRCULAR DEMISE”

 Album Reviews  2 Responses »
Sep 122019
 

 

(This is Wil Cifer‘s review of the new album by Japan’s Coffins, which is due for release on September 20 by Relapse Records.)

2019 has been a really strong year for death metal. Here is an album that continues the trend.

Not the biggest fan of these guys going into this album, but familiar with their work. There is still some rough around the edges grit, but here their sound is much more dialed in. When they lock into a more palm-muted chug you can really hear the difference. It’s their fifth album in 20 years, and this sounds like the one they have taken the most time with. There are more sparse touches of punk. They are more deliberate on songs like “The Tranquil End”, but not jumping on this year’s death-doom bandwagon by any means. Continue reading »

AN NCS INTERVIEW: CROWHURST

 Interviews  1 Response »
Jul 312019
 

 

(Wil Cifer conducted the following interview of Jay Gambit, the principal creative force behind the genre-bending band Crowhurst, whose latest album III was released earlier this year by Prophecy Productions.)

Earlier this year I reviewed the latest album from this experimental black metal project, which was the third part in a trilogy. I recently managed to find the time to catch up with Jay Gambit, the main man behind this project, to discuss his creative process behind this album.

 

There seems to be a theme of working with different personnel for each record you make. Is there a reason behind this?

I view lineups as more of an assembly of musicians I think will benefit the record. Andy [Andrew Curtis-Brignell] was the backbone, no doubt about it – but there’s a lot more musicians on III like Ethan from Primitive Man and other folk whose sonic signature was distinct and complementary to various recordings. What keeps this from being a solo project is that I feel every musician brings their own presence, and by playing around with different formulas each record – you can get some spectacular and unique results. Continue reading »

GAAHLS WYRD: “GASTIR — GHOSTS INVITED”

 Album Reviews  2 Responses »
Jun 042019
 

 

(Wil Cifer reviews GastiR – Ghosts Invited, the new album by Gaahls Wyrd, which is out now via Season of Mist.)

Gaahl is an iconoclast. For him black metal is not something he simply paints onto his face. Black metal is something he expresses himself through with an honest anger. While you might not feel that hate coming at you through the speakers like his work with Gorgoroth, you can feel the darkness. He does not settle for the mediocrity of sounding like everyone else.

His first song is spoken in a Gollum-like voice. They are not just hitting you with blast beats, but with dissonance, creepiness, and haunting melodies. There are blast beats on “Ghosts Invited” but they take you on an immersive journey with more thrashing sections and some groove. In places Gaahl uses sung baritone vocals to off-set the din. They slow down into a more elegant and melodic pulse with “Carving the Voices”. If this is hurting your feelings because it doesn’t sound just like Gorgoroth, well go listen to Gorgoroth. Yes, he is singing more, but I imagine if he was just rehashing what he did in Gorgoroth, he would bore himself to death. Continue reading »

CROWHURST: “III”

 Album Reviews  1 Response »
Apr 082019
 

 

(Wil Cifer wrote this review of the new album by Crowhurst, which was released on April 5th by Prophecy Productions.)

This project of Jay Gambit and friends has always been a favorite of mine when it comes to American black metal as they are willing to deviate from what everyone else is doing, which is typically adhering to a steady diet of blast-beats. Though the opening song, sticks closer to a more traditional form of black metal, blast beats are used more as an accent than as a rule of thumb.

Its on “ Self Portrait with Halo and Snake” that things get interesting. Their sound begins to take on a more post-punk feel. Low baritone vocals carry a haunting melody. The guitar has a more indie-rock angle to it. The song does swell into harsh vocals, but everything is very smooth. Continue reading »

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