Islander

Oct 162014
 

I’m still more than 2,500 miles from home as a result of the old fucking day job, with precious little time to call my own, but I did take some breaks last night and early this morning, just long enough too explore three short releases that I’ve been meaning to check out. All of them are good, all of them are on Bandcamp, and all of them are either wholly or partly in the realms of black metal.

JØTNARR

I can’t remember which of my Facebook friends linked to this two-song EP, but whoever you are, thank you.

Jøtnarr are a three-man group from Colchester, England, and the title of that two-song EP, which is their most recent release (from December 2013), is Divide the Growth and Stone. Last month they were featured as “Band of the Day” at Terrorizer (here), along with an interview by Kez Whelan, and that may have been how my FB friend stumbled upon them. Continue reading »

Oct 152014
 

 

As I write this I am sitting on an airplane at about 40,000 feet somewhere over the Rocky Mountains. I am having to fly across the country because of my fucking day job, and once I get where I’m going, I will have to fucking work — pretty much day and night until I make it back to Seattle on Saturday night.

I tell you this not to pique your curiosity — because I can’t tell you what I’m doing, or I could, but would then have to kill you — but as an explanation of why there will be some scarcity in our posts between now and Sunday. Also, the “Seen and Heard” title is only half true:

The wi-fi on this plane isn’t good enough to let me stream music, so I actually haven’t heard anything — other than the guy sitting next to me snorting his phlegm every 10 minutes, the dude in front of me snoring, and the dull roar of the engines. Also, I have to fucking work on the plane beginning pretty damned soon.

Well, enough of my whining. Here are some things I’ve seen in my scampering through the inter hole this morning, and some things I would like to hear when I have the chance. Continue reading »

Oct 152014
 

 

I learned about Finland’s Less Than Three through an e-mail from my old web friend fireangel (Night Elves), who for many years has made it her mission to focus on and spread the word about Finnish music.

The band started as a bedroom project of one Jesse Soiletsalo (ex-Medicated) in 2010, but in time he recruited quite an impressive line-up of allies to record the music he had composed: drummer Samuli Mikkonen (Profane Omen), vocalist Tommy Tuovinen (MyGrain), bass-player Pyry Hanski (ex-Before the Dawn, Mörbid Vomit), and second guitarist Ari-Pekka Repo (ex-Murdershock).

They recorded a self-titled EP and released it in March 2013, and this month they’ve released a second one, entitled The Black Box, with vicious cover art by Jussi Salolainen — or at least they’ve released it for listening. Announcements about a physical or digital release are yet to come. Continue reading »

Oct 152014
 

 

(In this post Andy Synn offers some opinions and poses some questions — and invites your answers in the Comments.)

Now that the financial crisis is over… fair and equitable punishments have been meted out to those involved… the banks have all learned their lessons… and nothing like that will ever happen again…. I think we can safely move on to discussing more important topics, right?

All (slightly depressing) jokes aside, zeitgeisty terms like “too big to fail” actually have their use and can be applied and utilized in a bunch of wider contexts. Case in point, what happens when a Metal band becomes “too big to fail”, and how does a band even reach that point? Continue reading »

Oct 142014
 

 

We’ve thrown an unusually large number of recommended songs, videos, and releases your way today, but we’re still not finished. In this post you’ll find a review and a music stream of an EP I recently discovered that made quite a strong impression. Hope you enjoy it as much as I have.

NUMENOREAN

Numenorean from Calgary, Alberta, Canada, began as a two-man project in late 2011, with Byron Lemley recording and writing all the songs and Brandon Lemley providing the vocals. With additional vocal assistance from Aidan Crossley on one song, the band released a two-song demo in June 2014 totaling almost 20 minutes of music, and I listened to it yesterday.

And why did I listen to it? Because an e-mail from the band used references to Agalloch, old Alcest, and Falls of Rauros to describe the style of their music. I reacted to those references much like Pavlov’s dog at the bell: I started salivating. And then I listened to the first of the two tracks, “Let me In”. Continue reading »

Oct 142014
 

 

(Our Norwegian guest contributor Gorger, whose own blog is here, returns to NCS with the third and final Part of an entertaining post in which he recommends music we’ve overlooked — with a couple of conclusions at the end.)

 

Welcome to my last installation of stuff I’ve enjoyed these last months that has not been covered on NCS. The previous posts are here:

Part I
Part II

 

ENDZEIT: YEARS OF HUNGER

The difference between demos and self-released EPs can be rather minimal. Endzeit defines this as an EP, and the music is mature enough by all means to justify this. Negativity is about as popular here on NCS as clean, high-pitched singing performed by castrated power vocalists. Nevertheless, I have to address just this one negative aspect: Soundwise, there’s a somewhat unfinished feel. The sound is slightly flat and tame, whilst this music feels as if designed for a bombastic sound with a violent punch. The sound is by no means completely lifeless, though.

Endzeit is from Finland and was initially conceived as a one-man band by guitarist Polaris in 2012. This original intention was, however, quickly discarded as Black (vocals and guitar), Samuli (drums), and Pyry (bass) came along. The EP was written the same year and contains 22 minutes divided over five tracks. The guys have come up with a lyrical concept about a doomed, future-less world where decay has gone too far to be reversed. The inspiration is the city of Detroit, where large blocks/precincts are characterized by urban decay and vacancy. Condemned buildings allegedly serve as rat’s nests for criminals. Continue reading »

Oct 142014
 

 

(New Zealand-based metal writer and broadcaster Craig Hayes rejoins us with the following very thoughtful and interesting interview of members of Germany’s Ancst.)

German crust collective Ancst was born from hardcore and black metal colliding at 666mph. Biting socio-political commentary forms a big chunk of Ancst’s anarchic aesthetic, and like fellow metallic punks charged with the idea that society desperately needs to change its direction, the band channels its frustrations with the world at large through a sound that’s hot-tempered and savage.

Ancst recently released its In Turmoil compilation, which collected remastered EP, split, and demos tracks, and the band’s raw mix of caustic crust and fierce tremolo-screeds has resulted in Ancst’s profile steadily rising outside of Germany’s borders. Ancst vocalist Torsten and multi-instrumentalist Tom took some time out from gearing up for a German tour to answer a few questions for No Clean Singing. They talk about the band’s beginnings, their clear-cut and rabble-rousing political stance, and what’s in store for the future.

********

Let’s start right back at the beginning. Was there a moment in time that inspired you both to step from being fans of music to people driven to create?

Torsten: Listening to Michael Jackson’s “Beat It”, and then watching his epic “Thriller” video, when I was six years old. Years later, I was deeply moved by Adrenaline by the Deftones—and my love for that band is ongoing. For me, creating music is just another element I use to express myself, within a DIY context.

Tom: To be honest, I can’t really remember. Music has always played an important role in my family and I started playing in bands really early, but they weren’t heavy bands. I couldn’t find people to play extreme stuff with, and so I ended up in shitty alternative and indie bands at first. Years later, I met like-minded people when I moved to the city. But, if there is any band that opened up my eyes to the world of extreme music, it’s Napalm Death. Particularly their Inside the Torn Apart album. Continue reading »

Oct 142014
 

 

Here’s a rather large selection of new songs and videos released in the last few days that I decided were worth your time — and who better than me to decide how you should spend your time?  Exactly.

I’ve arranged these offerings in alphabetical order by band name. It’s quite a varied selection, so I’m hoping everyone will find something to like.

BLOODBATH

We’re now two songs into the ramp-up for one of the most highly anticipated extreme metal releases of the year — Grand Morbid Funeral, the first album by Bloodbath since 2008. The second song, “Famine of God’s Word”, was revealed yesterday through a lyric video. I’m of two minds about the song.

On the one hand, the instrumental music is just downright vicious — a brutally heavy, galloping, squalling, skin-flaying, gut-punching romp, with an eerie lead guitar melody that floats through the song like a phantasm. Continue reading »

Oct 132014
 

 

Today Norway’s Mayhem and Sweden’s Watain announced that they will be mounting a co-headlining North American tour together this winter. Named Black Metal Warfare, the tour will also include support from the Canadian black/death band Revenge.

Mayhem are touring in support of their new album, Esoteric Warfare, while Watain are touring in support of their most recent full-length, The Wild Hunt. I really enjoyed the live performances of both bands the last time they separately ventured to our shores, and I have high hopes for this tour. I’m also very interested to see Revenge.

The full schedule appears right after the jump (it neglects the South and Southwest, among other regions): Continue reading »

Oct 132014
 

 

I’ve had vomit on my mind, and not for the usual reason after a weekend. This time it’s because I happened to notice that I had promos for three new albums by bands with the word “vomit” in their names, and at about the same time as I figured that out, I heard a new song from yet another vomit band on Facebook that I liked. It’s definitely not a distinct genre, this vomit metal. As you’ll see, vomit comes in all kinds of different chunks.

And although I’m joking around about vomit, some of the most fun I’ve had all year with my clothes on has come from listening to the music featured in this post. I do hope you’ll devote your time to it.

DEATH VOMIT (CHILE)

You may have noticed from the headline of this post that it includes two bands named Death Vomit. This first one is from Chile, and their debut album Gutted By Horrors was released this past July by Xtreem Music. I wrote about the first advance track from the album last June, but idiot that I am, I never listened to the whole album until Kunal Choksi reminded me of its existence via a recent e-mail.

I’m so glad I finally paid attention, because Gutted By Horrors punches a whole shitload of my buttons — it’s a supremely well-executed assault of ancient death metal lethality, like a strain of plague bacterium that has begun virulently festering after being unearthed from a crypt and exposed to air once again. Continue reading »