Sep 112020
 


Katla

 

(Our friend Gonzo returns with anoher Friday selection of new music, this time actually posted by our editor on Friday!)

 Doing these columns over the past few weeks has made me intensely aware of my perception of time. Some weeks feel like days, some days feel like weeks. Nothing makes sense anymore. We’re all living in a Black Mirror episode that’s been left on repeat after being force-fed enough LSD to turn ourselves into spiritual mediums for an alternate dimension where capitalist houseplants have enslaved humanity.

Fortunately, there’s new music to distract us from our inevitable fate at the hands of some power-worshipping azalea. And where would we be without it? I don’t want to imagine that dark alternate reality.

Sticking to the darkness of the current reality seems sinister enough.

The good news? If dark and sinister is your musical preference, I can’t recommend this week’s new releases enthusiastically enough. Continue reading »

Sep 112020
 

 

Earlier today one of our writers, purporting to speak for all of us, asserted that we at NCS are not perfect. I disagree. I, for one, am perfectly aware of my inability to keep up with the release of new music.

Last night I did manage to plow through the last two days of e-mails in our bulging in-box and checked a few other valued sources. From that effort I added roughly two-dozen new songs to check out, on top of a similar number I had identified the last time I went exploring just a couple of days ago.

A laughable thing to do, of course, given there’s no way I could make my way through all of that in time to write anything for today. So I threw mental darts at the list, with some hits and some misses. The following eight new songs were among the hits. I’ll pick some more for your listening pleasure on Saturday.

DARK TRANQUILLITY (Sweden)

In “Phantom DaysDark Tranquillity launched the run-up to their new album Moment with a sure-fire crowd-pleaser — nothing terribly different, but capable of stimulating the pleasure centers of fans. I confess that I felt stimulated, though not to the point of tumescence. Will I remember it? That’s a different question. Continue reading »

Sep 102020
 

 

(In February of 2019 we published an article (here) about the “Proliferation of Metal Across National Boundaries” by guest writer Tør, a self-professed metalhead, data nerd, and ex-academic. The article, and accompanying interactive maps, were based on his work on a Ph.D. doctoral dissertation. Now Tør has updated the work in that previous article, along with a new map, under the second of the “Isolation Diaries” he has written for us — which includes some music at the end.)

I recently revisited some data I had collected on metal bands from The Metal Archives website and decided to make an interactive map illustrating the location of all metal bands archived on there.

Los Angeles, Mexico City, Santiago, Paris, Moscow, Athens, and Stockholm emerge as the most vibrant hubs for metal bands although there are plenty of equally important “metal cities” across the globe. A couple of notes about this map: (1) it is not normalized for population so only raw numbers are depicted, (2) the data is current as of 2015 so it doesn’t reflect the latest catalog of bands listed on the MA. I will probably make an updated map at some point in the future. I should also thank the fine folks over at MA for all the work that goes into maintaining that site. Continue reading »

Sep 072020
 


TOMBS (photo by Dan Higgins)

 

EDITOR’S CONFESSION: Is it possible? Could I have actually failed to post the second installment of this series by our contributor Gonzo on Friday, just like I was late in posting the first one? Even though it’s called NEW MUSIC FRIDAY? Hell yes! It’s true! I fucked up two weeks in a row! But I’m risking covid to visit a tattoo parlor today to have NEW MUSIC FRIDAY tattooed on my forehead so I’ll never forget again. Of course, when looking in the mirror it will read YADIRF CISUM WEN.

 

The show must go on.

Given the quality output so far in a year otherwise mired with seemingly every kind of imaginable strife dominating the headlines, you’d think those words were the mantra of every working band out there.

Some of those themes of the year, as it turns out, make for excellent and timely material to write songs out of. I have no doubt that we’ll start seeing more and more of it start to emerge as we trudge on through this supremely uncomfortable and anxiety-inducing timeline we’re living through. This week [Editor’s Correction: last week!] has dropped a few hints of what’s to come, with spectacular results. Continue reading »

Sep 052020
 

 

For me, this past work-week was much like the one before (and the one before that, and the one before that), i.e., I had to devote so much time to the fucking day job that I couldn’t keep up with the usual flood of new metal, much less pull together any new-music round-ups. This morning I spent some time trying to catch up, at least a little, and from that exercise I picked the following nine new songs and videos.

I arranged things in a particular way — beginning with something that’s rousing, then going down into sadness (verging on despair) with a block of songs that happen to include clean singing, then beginning to pull out of that mood with reminders that not not everything is horrible (and with music that’s more extreme), and then concluding with something that ought to perk you up again.

GAVRANOVI (Serbia)

Six months ago my Serbian friend Miloš pointed me to “Pjevanija prva” (“Cry of Yore”), the fantastic first song released by the Serbian band Gavranovi (a word that means “ravens”). I still know very little about the band, though now I know a bit more than I did then.

Gavranovi’s frontman is Nefas, who was the vocalist for the great black metal band The Stone for almost 20 years. A second member, Janković, who seems to be the principal instrumentalist, plays the gusle, a traditional horsehair-string instrument that dates back to the 9th century. And there are three more members, all of whom also perform vocals — Matković (who’s also credited as a guitarist), Sokolović, and RanÄŤić. Continue reading »

Aug 292020
 


Fates Warning

 

(Because your humble NCS editor has done a shit job compiling new-music round-ups in recent weeks, our contributor Gonzo stepped up and offered to begin doing that himself on Fridays, and this is the first edition. It actually would have been posted yesterday, on Friday, except your humble editor fucked that up too.)

Suffice to say, it’s been a fucking weird year.

Weirder, perhaps, is the fact that so much new music keeps rolling out from all corners of the earth; weirder still is that most of it is quality material instead of half-assed live albums, comps, EPs, singles and cover albums.

Most of it.

(I’m looking at you, In Flames.)

Before I start spiraling into a tirade about my odious thoughts on the Clayman reboot, allow me to get right to it: Yesterday, August 28, marked another Friday in this endlessly bizarre, dystopian and occasionally terrifying timeline we all just call “2020,” and it marked another day of new metal coming to assault our eardrums.

This one’s a glorious mix of old and new, and some stuff I’ve been anxiously awaiting for a while. Continue reading »

Aug 222020
 

 

Sigh. Yet another week when I didn’t have enough time, or didn’t set aside enough, to do even one round-up of new music. I did do a lot of listening last night and this morning, and found enough promising new black metal to fill a two-part SHADES OF BLACK post tomorrow, and then narrowed down other things I found into this post. As the title suggests, it leans mainly into death metal or blackened death of various kinds.

There are four complete releases in the following collection, which I book-ended with singles from forthcoming records.

JUST BEFORE DAWN

One of my favorite practitioners of Swedish death metal, Just Before Dawn, will be returning on September 25th with a new 45-minute soundtrack from the warzones of the last global conflict. The title is An Army At Dawn, and Raw Skull Recordz will handle the release. Once again, JBD riff-meister Anders Biazzi has enlisted a platoon of guests — 10 guest vocalists and three guest guitar soloists, if my count is correct — along with his steadfast JBD allies Gustav Myrin (guitar/bass) and Jon Rudin (drums). Continue reading »

Aug 172020
 

 

As previously announced in this post, three of our writers (Islander, Andy Synn, and DGR) will be appearing as guest DJs at GIMME METAL in a two-hour show just a few hours from now. This is scheduled to happen today (Monday, August 17th) at 12 p.m. Pacific Time, 3 p.m. Eastern Time, UTC-08:00 (for everyone who counts that way).

The show has been pre-recorded and includes a playlist of metal, with three segments curated by each of the three of us on the show, including our own attempts to speak without sounding like total idiots (but no promises). However, all three of us will also be participating in a live chat as the show goes on, which you too can participate in by registering (for free) at the GIMME METAL site. Continue reading »

Aug 132020
 

 

It’s so great to see the vast assembled throng of NCS readers out there today. We have a question for you. How many of you would like to hear the actual voices of NCS writers instead of just reading them? Go ahead, raise your hands, and don’t be bashful!

OK, we see you. Yeah, the guy in the back row with the black shirt. No, the other black shirt. We were hoping for more than one hand, but whatever. You, sir, are going to get your wish!

You’re getting your wish because on Monday, August 17th, at 12 p.m. Pacific Time, 3 p.m. Eastern Time, UTC-08:00 for everyone who counts that way, three of our writers will appear as guest DJs at GIMME METAL in a two-hour show when we will not only spin tracks of our own choosing but also actually speak to you. Continue reading »

Aug 082020
 

 

Here’s a lucky 7 songs and videos I picked out after wading through a lot of new music that surfaced in the last few days. There’s no particular rhyme or reason to the way I’ve arranged them — no two songs are alike.

ANAAL NATHRAKH

I needed this new song from Anaal Nathrakh. I’m so angry at the brain-dead walking corpse that passes for the United States these days. The video sums up some of what’s wrong, but so much is wrong that it only scratches the surface. Still, it proved cathartic, as did the viciousness of the music. And the brilliance of Dave Hunt‘s soaring voice in the chorus is a fuckin’ wonder. Continue reading »