Islander

Apr 162021
 

 

We’re about to take a mad leap off our usual beaten paths, flying off a precipice into a chaotic collage of sounds that differ stylistically from the genres of our usual focus but are still extreme and, yes, still metal (at least in part).

What we’re doing is premiering a track named “Sins of the Muse” from a forthcoming EP by the Floridian project AntiMozdeBeast (the solo work of one Gabriel Palacio). Entitled The Ritual, the EP is a melting pot of industrial, harsh electronics, metal, and a general affinity for the macabre (which extends to the varying vocals). Continue reading »

Apr 162021
 

 

Verlorene Zeit is the forthcoming third album by the band Sterbefall from Voronezh in central Russia. Through a hybrid of black metal and post-metal the album gives voice to feelings of despondency, depression, self-hate, and pain — feelings that also lead into expressions of rage and bitterness. The two labels that will be releasing in on April 23rdSatanath Records (Russia) and Fog Foundation (Italy) — recommend it for fans of Dystopia Nå!, Der Weg Einer Freiheit, Amesoeurs, and Hvøsch.

Those other names used as reference points are enticing inducements for Verlorene Zeit, but even more so is the song we’re premiering today, “Verbogene Gras“. Continue reading »

Apr 152021
 

 

Next month the world will get a new Panopticon album. Like all Panopticon albums, but maybe more so than any other, it’s a very personal expression, a reflection of a pivotal time in its creator’s life and a form of therapy as well. Its principal theme or message, as Austin Lunn told us in the interview that accompanied our announcement of the album in mid-January, “is atoning for wrongdoings and failures, growing and changing, casting off darkness and returning to hope again… returning to and improving on a better version of myself”.

In that same interview, Austin described the message in another way, with reference to the photographs of his partner and aesthetic collaborator Bekah that accompany the record: “All of the photography Bek took for the album are of places within a couple hours’ drive from our house, either in Minnesota or Wisconsin. The places aren’t as meaningful as the plants that grow there are… a metaphor for regrowth, healing, and survival. The photography is mostly taken in bogs… so the plants grow top towards the sun from the murky waters and moss below. That’s essentially the concept of the album”. Continue reading »

Apr 142021
 

 

Although there wasn’t much rhyme or reason to the musical parameters of Part 1 of today’s roundup, Part 2 is a little more coherent since it uniformly leans into black metal. However, to suggest that these four songs follow a consistent pattern would be wrong — each one sounds very different from the rest.

SPECTRAL LORE (Greece)

My first choice is “Φονικό Φως (Murderous Light)“, which surfaced as a digital single on Bandcamp yesterday. It was originally written for and released as part of Art Against Censorship, a compilation of 36 songs from Greek musicians to protest a law that was intended to target and silence radical political artists.

That comp was released in February of this year as a free download (here), and I managed to overlook it. It obviously includes a ton of music, and most of it is from bands whose names I don’t recognize, so one benefit of Spectral Lore‘s single will be to help draw attention to it. (I’m not surprised to see a Yovel song at the close of the comp.) Continue reading »

Apr 142021
 

 

I found time last night to rumble through a lot of new or newly discovered music, and enough time today to stitch together a two-part round-up. There’s not much rhyme or reason as to why I put these first four in Part 1, because the music is kind of all over the map. It would have been even more hard-to-classify if I’d included Mick Jagger‘s new jam with Dave Grohl, which I do like despite the silliness of the lyrics.

THE MONOLITH DEATHCULT (Netherlands)

Having finally listened to “Gone Sour, Doomed” and watched the video that accompanied it when it debuted in February, I’m even more befuddled about why it took me so long to do that. I can’t pretend to hold all the songs of The Monolith Deathcult in my head, despite how memorable many of them are, but I will still say that this new one is among the most exhilarating they’ve ever concocted. And the video is HIGHLY entertaining, and proof that the band’s renowned sense of humor is still alive and well. Continue reading »

Apr 142021
 

 

The part-Brazilian, part-German death metal band Incarceration have compiled a discography that includes a pair of splits, an EP, and a 2016 debut album named Catharsis. To that collection of releases they are now adding a new EP entitled Empiricism that’s set for release on Friday of this week (April 16th) by Dawnbreed Records.

On this newest effort the band’s core duo of Daniel Silva (who performs vocals and bass on this release) and Michael Koch (drums) are joined for the first time by guitarists Pedro Capaça (Violator) and Alex Obscured (Speedwhore, Obscured by Evil). Whether for that reason or others, the band seem to have thrown themselves without reservation into the most furious and unhinged side of their sound.

And thus, as you’ll discover through our full streaming premiere today, the new EP generates adrenaline-fueled mayhem with explosive, savage power, although that ruthless, visceral intensity is accompanied by spectral leads and coruscating solos that generate a frightening aura of the occult. Continue reading »

Apr 132021
 

 

Daniele Valeriani‘s cover art for Acausal Intrusion‘s debut album Nulitas perceptively connects to the experience of the music. Both are malevolently frightening (even monstrously so), disturbingly surreal, and transfixing. The linguistic preview of the music offered by I, Voidhanger Records (who will release the album on May 21st) also effectively summons some of that experience:

Acausal Intrusion play chaotic technical death metal tapping into regions beyond time and space, a vessel for ancient and unknown forces to channel into this earth, to dismantle the psyche and destroy the ego”.

And so too does the expression of the album’s concept provided by Nythroth, one of the two men who joined forces to make the music (the other goes by the name Cave Ritual):

“The acausal realm is the source of all true life. It lays beyond our causal world and is inhabited by ancient entities and chaotic energies usually too terrifying for humans to behold. Their intrusion into our reality can spark an alchemical process of transformation through which the individuals emerge on the other side with renewed self-consciousness.” Continue reading »

Apr 132021
 

 

What we have for you here is a first listen to the entirety of Melancholie Der Engel, the debut album by the Italian atmospheric funeral doom project Shamael in advance of its joint release on April 15th by Satanath Records (Russia) and Negre PlanY (Spain).

In crafting this record (during the pandemic) the solo artist behind Shamael, Raffaele Galasso (a member of Gardenjia and Nightcrush) has not broken any molds, but he didn’t need to. The album is so immaculately executed that it’s a monumental achievement despite its adherence to so many familiar tropes of the genre. In its amalgam of sounds it’s ethereal and pulverizing, mystical and ruinous, haunting and harrowing, shattering and spellbinding. Continue reading »

Apr 122021
 

 

The long history of The Blood of Christ (aka Blood of Christ) began in 1994 in London, Ontario, Canada, and from then until now (with one long hiatus) the band has been anchored by guitarist Jeff Longo and drummer Jason Longo, and for their newest release they have been joined by vocalist/bassist Hank Bielanski. That newest release, which dropped last December via CDN Records, is an album-length split with the Japanese extremists Vomit Remnants entitled Eastern Beast – Western Wolf.

Blood of Christ‘s four contributions to the split capture the band’s genre-bending union of death and black metal, shrouded in dark, epic atmospheres and lyrically focused on subjects often atypical for such diabolical sounds.

For the first of their songs on the split, “Forgotten Divinity Chapter 1“, the band resurrected a song that was first included in a 1998 demo and breathed new life into it — and today we’re presenting it through a new lyric video. Continue reading »

Apr 122021
 

 

The Loire is the longest river in France, rising in the French Massif Central, flowing north through Nevers to Orléans, and then west through Tours and Nantes until it reaches the Bay of Biscay at the Atlantic Ocean, more than 1,000 km (roughly 625 miles) from where it began. The history of human civilization along its course is ancient, still evidenced by the presence of over a thousand châteaux along its shores, ranging in their inception from the early medieval to the late Renaissance periods.

There was a time not so long ago when the Loire was also a major channel of commerce, crowded with merchant vessels, as well as a means of transporting people across the country. Among the commercial vessels were flat-bottomed barges used to move salt and other goods as well as sand dredged from the river itself and used in construction. In time, all the economic activity and transport dwindled and decayed, and today the Loire has largely returned to a wild state, though the surrounding architectures are still reminders of long-gone eras.

In the west, on its way to Nantes, the Loire enters Bretagne (French Brittany), the home of the black metal band Hanternoz and the two people who collaborate in it — Hyvermor (Véhémence, Grylle, Régiment) and Sparda (Créatures, Cataèdes). Their newest work as Hanternoz, an album named Au Fleuve de Loire, is a tribute to the great river, one presented in many ways, “from the natural point of view of endangered species to the many drowned souls it carries, from the Industrial Era and mechanization to the medieval history, from the fishing industry (viewed from the fishes’ point of view!) to the memories of the lyricist’s childhood”.

The album will be released by Antiq Records on May 3rd. Two songs from the album have been previously revealed, and today we present a third one — “Bateliers de Loire“. Continue reading »