Islander

SHADES OF BLACK: MUR, GRAVEOLENCE, GOMGOMA

 SHADES OF BLACK  1 Response »
May 162021
 

 

Obviously, I didn’t make the usual Saturday round-up of new songs and videos yesterday. I was victimized by a combination of too much partying the night before and too much work for my fucking day job. This Shades of Black column is also a bit out of the ordinary. I tend to focus on brand new releases and advance tracks from forthcoming records, but today I’m playing catch-up, calling attention to three albums I’ve been enjoying which came out in March or April. And none of these releases is unadulterated black metal — in fact, the “blackening” is often minimal — though the other ingredients in these amalgams differ from band to band.

(I’ll also mentioned that Panopticon’s new album is out now in digital form, and you should go listen to it here; I already spewed a bunch of words about it in mid-April.)

MUR

This French band’s new record, Truth, is classified as an EP, but it’s more than 30 minutes long, and it’s a great way to spend a half-hour, as long as your’re not a rigid genre purist. Continue reading »

AN NCS SPLIT PREMIERE: BLOOD SPORE, COAGULATE, SOUL DEVOURMENT, GUTVOID (4 DIMENSIONS OF AUDITORY TERROR)

 Premieres  4 Responses »
May 142021
 

 

Over the last couple of weeks our friends at CVLT NATION have been premiering, one by one, the four ravaging tracks that make up 4 Dimensions of Auditory Terror, a four-way split that’s being released today in a variety of formats by a consortium of labels — Sewer Rot Records, Rotted Life, Blood Harvest, and Black Hole Productions. The participants in this terrorizing 32-minute assault are Blood Spore, Coagulate, Soul Devourment, and Gutvoid.

To celebrate this ghastly event we’re presenting all four tracks from the split in one place, along with new commentary from the bands and our own impressions of each song. Collectively, they make for a listening experience that’s as electrifying as it is mind-mauling, and a showcase for the talents of four up-and-coming death metal bands who deserve a lot more attention. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): EPIPHANIC TRUTH — “DARK TRIAD: BITTER PSALMS TO A SORDID SPECIES”

 Album Reviews, Premieres  1 Response »
May 142021
 

 

We don’t know the identity of the masked members of Epiphanic Truth. We’re only told by the band’s label Church Road Records that they come from “a number of former and established acts” — a claim that’s easily accepted based on what they’ve created on their debut album, because it’s so mind-blowing on so many levels.

That album, Dark Triad: Bitter Psalms To A Sordid Species, is an exceptionally ambitious, strikingly adventurous, remarkably multi-faceted, and utterly captivating experience, and so accomplished in its conception and execution that it would come as no surprise to see it appearing on numerous year-end lists — if only word of its existence spreads far enough.

We’re damned well going to do our part to help spread the word, through a great torrent of our own words, but mainly through our premiere today of a full album stream in advance of the May 21 album release by Church Road. Continue reading »

AN NCS VIDEO PREMIERE: MEDITATOR — “DUST”

 Premieres  2 Responses »
May 132021
 

 

Nashville-based Meditator began almost four years ago as a concept in the mind of front-man James Downs, a kind of musical meditation on the human condition, after the dissolution of his previous band. That led to an album named A Darkness Unknown, and its positive reception motivated Downs to assemble a full band, which included guitarist Nick Elder. While beginning to play live shows, Meditator also began work on another album, which took shape around the title World Watcher.

Of course, the global pandemic had other plans, and interfered with Meditator’s expectations for release of the new full-length. They decided to postpone the release, but to begin revealing singles from the record, beginning with “Star Gazer” in October 2020, and continuing not long ago with “Dust“. It’s that second song that’s the subject of the music video we’re premiering today, which shows the band performing the track in a plastic-wrapped room. Continue reading »

AN NCS PREMIERE: ADARRAK — “WITHERING”

 RANDOM FUCKING MUSIC  1 Response »
May 132021
 

 

Adarrak is a new progressive death metal band founded by Singaporean guitarist extraordinaire Emmanuel George Bi and fleshed out by the talents of vocalist Gustavo “Kike” Valderrama (Sol De Sangre, Headcrusher) and bassist Zigor Munoz. Guest performers on their debut album, Ex Oriente Lux, include drummer Robin Stone (ex-The Amenta) and guitar soloists Nicholas Chang, Edmund “Quekstein” Quek, and the great Marty Friedman.

Moreover, the album was mixed and mastered by none other than Dan Swanö at Unisound Studios, who has commented: “Adarrak is truly progressive since they are not afraid to implement all kinds of metal into the mix, anything from epic leads to insane blast parts.”

And if all that information didn’t build some heated intrigue within your brain, the song we’re presenting today from Ex Oriente Lux surely will — though it might also send your mind into the sky and explode it like fireworks. The name of the song is “Withering“. Continue reading »

BLEETH: “HARBINGER”

 Album Reviews, SHORT BUT SWEET  No Responses »
May 132021
 

 

(Here’s Nathan Ferreira‘s review of the new record by Miami-based Bleeth, set for release by Seeing Red Records on May 28th.)

I’m stepping outside of my comfort zone here. I don’t usually look for sludgy post-metal when I’m bored and unsure of what to listen to. In fact, if it weren’t for the magnificence of The Ocean and my nostalgic appreciation for early Mastodon as a gateway band, I’d probably never listen to this stuff unprovoked.

This makes it even more perplexing that I find myself coming back to Harbinger, the second full-length of Miami-based Bleeth. It is very much entrenched in the modern metal ethos and presentation – if you aren’t into this stuff already, I doubt this will be the album that converts you, because it checks every single box this sub-style is supposed to check. Lots of thick, hazy chords that are memorable more for their simplicity than the actual melody being played, a “less is more” approach to driving rock riffs, big bassy tone, aggressive feminine vocals that straddle the line between signing and atonal yelling (with some more raggedy harsh vocals spliced in as well). Their band name sounds like a nonsensical utterance a baby makes when it’s got a mouthful of food – because this is “artistic” or something? In essence, what I’m saying is if artificial intelligence could generate a post-sludge band, Bleeth is exactly what would come out. Continue reading »

SEEN AND HEARD: DRAWN AND QUARTERED, ERDVE, EUTHANIZED, USHANGVAGUSH

 Metal News, Premieres  No Responses »
May 122021
 

 

To my surprise, I found time to compile this mid-week round-up. It’s not quite as long as these things usually are, consisting of only four advance tracks from forthcoming releases, but it will make the next one I do that much less bloated. The music I chose is stylistically diverse, but all of it brings an electrifying intensity. Might be something on here you’ll want to add to your wish list.

DRAWN AND QUARTERED (U.S.)

Seattle’s beloved Drawn and Quartered are returning with their eighth album, Congregation Pestilence, preceded by the just-released single, “Rotting Abomination (The Cleansing)“. It’s indeed rotting and abominable, and also a mouth-watering feast for death metal ghouls. Continue reading »

AN NCS PREMIERE: ANTHROPOPHAGUS DEPRAVITY — “TEMPLE OF SACRIFICE”

 Premieres  1 Response »
May 122021
 

 

On July 2nd Comatose Music will proudly (and perhaps sadistically) uncage Apocalypto, the ghastly debut album of Anthropophagus Depravity from Yogyakarta in Indonesia, a record that Comatose sums up as “a gory tale of human sacrifice and mutilation delivered with fearsome musical prowess and ruthless, relentless force,” an album “spawned from nightmares” that “radiates fear and panic”, and one that will secure the band’s place “at the top table of brutal death metal”.

What we have for you today is the premiere of “Temple of Sacrifice“, a song that earns those words. It’s a cruel fashioning of terror in multiple visceral forms, an amalgam of cold, ruthless, methodical brutality and skittering, scrambling madness, all of it shrouded in an atmosphere of supernatural horror. Continue reading »

AN NCS VIDEO PREMIERE: PASSÉISME — “CHANT FOR PARADE”

 Premieres  2 Responses »
May 122021
 

 

The French label Antiq Records has become a paramount global source for medieval black metal (though not only that), and while the label tends to focus on the music of distinctive French bands, its forthcoming release of the debut album by Passéisme shows this is not exclusively true. Granted, the band chose a French name and have drawn upon French poetry for some of their inspirations, but this trio make their home in Nizhny Novgorod, Russia.

Passéisme’s debut album Eminence (which follows their 2019 demo Austerity Parade) is a sequence of seven Chants, but while there is a sense of nostalgic reverence for older eras that does emerge in the music, these are not sedate or sober recitals. They are instead usually fast, fierce, and often explosively ebullient, the kind of music that super-heats the blood and spins the mind, while the lyrics often reflect savage condemnation. We have a prime example of this in the lyric video we’re premiering today for “Chant For Parade“. Continue reading »

THE MONOLITH DEATHCULT: “V3: VERNEDERING”

 Album Reviews  2 Responses »
May 122021
 

 

(Despite the somewhat incestuous relationship between Andy Synn and the Dutch “Svpreme Avant Garde Death Metal” band The Monolith Deathcult, he has taken it upon himself to review their new album, which is set for detonation release on May 14th.)

As anyone around here will tell you, The Monolith Deathcult and I have a fairly long and sordid history together.

Not only have I written about pretty much everything they’ve ever done (especially if you take into account the edition of The Synn Report I did on them just over a decade(!) ago), but I’ve also helped them with their promotional materials, and even been on tour with them a couple of times.

All of this, of course, makes me both the best and the worst person to be writing about the band’s new album, as while I’ve definitely got the right background and the insider info, mainline straight from the source, to really dig into the nitty gritty of the record, I’m sure there’s also a fair few people who are (understandably) going to be questioning my ability to be fair and impartial right now.

But, ultimately, there really was no-one else here at NCS who could write this review (and not just because everyone else was too busy).

After all, we all know that the only way for any band – even one as utterly shameless and reliably critic-proof as The Monolith Deathcult – to be truly judged (and, hopefully, convicted) is by a jury of their peers… which is why I swear to you that what you’re about to read is nothing but the truth, the whole goddamn truth, so help me (please help me) god… Continue reading »

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