Jan 042021
 


photo by Tør

 

Decibel magazine and other media outlets have reported a statement released by Napalm Records, which we then found in our own in-box this morning, that the veteran Finnish musician and vocalist Alexi Laiho passed away at home in Heklsinki sometime last week. No cause of death has been reported. Laiho was 41 years old.

For me, as for many others, this is very sad news. In my case, Laiho and Children of Bodom were one of the important gateways that led me into extreme metal. I came to the genre much later in life than many of the people who visit our site, and have spent the last 15 years or so catching up and riding the tide forward. COB were one of a handful of bands that made the music finally click in my head. Continue reading »

Jan 022021
 

 

Last night I decided not to post anything today and instead spend the time trying to figure out how to begin rolling out my 2020 Most Infectious Songs list next week, and to get my shit together for when my day job starts whomping me in the head again on Monday. I have spent some time on both of those projects but my NCS obsession got the better of me, and I took a break to listen to some things on my ever-burgeoning list of music to check out. From that listening session, I picked what you’ll find in this round-up.

I have made a few compromises, compared to what I usually do in these posts, so I can get back to the other projects a bit faster. The main compromises were to dispense with tracking down, re-sizing, and uploading album art, and to write less.

GATEWAY (Belgium)

Been anxiously awaiting the first preview of music from this death/doom band’s new EP, Flesh Reborn, and it finally arrived today. The ferocity of “Slumbering Crevasses” will maul and mangle you, and the cavernous monstrosity of the vocals and quivering eeriness of the leads may put the hair up on the back of your neck too. When the song slows, it’s still punishing, and even more apocalyptically frightening. Continue reading »

Dec 292020
 

 

Just a few days left in this year that has been so miserable in so many ways, but so great when it comes to heavy music. Speaking of which, my plan is to finish rolling out our year-end lists by January 1st. At this point, I have five more slated to post. Soon after the beginning of the new year I’ll begin the last stage of NCS LISTMANIA, which is my list of 2020’s Most Infectious Extreme Metal Songs. I have a lot of thinking to do about that between now and then.

In the meantime I’m still trying to keep up with newly arriving metal. My fucking day job has been relatively calm over the holidays, which makes this task a bit easier, though I expect it to heat up again after New Year’s Day. Here’s some of what I discovered over the last 24 hours that lit me up.

VOID (UK)

The London-based avant-garde black metal band Void, who have been active since 1999, don’t hurry their releases. If you’ve heard either of their first two albums — 2003’s Posthuman and 2011’s Void, you’ll understand why. This isn’t the kind of music that can be thrown together quickly, but it has been so unusually good that it rewards the patience of fans. And now, a decade after their last album, Void will be releasing a new one through Duplicate Records near the end of January 2021. Continue reading »

Dec 252020
 

 

Childhood memories tend to be fuzzy, at least around the edges. I have some vivid ones, but can’t always place them in chronological order. For example, I have some very clear memories of opening Christmas presents with my brother, and the rest of my family happily watching our glee. Some of those happened on Christmas Eve, and some upon waking on Christmas Day. Having been infected by the Santa Claus myth, I assume the memories from the daybreak celebrations were the earlier ones, and the nighttime ones happened after our family figured out (rightly or wrongly) that we had wised up about the myth, but I can’t be sure.

What I do know is that the nighttime gift-openings were more magical, even if they didn’t square with the notion of deliveries by Santa and the reindeer while my brother and I were off in the Land of Nod. Maybe it’s because the lights and ornaments on the Yule trees shown more brightly (our family wisely turned off all other lights in the room). Maybe there are other reasons why those memories are more scintillating, but if so, those reasons are… fuzzy… kind of like the gauzy light that shrouds these recollections in my mind. Continue reading »

Dec 052020
 

 

For me, Friday nights always create severe risk for Saturday mornings. I know this, yet am doomed to have to re-learn the lesson. So it was that my latest lesson began last night, mixing all sorts of intoxicants over the course of two Zoom get-togethers with different groups of friends, and today the lesson has been completed in hangover hell.

Strangely, listening to raucous music seemed to help rather than hurt, though trying to write remains… challenging. Hope you get some good out of the music I picked, along with whatever guidance comes through my meager words.

BLACK HOLE DEITY (U.S.)

To begin, I’ve chosen “Railgun Combat“, the first single off the forthcoming debut EP of Black Hole Deity, whose line-up includes members Chaos Inception and Malignancy (the full line-up is Chris White, Alec Cordero, Cam Pinkerton, and Mike Heller). Continue reading »

Dec 032020
 

 

We only made one NCS post yesterday, a consequence of some of our writers working on their year-end lists and myself getting ridden off the road by highwaymen from my day job. I managed to pick some things for a new-music round-up, but getting chased through the woods put an end to the actual writing. But now it’s done, a day later than anticipated. I picked more songs for a Part 2 of this SEEN AND HEARD column, but I have a feeling I’ll be chased again, so I’m making no promises.

I put these particular three songs together for several reasons, but probably the most prominent one is that all three feature powerhouse vocals.

LOCISTELLAR

Eighteen months have passed since I spent time talking with Lance Netherlin at the 2019 edition of Northwest Terror Fest in Seattle, before knowing that Locistellar existed or that Neatherlin was the band’s vocalist. I later learned that the band had been founded in London by drummer Didier Almouzni (Razor of Occam, Dragonforce) and guitarist Alexandre Lenormand (Loudblast), who then relocated to Seattle where they brought in other members, including Lance Neatherlin and guitarist Eric Snyder (Second Coming, The Crying Spell). Continue reading »

Nov 282020
 

 

I don’t have any words of wisdom to offer today, other than the usual: Wear your damn masks, stay away from other people as much as possible, and stop bathing and wiping after you take a shit so that other people will stay away from you. If you must go out, play the following tracks on a boom-box so people will run away.

FORTÍР(Iceland)

To begin, here’s a video for a song called “Pandemic” because, as you can tell, the virus is on my mind (as it is on most days) — but also because the hooks in this song are potent, from the rocking and rumbling drum rhythms to the darting, gleaming, and roiling riffs. The vibrancy of the song is as contagious as the subject matter, and so is the menace that surfaces in its more frenzied episodes. Meanwhile the vocals are utterly scorching. Continue reading »

Nov 212020
 

 

On November 21, 2009, I made the first post at this blog, which, with tongue partially in cheek, I had decided to name NO CLEAN SINGING. I started it on a lark. I had no training or experience as a music writer. I had only scattered bits of knowledge about the long history of metal, because until recently I had spent my decades of time on earth mainly listening to other kinds of music. What I did have was a burgeoning attraction to heavy music and a lot of curiosity. Back in those early days of the blogging phenomenon, you really didn’t need much more than that to start out. Probably still don’t.

Of course, the intensity of my own interest and the ease of starting up didn’t mean that anyone would pay attention to NCS — and I didn’t expect that or need it. NCS existed as a hobby, for want of a better word, that I hoped would be an enjoyable diversion for me from the grind of daily life. That was the sum total of my motivation. If you had told me back then that I’d still be doing it 11 years later, or that NCS would achieve a certain level of global notoriety, I would have laughed so hard that I’d have been left gasping for air.

On this milestone birthday, I’ve thought again, as I do every year, about why unexpectedly we’re still here, and what has changed from those earliest of days. Continue reading »

Nov 152020
 

 

One look at the title of this post tells you it’s a mega-sized round-up. Deprived by my fucking day job of the time to do round-ups during the work-week, I’ve been left to do them on Saturdays. But I had to do non-NCS work yesterday too, so here we are, with a Sunday collection of new songs and videos.

Big as it is, this post barely dents my list. But picking the music of these nine bands made sense to me, because I was again lucky to listen to songs which seemed to line up nicely into a playlist that flows rather than jars. For those of you who come here on Sundays for SHADES OF BLACK, fear not because I still plan to write that column too (though it will be short), and you’ll find some black metal below as a head-start.

TRIBULATION (Sweden)

To begin, I’ve chosen a new song and video named “Leviathans” by the Swedish band Tribulation. My appreciation for their music took some time to grow after they began changing their musical course, but witnessing their amazing performance at Iceland’s Ascension Festival in 2019 made me a true believer, and this new song does nothing to shake that. Continue reading »

Oct 312020
 


Benighted – photo by Anthony Dubois

 

While slugging coffee this morning I got my daily text-message alert from the county health department reminding me that the safest way to celebrate Halloween is to stay inside my home. As if I needed that fucking reminder, on top of all the other miserable reminders that this Samhain will be like no other in our lifetimes.

I can’t even count the predictable absence of trick-or-treaters as a silver lining to this cloud, because they never came around our place even before the pandemic made that a potentially self-destructive choice. The screaming of the loris horde and the carefully-placed pools of guts might have had something to do with that.

So, most of us will have to celebrate the most metal day of the year stuck inside playing with ourselves our pets and trying to forget that global infections are now setting new records, that the U.S. set its own new record yesterday with more than 99,000 new cases (!), and that Sean Connery died. What a fucking year it’s been, and still two months of fresh hell to go before it ends.

But we can still listen to the devil’s music tonight, and here at NCS we need to do our part to enliven that experience and help you forget. So here’s an extravagantly-sized playlist of mostly brand new songs and videos that I assembled this morning.

BENIGHTED (France)

If you haven’t had enough breeeeee in your diet, we’ll fix that right away. Also included in the food groups within this first dish are cyclotron-speed drumming, incendiary riffage, back-breaking grooves, splendid blaring chords, carnivorous roaring, and a generally rabid approach to life. Continue reading »