Sep 092015
 

Obake - Eraldo Bernocchi

 

(Comrade Aleks brings us this interview with guitarist Eraldo Bernocchi of Italy’s Obake.)

We’ve mentioned the Italian experimental band Obake twice on NCS. First, it was the big doom quiz in July 2015 and then that article about rituals performed in music. Well, Obake released the new album Mutations in the fall of 2014 and a year has passed, but I’ve decided to put out this brief interview with Eraldo Bernocchi (guitars).

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Hello Eraldo! The new Obake album Mutations was released a year ago. How would you rate your own professional progress gained with that record?

Mutations is the natural evolution of the first album. We are tighter; we are a full time band now, where before Obake was more a project. The tracks are more structured, there’s a clearer path. Kaos has a method.

 

Those three songs which I heard are really more complex, more energetic, and heavier than those which you recorded for Obake’s first album. With what kind of feelings and expectations did you compose these songs?

Nothing expected, nothing felt. Energy, it’s all about energy. If we feel it in the studio we continue composing. We aim to be even heavier if possible. Continue reading »

Sep 082015
 

Kings Destroy - band

 

(Comrade Aleks brings us a new interview, this one with Steve Murphy, frontman of New York’s Kings Destroy.)

Welcome the stoner/doom kill team from New York, here are Kings Destroy! This stubborn band finished their third album in May, and I humbly suppose that this time they have collected their most rocking hits in one record.

This highly professional crew is deeply inspired by Melvins, Yob, and New York City itself, and they sound like “brutal Sabbath heaviness with hardcore outbursts and disturbed vocals verging on the demented”. I got the feeling that it was my duty to spread a word of Kings Destroy’s third arrival, and therefore today we have this interview with band’s frontman Steve Murphy. Continue reading »

Sep 082015
 

Sick reviews art

 

(Our friend and brutal death aficionado Vonlughlio [Blast Family] from the Dominican Republic rejoins us with an interview of the man behind Sick Reviews, a blog devoted to BDM.)

Back in 2014 I was looking for new bands and happened to stumble upon a FB page called “Sick Reviews” that specializes in Brutal Death Metal reviews. Thanks to this page I have found great bands from all over the globe (including Russia, Colombia, and Indonesia). The owner is Mr. Talbot, a rabid collector for more than 20 years and a connoisseur of the genre — and my interview of him follows:

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First, I would like to thank you for taking the time to do this interview for NCS, really appreciate it. As I mentioned, you are a collector and I would like to know from all your years of listening to metal, when and what album started you on your path into this particular genre?

Hi Rafael, first thanks for the interview! The album which have made me start getting into Brutal Death Metal I think was in 1996 with Trading Pieces from Deeds of Flesh, which is for me the first real BDM release to have been made! Before, we had Suffocation, Cryptopsy, and Pyrexia, but I never considered them as Brutal Death Metal. Trading Pieces in my opinion is the album which really created the genre — a bunch of BDM bands appeared after them and the genre was born! Continue reading »

Sep 082015
 

Andrew Craighan

 

(KevinP brings us another installment of his short-interview series, and this time he talks with Andrew Craighan, co-founder/guitarist/composer of My Dying Bride, whose new album Feel the Misery is set for release by Peaceville Records on September 18 — and reviewed here on our site.)

K: One of the things that struck me last time we spoke (right after A Line of Deathless Kings was released in 2006) was how you would write all the music, then give it to Aaron, and he would lock himself away for a week or so with some wine and candles and just spit forth all the lyrics.  He wasn’t privy to hearing the music beforehand.  Has anything fundamentally changed in that regard over the years? 

A: It was more or less the same on this one. I wrote at home and would send out odd and sods when I thought I had something of use. The band, Aaron included, would get used to them or learn the riffs in anticipation of needing to play it later. The full songs were then arranged again alone by me initially. Then, when in a playable state, we would rehearse them live at Voltage and re-arrange or write anything new there that fit or was needed. Again, completely developed without any vocals or lyrics by everyone in the band but Aaron. He doesn’t ever come to those parts of the process but has “demo” versions sent to him. What he does with them no one knows as he always seems “surprised by music” at the studio and on this one I got a bit more involved on the vocal melodies too, which was cool. Continue reading »

Sep 012015
 

Witchsorrow 2015

 

(In this post our Russian friend Comrade Aleks interviews Nick “Necroskull” Ruskell, vocalist/guitarist of the UK band Witchsorrow, whose third album No Light, Only Fire, is being released on September 18 by Candlelight Records.)

It’s hard times for doom cult followers. There are so many bands that you can stray within the labyrinth of names and faces and get into the trap of another copycat band. But here we are — to spread a Word of Doom, to bring the knowledge and tunes so heavy and crushing that skies are shaking! Well, heavy and crushing are Witchsorrow, the band from London, where people disappear in fog-covered streets and are swallowed by the routine of life in a hive-city…

Witchsorrow is a headstrong band, and they’ve recorded their third work No Light, Only Fire and are releasing it through Candlelight Records. The new songs sound harsh, sinister, and straightforward, yet in a traditional doom way, and I was wondering how the band could reach such a result?

It was necessary to know, so I’ve contacted Nick “Necroskull” Ruskell, the singing guitarist of Witchsorrow. Continue reading »

Aug 282015
 

Jacobo Córdova-1

 

(KevinP rejoins us with another edition of his short-interview series, and this time he talks with Jacobo Córdova, the man behind one of our favorite bands — Majestic Downfall, whose stunning new album is out now and can be heard at the end of the interview.)

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K:  So this is the third year in a row with a full-length album worth of material.  How have you been able to pull this off?

J:  I guess the reason why the band is so active is that I really like writing music and I do it as a very disciplined thing. It is a one-man job where I can decide when to do things, however I want to, without anyone on my back. I do have to say, that this time it was a bit harder than previously, since I incorporated a lot of new sounds into the music without caring or giving importance to where they came from.

 

K:   If you found it harder to write this time around BUT you didn’t worry about what you incorporated, wouldn’t that actually make it easier, being free of restrictions?

J:  Yes and no.Yes in the creative department, where as long as it sounded good I would work with it and incorporate it into the songs. No in the aspect of making such different ideas flow together in a smooth and cohesive way. That is what made me struggle more. I hate pasting riffs together without any relation. Continue reading »

Aug 282015
 

moss - 1

 

(Comrade Aleks returns to our pages with an interview of Olly Pearson, vocalist of the UK band Moss, plus music.)

Moss (Southampton, UK) started their way through the deepest doom sewers by practicing in the disciplines of sludge and drone in 2001. Their efforts brought certain success as the band secured a contract with Rise Above Records and somehow found the keys to the hearts of doomheads outside the UK and Europe.

One of the most significant steps for Moss was the recording of the Horrible Night album in 2013, which showed a new direction that the band had started to follow. It was still ruinous and tortured, darkest doom metal, but it was played in a more traditional way, with more clean vocals and a bit less distorted tunes.

Moss sounds unfriendly and sometimes harsh, but we’re spoiled enough to like it. So I’m happy to introduce you to Olly Pearson, the band’s vocalist. Continue reading »

Aug 272015
 

Thw Wounded Kings-George

 

(Comrade Aleks presents this interview with George Birch of UK-based The Wounded Kings.)

Born in misty Dartmoor, raised in vapors covering the infamous Grimpen Mire, doom metal outfit The Wounded Kings started their way to listeners in 2005. The somber Embrace of the Narrow House and the mournful and mystic Shadow Over Atlantis were composed by the duo of Steve Mills (bass, drums, guitars, piano) and George Birch (bass, guitars, vocals); both albums helped the band not only attract the attention of listeners but also to get in contact with Sweden’s I Hate Records, and later in 2014 – with Candlelight Records.

George left the band in 2010, but that didn’t stop Steve, who recorded two successful albums with a new line-up that included Sharie Neyland on vocals. George returned to The Wounded Kings not long ago, and now the band is finishing a new album. What should we expect from it? Let’s ask George Birch himself. Continue reading »

Aug 252015
 

Serpent Venom - band

 

(Comrade Aleks brings us another interview, this time with guitarist (and visual artist) Roland Scriver of the UK doom band Serpent Venom — with a stream of the band’s latest album at the end.)

Serpent Venom is one of UK doom-scene’s most perceptive flagships. Based in London, they have a contract with one of the best modern doom-oriented labels The Church Within and two full-length records at hands. Their second album Of Things Seen And Unseen has haunted me since its very release, so after one year of nightmares, I got ready to interview some of the Serpent Venom cult’s members and was lucky enough to get in touch with Roland Scriver (guitars). Roland is here today, so let’s see what he has to say. Continue reading »

Aug 252015
 

Fight Amputation-Constantly Off
The new EP by Philadelphia’s Fight Amp(utation) is a whirlwind roller-coaster ride — or it would be if a roller-coaster were capable of leaping off the rails with a mind of its own in addition to veering up, down, and sideways. It’s only six songs with a total run-time of about 18 1/2 minutes, but Fight Amp pack a lot of head-spinning diversity into that span of time. It’s the kind of music that keeps you pinned in place, gleefully wondering what the hell is coming next.

Precisely for that reason, it’s also the kind of release that justifies a track-by-track commentary from the band — and that’s exactly what we have for you here. But you need to listen to the songs either before or while you’re reading — or ideally, do both. A stream of Constantly Off is at the bottom of this post, along with a Bandcamp link where you can pick it up if you like what it does to you. And to get an LP edition of the album, Brutal Panda has got that HERE. Continue reading »