Oct 292016
 

bethlehem-cover-art

 

Hey there, happy Saturday to one and all. I kept a list over the last week of (mostly) new music I enjoyed. With the aid of an abacus, I counted how many songs, EPs, and albums were on that list. They added up to 39 (!). I moved some of them into the list of candidates for tomorrow’s Shades of Black post. I then picked the following nine for this playlist. There’s not a lot of rhyme or reason to the selections, though I did aim to provide wide genre variety. I hope you find something to like — I liked all this stuff a lot.

BETHLEHEM

This year the influential German band Bethlehem are celebrating their 25th anniversary by releasing a self-titled album (their eighth overall) on December 2 via Prophecy Productions. The album features a new vocalist, i.e., Onielar, from the German black metal band Darkened Nocturn Slaughtercult, and a new Russian guitarist known as Karzov, who participated significantly in the songwriting.I think it’s worth including this quote from Marcus Losen, Bethlehem‘s drummer in the early years:

“Apparently somebody in this f*cking universe answered my longstanding wish at last. These 10 tracks have the spirit and the balls I missed in Bethlehem for more than 18 years!”

Continue reading »

Oct 292016
 

damnation-festival-2016-flyer

 

(Our fortunate friend Andy Synn will be attending Damnation Festival 2016 next week in Leeds, UK, and in this post shares a preview of how he’ll be spending his time. Oddly, there is no mention of beer.)

Not all of you might be aware of this, but it’s not uncommon for PR agents and festivals to only issue press passes on the contingency that the writer/blog/magazine makes sure to produce some preview coverage in advance of the show/event in question.

Now although I don’t often ask for accreditation myself (something about the whole process just doesn’t feel right to me), on those rare occasions when I do I have absolutely no problem agreeing to the sort of quid pro quo set out above. After all it makes sense for the organisers to try to get as much coverage as they can, and as long as no-one is trying specifically dictate or mandate exactly what I can (and cannot) write, I don’t see any issues.

After all, I wouldn’t want to go if I didn’t think the music would be worth it, would I?

So, without further ado, I hereby present you with a little preview of next week’s Damnation Festival, complete with music and random ramblings about each band I hope to get to see. Continue reading »

Oct 222016
 

clouds-departe

 

Greetings brethren and sistren on this beautiful Saturday. At least it’s beautiful where I am, deep in the heart of Texas, where I’ve been visiting family members the last couple of days. In fact, it’s such a beautiful morning that I felt compelled to ugly it up with new metal. I found some good ways to do that, which you will hear below, and I found one other surprise, too.

But before we get to music that will bruise the day, I’m beginning this collection with something that’s as beautiful in its own way as this morning. And before I get to THAT song, I’ll leave you with YouTube links to some new music and videos that appeared just yesterday from the following bands, though I’m not writing about them here: Hail Spirit Noir; Madder Mortem; and Dark Tranquillity. I’ll also embed the videos at the end of this post if you’d rather not leave our humble site to hear and see them.

CLOUDS

I thank Grant Skelton for alerting me to this first song, which appeared about five days ago. Its name is “How Can I Be There” and it’s from Departe, the second album by the band Clouds. Continue reading »

Oct 202016
 

wedrujacy-wiatr-band

 

Well, here we are on a Thursday and this is our first new music round-up of the week. I suppose it goes without saying that, four days into the week, I now have a very long list of songs and videos I’ve found that I like enough to recommend — but don’t have time or room to mention all of them.

I’ve made some choices that range far and wide in their musical styles, but because I have a hard time making choices, this is still a big post despite the fact that I haven’t been able to include everything. Stay with me though, because there’s a lot of good music below.

WĘDRUJĄCY WIATR

I first heard of Wędrujący Wiatr through an enthusiastic recommendation by Austin Lunn, the man behind Panopticon. When he first told me about the band, word had surfaced that a new album would be coming out this fall, but no music was yet available;  Austin‘s enthusiasm was based on the band’s debut album, 2013’s Tam, gdzie miesiąc opłakuje świt, and after I listened to it, I understood his passion for the music.

Well, now we have a song from the new album, and it’s pretty magnificent. Continue reading »

Oct 142016
 

hierophant-mass-grave

 

I nearly decided to call this round-up “Overpowering Audio Carnage” or “Your End Is Near”, but decided those headlines wouldn’t quite suit everything I’ve collected here — though they would suit most of it.

I guess I’m in a bloody frame of mind, and these songs struck the right chord, some of them because they’re fucking bloody and cathartic and some of them because they turned my fevered mind in other appealing directions. I’m going to start with the especially nasty and destructive stuff.

HIEROPHANT

I’ve been meaning to check out the music from Hierophant’s new album Mass Grave and finally took the plunge when CVLT Nation premiered a track from it yesterday (thanks to Utmu for pointing me to it). I’m glad I was sitting down or it would have knocked me flat. Continue reading »

Oct 122016
 

hour-of-penance-cast-the-first-stone

 

Yes, there are quite a lot of names in the headline of this post, but what follows isn’t quite as daunting as you might think. The first two items consist of news and art for forthcoming releases, but no music yet, and the last two items are just brief teasers of new music. In between I’ve sandwiched four full songs and videos, and I’m quite happy with what I’ve chosen, not only because the music is very good considered in isolation but also because collectively they make for a nice, varied playlist (and the two videos and album covers are quite eye-catching, too). At least it should be nice for people who have eclectic tastes. Here we go….

HOUR OF PENANCE

That’s a hell of a metal album cover up there, isn’t it? It was disclosed yesterday by Italy’s Hour of Penance and Prosthetic Records, who will release the band’s new album Cast the First Stone on January 27, 2017. The cover was created by Gyula Havancsak, whose work we’ve praised before in these pages.

The announcement was accompanied not only by a quote from our site (yay!) but also by the following statement from the band’s vocalist Paolo Pieri concerning the concept of the album, which revolves around the idea that “the injustices suffered during the Crusades and Colonialism do not justify the chain of hate that propagandizes the destruction of the West”: Continue reading »

Oct 092016
 

ash-borer-the-irrepassable-gate

 

Over the last week, as I sporadically checked our e-mails and scanned my Facebook feed, I made a growing list of new black metal songs and a few full releases that I wanted to check out this weekend as candidates for this Shades of Black series. As seems to happen fairly often, I found so many excellent tracks when I worked through the list that I couldn’t bring myself to leave many of them behind. And so I’ve got another two-part Shades of Black for you. It’s a grey, dank day outside here in the Pacific Northwest, so the odds are that I’ll be able to get Part 2 written and posted later today.

ASH BORER

Four years on from their last album Cold of Ages, California’s Ash Borer (whose members have also kept themselves busy with many other musical projects) now have a third one on the way. The new one is The Irrepassable Gate and it’s set for release by Profound Lore on December 2, adorned by excellent cover art created by Glyn Smyth (Stag & Serpent). Continue reading »

Oct 082016
 

vircolac-the-cursed-travails-of-the-demeter

 

Happy Saturday. At least I hope it’s happy for you. I’m feeling a little woozy from the usual bout of end-of-week inebriation, amplified by a celebration of what is surely the final nail in Donald Trump’s maggot-ridden coffin. Surely it is, isn’t it? (And yes, I hear you saying, “Don’t call me Shirley”.)

I spent basically the entire past week writing reviews to accompany premieres, of which we had a shitload of good ones (and one more is coming tomorrow). What fell by the wayside were Seen and Heard round-ups of recommended new music. I now have vastly more on my list than time or room to cover all of them. I’ve moved some into tomorrow’s usual Shades of Black feature, and these four I sifted from that giant list in part to provide variety and in part for… well, I don’t know what the other part is.

VIRCOLAC

I’m pretty sure that I first discovered Dublin’s Vircolac through a 2014 year-end list on our site by the Siberian musician “B” (of Station Dysthymia, among other groups), who said of Vircolac’s debut demo Codex Perfida: “Very nuanced and dynamic release! Vircolac has to be one of the most organic black/death hybrids I know, not so much switching between as seamlessly fusing the parent genres.”

As you’re about to find out, Vircolac have become even more adventurous and adept at organically fusing musical elements together, and they’re not limited to the trappings of black and death metal. Continue reading »

Oct 052016
 

treurwilg-departure

 

(Grant Skelton steps in for round-up duty today with a trio of features.)

TREURWILG

Is it just me, or does every funeral doom band just hang out in cemeteries in the autumn? Their promo photos would lead one to that conclusion. But that’s fine by me, as I enjoy autumn, cemeteries, and funeral doom. And why not partake of all 3 together?

Enter Treurwilg from Tillburg, Netherlands. The band’s name is Dutch for “weeping willow.” Just listen to their new song “As His Final Light Is Fading” and you’ll see just how well that name fits the music. Continue reading »

Sep 302016
 

deathspell-omega-the-synarchy-of-molten-bones

 

Gaze upon the image above. It is the cover of a new release by Deathspell Omega. The name of that release is The Synarchy of Molten Bones. It will become available on November 8, 2016. It consists of these four tracks:

1. The Synarchy of Molten Bones
2. Famished for Breath
3. Onward where Most with Ravin I may meet
4. Internecine Iatrogenesis

It is now available for pre-order on CD, vinyl, and digitally — here: Continue reading »