Feb 222013
 

Last night, by chance, I listened to six new songs in a row that really grabbed me. In different ways, they were all horrific . . . and horrifically good. The first three were featured in Part 1 of this post earlier today, and here are the next three — from Gravewurm, Plague Widow, and Cursed Altar.

GRAVEWURM

Gravewurm are a band who started life in Pennsylvania in the early 90’s and now appear to be based in Virginia. They’ve released eight albums and a slew of demo’s, splits, and EPs — yet I’m fairly certain that last night was the first time I’ve ever listened to their music. My education continues.

The track I heard last night is named “Mistress of Blood and Fire”. It’s available for download on Bandcamp and will appear on the band’s next album, Infernal Minions, which is due for release by Hells Headbangers on May 14. I got a Bandcamp alert about the appearance of this song yesterday, and once I saw the name Hells Headbangers, I knew I had to check it out. Damned glad I did. Continue reading »

Feb 222013
 

When I first learned that Soilwork’s new album would be a double disc, I was skeptical. It’s difficult for most bands to create even one album’s worth of solid music at a time, and releasing two at once seemed like an idea fraught with risk — especially because of the unevenness of the band’s last album.

But man, The Living Infinite has confounded my expectations. It’s extremely solid from end to end over the course of 20 songs. That’s not to say that the songs are all of equal quality, but this really is an excellent album that justifies the dual-disc format.

We have kind of an unusual review planned for the album next week, which TheMadIsraeli will tell you about below, along with his own preview thoughts about the album. And then after that you’ll find yet another new song from the album that debuted today: “Long Live the Misanthrope”, from disc 2. Continue reading »

Feb 222013
 

“Grace” means different things to different people. In the case of Suffocation, it seems to mean guzzling booze, moshing your nuts off, tossing your cookies, and getting your head thoroughly wrecked by a blowtorch blast of death metal. I can get behind that philosophy.

Not long ago the band released their official video for the song “As Grace Descends” from their new album Pinnacle of Bedlam. As for the album as a whole, check out our review here, as well as our entertaining interview with the band’s bass player Derek Boyer. As for this individual song and the video, let’s just say that they’re both badass.

See and hear for yourself right after the jump. Pinnacle is out now on the Nuclear Blast label. (thanks to DGR for the prompt tip about this) Continue reading »

Feb 222013
 

I couldn’t monitor metal news as closely yesterday and the day before as usual, so I tried to catch up last night. I saw and heard a lot that interested me. But I hit one stretch when, by chance, I listened to six new songs in a row that were . . . horrific . . . and horrifically good. The first three of those are in this post — from Azrath-11 (Italy), Humanity Delete (Sweden), and Lantern (Finland). The next three will be in a subsequent post. But first, a bit of welcome news from . . .

IMMOLATION

A new Immolation album? Yes please!

At a time when Slayer seems to be immolating itself after 30 years of existence, Immolation are still going strong in their 27th year. Yesterday they announced that Kingdom Of Conspiracy is the title of their ninth full-length album and that Nuclear Blast will release it on May 14 in North America.

This follows 2010’s Majesty And Decay and the strong 2011 EP Providence.  Very stoked for this. Continue reading »

Feb 212013
 

About 8 hours ago Dave Lombardo, co-founder of Slayer and the band’s drummer for more than 30 years, released a statement in which he states that Kerry King has kicked him off the band’s upcoming Australian tour in reaction to complaints from Lombardo about not being paid for the band’s touring in 2012 and about being denied access to the band’s financial records.

In his statement, Lombardo claims that 90% of Slayer’s 2012 tour income was deducted as expenses, including the professional fees paid to Slayer’s management, “costing the band millions of dollars and leaving 10% or less to split amongst the four of us.” Lombardo states that he and Slayer frontman Tom Araya hired auditors in an effort to find out what had happened to all of the tour income but they were denied access to the detailed information they sought to obtain.

He further states that management demanded, as a condition to paying him, that he sign a contract “which forbade me to do interviews or make statements having to do with the band, in effect a gagging order.” Continue reading »

Feb 212013
 

(In this post TheMadIsraeli reviews the new album by Sweden’s Feared, and then we’re stoked to give you a stream of the full album.)

Ola Englund is a name that guitar geeks like myself will probably know better than anyone else.  His YouTube channel hosts a myriad of really badass guitar and gear demos that I and fellow guitar players have flocked to frequently for ideas about what gear we want.  In addition to his membership in Six Feet Under, however, Ola has a musical outlet that not many may be aware of: The name is Feared.

Feared are a badass band, a band with a sound all their own, a band who will curb stomp the shit out of you repeatedly until you beg for mercy.  Their unusual combination of melodic death metal charged with trademark Swedish excellence and ballsy incorporation of groove metal creates a sound that’s refreshing.  Even though Furor Incarnatus is the band’s fourth record, it’s the first time I’ve heard them, and I suspect it may be a first for many of you, too. Continue reading »

Feb 202013
 

As I write this (which was the night before it will be posted), I’m sitting in a hotel room in Texas with a crap-load of day-job work ahead of me on the day you will read this. Actually, I have a crapload of work I should be doing right now. And so this will be the fastest NCS round-up ever — more like an index than anything else.

So, with few words, here are news items and new music I saw and heard that I want to spread around.

VHÖL

Yesterday Profound Lore unveiled the cover to the VHÖL self-titled debut album, which you can see above. The artwork is by band member John Cobbett with design by Kevin Gan Yuen. The release date is April 16. Why do I care about this album? Because the band is composed of the aforementioned John Cobbett (Hammers of Misfortune, ex-Ludicra, GWAR, and Slough Feg), Aesop Dekker (AgallochWorm Oroborus), Sigrid Sheie (Hammers of Misfortune), and Mike Scheidt (YOB). For more about this band, see my previous posts. Continue reading »

Feb 202013
 

Heaven Shall Burn’s new album Veto is one of my “most anticipated” releases of 2013. This morning, the band and its label (Century Media) unveiled the album cover, which, as you can see above, makes use of an eye-catching 1898 painting of Lady Godiva by John Collier.

But that’s not all. They also made available for streaming and free download a song from the album entitled “Land of the Upright Ones”. But you have to work for this. They’ve constructed a puzzle that must be solved before you can hear or download the music. This is what the puzzle looks like:

I’ll tell you this much: it isn’t as simple as just dragging and dropping each stone into those spaces in the same order as you see them. Reversing the order doesn’t work either. Continue reading »

Feb 202013
 

(Suffocation’s new album Pinnacle of Bedlam is a stunner, but what did you expect? As TheMadIsraeli said in our review of the album, Suffocation “define the three things that make a great band: Consistency, legacy, and relevancy.” We’re honored to present Andy Synn’s interview of Suffo’s uber-bassist Derek Boyer.)

So a couple of weeks back I was asked if I wanted to interview Suffocation… and who could say no to something like that? I wasn’t aware who exactly would be answering my questions, so I tried to make them of a type that could easily be answered by any and all members of the band. In the end it turned out to be uber-bassist extraordinaire Derek Boyer who was tasked with responding to my inane queries, and – all credit to him – he did so in a thoroughly entertaining and really detailed manner.

You’ll notice that I didn’t bother to touch on any of the recent line-up changes, the he-said, she-said back and forth between the band and departing drummer Mike Smith, or even the storm-in-a-teacup that was Fran Mullen’s decision to cut down on his own ability to tour. These have all been covered pretty thoroughly elsewhere, and, as I think you’ll see, it seems like Derek certainly appreciated not being asked about them for the 100th time.

Ultimately, I hope he got some enjoyment out of answering the questions himself, and I hope you all appreciate his answers and his generally very friendly and relaxed demeanour, which really comes across despite the limitations of the email interview format! Continue reading »

Feb 192013
 

Not long ago The Faceless released an official video for “Deconsecrate”, a song from last year’s Autotheism album (reviewed here by DGR). I suppose everyone who cares to has already heard the song, with its schizophrenic mix of prog, tech death, and jazz. It’s a song that caught me off guard when I first heard it — and I can’t say I’ve gone back very often to give it more time.

But a strange thing happened to me when I listened to the music in the new video, after having put quite a bit of space between me and it: I really enjoyed it.

I also enjoyed the really well-made video directed by Ramon Boutviseth. If you know the lyrical themes of this album, the story won’t come as a great surprise. However, if you think it’s showing a theft in progress, thing again. Watch after the jump. Continue reading »