CATCHING UP (Part 3)

 Metal News  2 Responses »
Nov 252010
 

I guess this still qualifies as catching up.  I just saw a notice on the Profound Lore web site that in tandem with the November 23 release of Marrow Of The Spirit, AGALLOCH have announced a West Coast tour with “Austrian industrial/neo-folk/martial ambient act Allerseelen.”  The tour begins on December 17 in Agalloch’s hometown of Portland, Oregon, which will also serve as their record release show.

The number of tour dates is limited, and if you don’t live on the West Coast of the U.S., this news probably won’t do you much good. For us here in Seattle, the chance to see Agalloch on the heels of this new album release is just a fucking bonanza. The dates and places for the Agalloch/Allerseelen mini-tour are as follows:

12/17 – Portland, OR @ Berbati’s Pan (w/Aerial Ruin)
12/18 – Seattle, WA @ Neumo’s (w/Waldteufel, Alda)
12/21 – Los Angeles, CA @ The Proud Bird (w/Winterthrall)
12/22 – San Francisco, CA @ Great American Music Hall (w/Dispirit)

CATCHING UP (Part 2)

 RANDOM FUCKING MUSIC  No Responses »
Nov 252010
 

Yes, still catching up on developments in the world of metal that happened while I was on vacation. Yes, there’s probably a better-than-even chance that you already saw some of this while I was fucking off, but maybe you didn’t, or maybe you didn’t pay close attention the first time around. So, here are a handful of additional items I thought were interesting as I slogged through the mountains of posts on a few metal blogs and/or Facebook and/or MySpace that appeared while I was away.

Today, we have for you a hot new video by Bloodshedd (The Philippines) and new music from Murder Construct (California), and Exist (Washington, DC).

BLOODSHEDD

In February of this year, we reviewed an album called Spare No One, released in 2009 on the Tower of Doom label by a band from The Philippines called Bloodshedd. We summed up our review with these words: “Trust us on this: If Bloodshedd were in the U.S. instead of the Phillipines, they’d be turning heads far and wide. They’ve sure spun our heads all the way around! This is blazingly creative music played with passion and top-shelf skill.”

Well, while I was off on vacation, the band released their second official music video in support of Spare No One. It’s for a song called “Beast 696”. The video is another one of those band-playing-in-a-warehouse-or-alley concoctions, with fast cut-aways in the editing to keep pace with the blazing music. And oh hell, does it blaze — a buzzsaw of blackened thrash played with top-shelf instrumental skill and a knack for triggering neck-snap’s.  (more after the jump . . .) Continue reading »

AFTER THE BURIAL: IN DREAMS

 Album Reviews  23 Responses »
Nov 242010
 

[EDITOR’S NOTE: Today we’re stepping aside again to make way for another album review by our UK contributor Andy Synn. It’s about the latest release, In Dreams, from one of NCS’s most beloved bands — AFTER THE BURIAL — but brace yourselves, because Andy is underwhelmed with the effort — and backs up his opinion in detail. Comments please!]

Apologies all, but I’m afraid this is going to be my first ever mainly negative review.

To qualify myself for this, I’d like to state that although I found Forging A Future Self to be a little stock for the majority of its running time, the band’s sophomore release Rareform remains one of my favourite albums of the more modern iteration of metal. It’s a skillful display of technicality and melody, mixed with a sense of interesting and progressive song-writing and a great sense of (non-derivative) Meshuggah-influenced groove. It had energy to spare and was organic in its ability to shift styles and tones.

Unfortunately, the third album In Dreams seems to have forgotten much of the positive growth demonstrated by Rareform, aiming for a more derivative and mass-appeal based sound. In a move similar to much of the “djent” movement (and also in a way reminiscent of the development of UK hardcore darlings Architects) the band have regressed to a more simplistic, and arguably less “metal”, sound. Now whilst not every record needs to be “tr00”, “kvlt”, or whatever is the precisely elitist terminology of the day, this record comes across as rather forced and lacking in certain departments, leading me to wonder if the band have lost a lot of interest in the “metal” element of their sound. (more after the jump . . .) Continue reading »

WIDOW SUNDAY: FOREVER SLEEP

 RANDOM FUCKING MUSIC  2 Responses »
Nov 242010
 

Back in early September, we reviewed Widow Sunday‘s 2010 album, In These Rusted Veins (here). We were mighty impressed with this band’s range of musical flavors, and mighty happy with how much fun we had listening to the album. Here’s one excerpt from our review:

The instrumental work on In These Rusted Veins is tight and capable, the songs are an infectious brew of shuddering verses and melodic choruses, and the production is top-notch, delivering a powerful punch — clear and defined when it needs to be, and a distorted cacophony when the song calls for it. And in the vocal department, Jacob Falconer proves himself to be a human chameleon with an impressive range — moving from hardcore howls to death-metal growls to almost-melodic yowls.

We added one song in our review for you to stream, and introduced it this way: “You want something with start-stop hammering, a la Meshuggah, with a big hooky chorus, a nice bass sweep, off-kilter machine-gunning on the drums, and an industrial vibe — kind of like Fear Factory or Alien-era Strapping Young Lad, but without the clean singing? Try ‘Forever Sleep’.”

Why are we reprising all this today? Well, it’s because Widow Sunday has just released an official music video for that very same “Forever Sleep” song. The song is just as much fun as it was back in September, and the video is sweet, too — shots of the band performing in a club and a little fatalistic story interspersed with the performance footage. Check out the video after the jump. Continue reading »

GUITAR WIZARDRY (PROOF THAT WE CAN BE MELLOW, ONCE IN A BLUE MOON)

 RANDOM FUCKING MUSIC  15 Responses »
Nov 232010
 

We can be mellow. It’s true! After all, I spent a lot of my vacation staring at clouds, and I wasn’t even high. That’s mellow, isn’t it? Plus, we get really mellow when we’re asleep (except when we’re thrashing around in a fever dream because we can’t get the latest Deathspell Omega album out of our heads).

Okay, to be brutally honest, here at NCS we don’t get mellow with our music very often. We prefer music that’s . . . whatever the opposite of “mellow” is. Wait a minute, let me look that up.

Okay, I looked it up, and the dictionary says the antonym of mellow is “harsh”. That’s the kind of music we prefer here at NCS — harsh music. Loud, harsh music — the kind that makes your hair stand straight up and causes the cat to spontaneously evacuate its bowels. Actually, we don’t like it when the cat does that, and I’m sure he doesn’t like it much either, which is why I usually listen to music through my earbuds, but you know what I’m talking about, right? Music that’s not safe for pets. Or small children. That’s what NCS is about, usually.

But every now and then, once in a blue moon, we stumble into mellowness, usually without meaning to. This morning was one of those times. We thought about just enjoying the brief mellowness phase and not sharing it with you, because we know most of you don’t come here to be dosed with mellow. But then we thought, maybe NCS readers get mellow every now and then, too. It could happen. It’s not likely, but it could. So, we’re sharing.

But to clear up any confusion, mellowness is a relative concept, and what we have for you is only relatively mellow — and it does feature the kind of wizardry that Harry Potter only dreams of, in this case, some genuine, no-bullshit, hot-off-the-presses guitar wizardry from Joe Satriani, and something older but very cool from Buckethead.  (after the jump . . .) Continue reading »

CATCHING UP (Part 1)

 Metal News  14 Responses »
Nov 232010
 

While I was away on vacation I didn’t completely neglect what was happening in the world of metal, but I confess I didn’t spend the kind of time I usually spend keeping up on current developments. So over the weekend I did my best to catch up. It was kind of like swimming against a flood tide. It’s amazing how much happens on a daily basis. Of course, I find that a lot of the bulletins, press releases, and blurbs that fill up the likes of Blabbermouth and band pages on Facebook and MySpace are pretty uninteresting.

But even ignoring the boring and utterly useless streams of bullshit that pass for metal news much of the time, I still found all sorts of happenings over the last 12 days that were quite interesting, and even exciting — the kind of occurrences we would have written about on this site if we’d been able to stay on top of our game. The downside of writing about them now is that for many of you, it will be old news. But what the fuck. We’re going to write about some of those items anyway, stale though they may be. Some things still taste pretty good even when they’re beyond their sell-by date. And besides, maybe some of you missed them, just like I did while I was off staring at clouds.

It may take a couple or three posts to catch up, but there’s no time like the present to get started. So today we’ve got a collection of items about Animals As Leaders, From Exile, After the Burial, and I Declare War. That’s what you’ll find after the jump, along with some music videos . . . Continue reading »

GOATWHORE LIVE

 RANDOM FUCKING MUSIC  7 Responses »
Nov 232010
 

The next time your grandma asks you, “honey, what does black ‘n roll, NOLA-style, sound like?”, you can tell her it sounds like this:

(and this is Goatwhore, in a high-quality video of the band performing “In the Narrow Confines of Defilement”, live in Denver on November 10; more videos from this show are available here)

YEAR ONE IS DONE

 Birthday Posts  14 Responses »
Nov 222010
 

To show you just how discombobulated I am after a little time off, I totally missed the fact that yesterday was the one-year anniversary of NO CLEAN SINGING. It’s true: On November 21, 2009, my two co-founders and I put up our first post on this site. We had 9 visitors. We couldn’t even get all our friends to pay attention.

We’ve learned a lot since then, we’ve met (virtually speaking) people from all over the world, and we’ve had a fucking blast doing this. NCS has evolved into something we never would have predicted — and few things are better than a pleasant surprise.

We never set out to make money by doing this, which is why we don’t run ads, but we did promise ourselves that if we couldn’t generate interest, we’d just shut down and go find some other way to spend our free time — cuz we really had no interest in writing only for ourselves. That’s what diaries are for.

Thankfully, we found an audience for our ravings, and so we’re still here, working on Year Two. This morning we tried to think of some clever way to celebrate our One Year Anniversary, but we must have used up our weekly allotment of cleverness because all we really want to say is this: To all of you who spend part of your precious time visiting NCS, and sometimes even leaving us your comments (which we love getting), thank you for allowing us to continue with NO CLEAN SINGING. You’ve enriched our lives more than we can say. Stay metal!

THE BURNING: BAIT THE HOOK

 RANDOM FUCKING MUSIC  4 Responses »
Nov 222010
 

Last month in one of our MISCELLANY posts, we wrote about a Danish band called The Burning and their then-forthcoming new album, Hail the Horde. We featured a song from the album called “Bait the Hook”, which we described thusly: “It’s a nasty piece of stripped-down, mid-tempo, power-groove with an absolutely killer, headbangingly-compulsive, main riff; a gritty low end that vibrates in the gut; expressive, throaty vocals; and a nice old-school, grinding breakdown that just churns and churns. . . . If you can stay still while listening to this baby, you may have narcolepsy.”

Well, the album is now out — and the band has just released an official music video for that “Bait the Hook” song.  Holy hell, I do love this song. Take firm hold of your chains and prepare to get your fuckin’ groove on.  (Thanks to the excellent Metality blog for the tip on this video.)

HARDCORE HYPOCRISY — STRAIGHT-EDGE

 Mosh Pit  19 Responses »
Nov 222010
 

[EDITOR’S NOTE: Today we have another guest post from our Midwestern correspondent, BadWolf. This one has the potential to ignite some heated commentary, pro or con, so don’t hold back. After all, “ignition” is our middle name (or one of them). So please let us hear from you!]

I feel a great deal of the time bloggers put an excessive premium on the music itself as art.

This makes sense, we are music bloggers, after all. But there’s more to metal than just the song or the album; there is the all-important live experience. Maybe bloggers sometimes ignore the live aspect of metal because it’s more difficult to share via the internet, or maybe because it’s just plain expensive at times.

Regardless, the live arena is where metal was born and what keeps artists afloat. It’s where the musicians we love get the money to make the music we love. And it’s also where metal as a community subculture congregates. Today I want to talk about those two aspects of metal.

But first, let’s talk about hypocrisy for a minute. Not the band, the phenomenon.

Pretty not-metal, right? A professor of mine once told me the first adjective she associated with metal music was honesty. Black metal purists clamor on and on about ‘trve’-ness. We, as a community, put a premium on truth (this has something to do with the endless sub-genre debate, methinks).

So what do live shows, the metal community, and hypocrisy have in common? Straight-edge. That’s what they have in common.  (more after the jump . . .) Continue reading »

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