Aug 112014
 

(Andy Synn wrote this remembrance of Tristessa, of the Greek metal band Astarte.)

Sad news my friends. Yesterday I learned that Astarte frontwoman Tristessa (aka Maria Kolokouri) passed away due to complications suffered while fighting off Leukaemia. Not only was her wonderful life tragically cut short, but she also leaves behind a husband and young son… and I cannot begin to imagine what they must be going through. My heart goes out to them for their loss.

I’d been following Maria’s battle via the Astarte Facebook page, and her husband’s occasional updates, and had been hopeful she would be able to pull through, because I have been a huge fan of hers (and of Astarte) for a long time now. Indeed  we’re coming up on the 50th edition of The Synn Report (not even counting special editions) and it was Astarte who I chose to cover for the very first edition, way back in January 2011.

Here’s how I described them back then:

With a consistently changing line-up, the primarily female band Astarte began life as a purely Black Metal band, albeit one with an ear for a distinctive and dark melody.

“Over the years they have metamorphosed into a more Black/Death hybrid of a band, shedding and recruiting numerous different members along the way, but each time progressing and improving upon their own sound. They have in the past ten years gained a cult following of their own, whilst also gaining the patronage and friendship of some of the larger leading lights of the international Black and Death metal scenes. Guest slots from members of Rotting ChristDimmu BorgirGod DethronedArch Enemy and Mayhem have all served to cement them as a band to be taken seriously on the world stage, although their overall lack of exposure (coupled with their inconsistent line-up issues) has yet to provide them with that all-important break-out opportunity.

In hindsight I think it holds up pretty well. So, in tribute to Tristessa, I’ve asked Islander to reprint the original Synn Report below, in the hope that more people will be drawn in to appreciate the scintillating blackened art of Astarte. Continue reading »

Aug 112014
 

Collected in this post you will find news of three U.S. or North American tours. News about the first two is still somewhat incomplete, and I’m a bit late reporting on the third one. All three are enticing.

“IN THE MINDS OF EVIL”

Last month news surfaced about a tour to be headlined by Deicide, named after their most recent album, In the Minds of Evil. Last night Inquisition posted an announcement on their Facebook page about the tour, which was interesting because when the tour was announced last month Marduk was named as one of the support bands, but now it appears that Marduk are out and Inquisition are in. In addition, Abysmal Dawn have been added to the line-up. Here’s the complete list of bands:

DEICIDE
SEPTICFLESH
INQUISITION
ABYSMAL DAWN
CARACH ANGREN

An updated official tour flyer hasn’t been released yet, so I decided to use a photo of an embryo of the short-tailed fruit bat (embryonic stage 19).

Inquisition also included an initial schedule of dates in their FB post, while noting that more dates will be added. Here’s the schedule so far: Continue reading »

Aug 092014
 

Happy Saturday. I’m still deep in the heart of Texas with a very unpredictable schedule. Yesterday I didn’t have time to do much listening or any writing, and I’m not sure what I’ll be able to accomplish before flying back to Seattle tomorrow night. But at least I had some time this morning to check out a handful of songs I wanted to hear, and I’ve collected three new ones in this post that I’ve really been digging.

HORRENDOUS

One upon a time our guest writer Kaptain Carbon wrote this about The Chills — the 2012 debut album by the East Coast trio known as Horrendous:

Horrendous unceremoniously slide into the above-average tier with a knockout death metal record that presents the style with no additives, preservatives, or frilly flavor. This is raw and completely un-distilled death metal extracted from the amber peaks of death metal mountain. Horrendous is the Icelandic yogurt of death metal. What a goddamn weird metaphor. That shit is so expensive. Why does this taste like grass and goats?”

As good as The Chills was, the band’s new album is even better and more multi-faceted. Its name is Ecdysis and it’s scheduled for an October 14 release by Dark Descent. And wow, is that album art fantastic, or what? It was painted by Brian Smith (whose FB page is here). Yesterday, along with the unveiling of the cover, Decibel premiered a song from the album named “Nepenthe”. It’s fantastic, too. Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to bring to your attention that I’ve divided them into three parts, this being the third (Part 1 is here and Part 2 is here).

TRIPTYKON

Triptykon’s new album Melana Chasmata is proving to be one of the year’s favorites for me. The band have apparently made two music videos for the album, the first of which has now been premiered by Decibel magazine. It’s for the song called “Aurorae“, and it was directed by Philipp Hirsch (who previously did the video for Triptykon’s “Shatter”). Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to bring to your attention that I’ve divided them into three parts, this being the second (Part 1 is here). The first three items in this round-up are mainly visual.

OBITUARY

Those long-running Floridian death kings Obituary have a new album named Inked In Blood coming out on October 28 via Relapse Records, and yesterday the cover art was revealed. As you can see, it’s brutal. The art is by Andreas Marschall. I’m hoping for equally brutal music. Continue reading »

Aug 062014
 

MYRKUR

I wrote a feature about this supposedly one-woman Danish black metal band a month ago after discovering a song named “Nattens Barn” (“Night’s Child”) from the band’s forthcoming debut EP on Relapse Records. At the time, I knew very little about the woman in question, but yesterday, through the help of a few readers, I learned a lot of info — conflicting info — plus discovered another new Myrkur song — “Latvian Fegurð”.

The music speaks for itself — and I think it’s quite good; you’ll find the new song at the end of this post. As for the woman behind Myrkur, Relapse released a video in which she speaks (in Danish) of the motivations behind her music, her face mainly obscured behind a mop of pale hair while “Nattens Barn” plays in the background: Continue reading »

Aug 042014
 

I’ve spent the last three days having a fantastic time at the Denver Black Sky festival, about which I’ll have more to say and show in the coming days.  My traveling companions and I will be headed back to Seattle soon, and so I doubt I’ll be posting much on our site today, but I wanted to get you a few new things to hear before I once again enjoy the wonders of airport security in the 21st Century, even though I don’t have time to say much about the music itself.

HORNED ALMIGHTY

This Danish black metal band have recorded their fifth album, and the first since 2010′s Necro Spirituals. The new one is named World of Tombs, it features cover art by Mark B. Hansen, and it’s scheduled for release on September 1, 2014, by the band’s new label, Scarlet Records. In June I wrote about the first killer single from the album, “Diabolical Engines of Torment”, and today brought us a second one — “In Torture We Trust Pt. II”.

Through the use of my superior deductive skills, which have justly become famous throughout my own mind, the song title suggested to me that a song named “In Torture We Trust Pt. I” might exist somewhere. Undoubtedly its existence would be well known to fans more familiar with Horned Almighty’s full discography than I am. But this is why Satan created Metal-Archives. Continue reading »

Aug 022014
 

 

To pick up where my last post left off, the aircraft that I boarded yesterday in Seattle did in fact land in Denver, where I and my personal security detail spent the evening drinking beer, eating pizza, and air-guitaring at the Black Sky Brewery in preparation for the sonic holocaust that will begin today (otherwise know as the Denver Black Sky fest).

Because time is short (or more accurately, the time not spent drinking, eating, jawing, and sleeping), this little round-up will be less fulsome than I would like — but still worthwhile, I hope.

ELEMENTAL NIGHTMARES — I

We’ve been writing about the Elemental Nightmares project since early days, and it is now a reality. Today Elemental Nightmares released the first of seven 10″ vinyl splits for digital download; the physical copies will start shipping on August 7 or 8.

The first split includes songs by Wildernessking (South Africa), Oak Pantheon (Minnesota), Kess’khtak (Switzerland) Liber Necris (UK), and it features that stunning artwork you see at the top of this post (all of the individual pieces of art for the seven splits, when placed next to each other, will eventually flow together to form one large piece of art). The work was created by Düsseldorf artist Alexander Leybovich (whose web site is here). Continue reading »

Aug 012014
 

I’m about to get really high. I’m guessing 35,000 feet once the plane takes off and reaches cruising altitude. I’m hoping it will land in Denver instead of disappearing. There seems to be a lot of that these days. If it doesn’t land, I’ll miss Denver Black Sky and this post will be my epitaph.

I intended to include more than just one song in this post, but one is all I’ve got time for before I have to run the TSA gauntlet at Sea-Tac Airport. So I’m going with Krieg.

KRIEG

Krieg’s new album is named Transient. It’s coming out September 2 on Candlelight. I haven’t heard it yet, but some of the people at Decibel have, and they say it’s “killer”. They say it’s Krieg taking their music to its “next logical place” — “further down the rat hole of desperation, frustration, and monochromatic hate.”

They said that by way of introducing their premiere of the first song from the album, “Order of the Solitary Road”. I don’t know about the rest of the album yet, but yessir, this song is killer. Continue reading »

Aug 012014
 

I’m indulging my rarely indulged taste for thrash in this post — rare, because usually thrash doesn’t taste very good to me, except when it’s as vicious as a starving wolverine. Often, death/thrash qualifies very well, and that’s what we have here. One of these bands (the second one) I’ve been sitting on a while without writing about them, and the other I discovered only yesterday. In my addled mind, they seem to make a natural pairing, even though the songs are separated by decades.

NUM SKULL

Thanks to a tip from NCS supporter Utmu, I learned yesterday that on September 16, 2014, Relapse Records plans to reissue on vinyl, CD, and digital the 1988 debut album of a band named Num Skull. The album’s name is Ritually Abused.

I had never heard of Num Skull. Metal-Archives says they were from Winthrop Harbor, Illinois, and that their last album was released in 1996. The first review of Ritually Abused that I read on MA began this way:

“This record is perfect and then some. A proper score would be 103.” And it continues as follows (written by someone who says he heard the band practicing in a two-car garage when he was 12 or 13 years old and had no idea what was going on): Continue reading »