May 292019
 

 

“History is not the soil in which happiness grows. The periods of happiness in it are the blank pages of history.”
―G.F.W. Hegel

As a representation of the philosophical leanings and musical expressions of the black metal duo Ancient Hostility, Hegel’s quote points in the right direction, toward the cycles of violence and misery that persistently drag human endeavor two steps backward after each step forward. To come closer to the source, the band’s shattering vocalist Imber provides her own summing up: “Ancient Hostility is just referencing the hate humans have had for each other since the dawn of our existence. It’s all about how we’ve treated each other – how we’ve always killed each other and we always will because this is what we’ve evolved to do. It’s part of human nature.”

Depressive sentiments, but for those with eyes to see, who could insist with any genuine conviction that they are wrong? For those who choose to look away, the music of Ancient Hostility may not prove to be appealing, for it screams its rage and pain with genuine conviction. Yet the sheer emotional force of this music may penetrate even the most hyper-optimistic minds, while simultaneously casting spells that might break down the defenses of even steadfastly resistant souls. For the rest of us, who need no convincing, but relish the catharsis of music that channels with raw feeling our darkest reflections, Ancient Hostility‘s self-titled debut album is a black gem.

We have an excerpt from the album to share with you today in advance of its June 7 release by the cassette label Akashic Envoy Records, and it’s a powerful statement of intent that won’t leave you in the same place it found you. Continue reading »

May 292019
 

 

(Earlier this spring Todd Manning reviewed the new album by the Indianapolis-based sludge/doom quintet Conjurer, and today he introduces our premiere of a video for a track from the album.)

At the beginning of April, Conjurer debuted the track “Across the Void” from their second album Sigils here at NCS, an album released later that same month. The song is immense and suffocating, reveling in the sort of rituals that can tear open the very fabric of the universe.

Today we bring you the premiere of the lyric video for that song. Heed the warnings, or heed the call, this is for those who dare to play with flames that feed on the minds of humanity. Continue reading »

May 282019
 

 

Devil-worshipping black metal has taken a multitude of shapes, but the word that comes to mind most frequently in listening to the new album by Malum is “glorious”. Unmistakably, the music within Legion carries the hallmark fire and ferocity of Finnish black metal, but the songs reach mythic heights, becoming magical anthems of praise and exaltation that electrify the senses. Yet Malum have a gift for creating the kind of dynamic changes that hold listeners in place for the full run, and so they also use their beautifully crafted melodies and ever-changing momentum to carry the mood into dark places where peril and tragedy dwell.

Malum have been a prolific force since their founding in 2013, with a multitude of EPs and splits to their name, in addition to three albums, of which Legion is the newest — and most signal achievement yet. It will be released on May 31st by Purity Through Fire, and we have the great pleasure of presenting a full stream of all its extravagant tracks today. Continue reading »

May 272019
 

 

2019 is shaping up to be a pivotal year for Chrome Waves. With a revised line-up in place, they released their powerful debut album, A Grief Observed, in March. In April they released a great cover of Nirvana’sSomething In the Way” on the twenty-fifth anniversary of Kurt Cobain’s death. Earlier this month they announced their signing with Avantgarde Music for the European release of A Grief Observed on vinyl and CD. They have also recently announced tours with Tombs in June, and with Suicide Forest in August. And today it’s our good fortune to premiere a new Chrome Waves single named “Bound“, accompanied by a video that provides a beautiful match for the music.

For those who might be encountering Chrome Waves for the first time, or perhaps for the first time since the band’s self-titled EP in 2012, the current line-up is as follows: Continue reading »

May 242019
 

 

Strap yourself in and prepare for a wild ride, as a passenger in a big gas-guzzling turbocharged metal machine with nothing but open road ahead of it and nothing but scorched pavement in the rearview mirror.

Carnival of Contradictions“, the song we’re presenting through a music video, is the second advance track to be revealed from the forthcoming debut album (Ultimum Judicium) by Concrete Funeral, a quartet of metal veterans based on Calgary, Alberta, who pull from a wide range of metal influences, chiefly thrash, death, and groove metal in this new song. Continue reading »

May 232019
 

 

What we’re about to present is the second play-through video released for the same song by the Canadian death/thrash band Tessitura. If you already know the song — “Wounds of the Righteous” — you’ll understand why it merits both of these videos (and why both are a kick in the ass to watch). And if you’re encountering the song for the first time, prepare for a multi-faceted experience, one that’s a real thrill-ride but with some beguiling detours long the way.

Wounds of the Righteous” is the opening song on this Edmonton band’s 2018 EP, Unearth the Underworld, and probably the strongest of the five tracks on that 30-minute release (though the other four are definitely well worth your time). The video features performances by guitarist Stephan Ceña and bassist Leillyn McColman. Continue reading »

May 222019
 

 

Krucyator Productions and Atavism Records are presiding over a marriage made in hell. On July 11th they are joining forces to release Encomium of Depraved Instincts, which is the appropriately-worded title of a violent new split by the Swiss nihilists Eggs of Gomorrh and the Turkish blasphemers Sarinvomit. The album-length split includes four tracks by each band, with each group contributing a pair of new songs as well as live performances of two tracks from previous releases.

What we have for you today is one of the new songs by Eggs of Gomorrh, “Shrine of Disgust“, which only further cements this band’s reputation for delivering astonishingly savage forms of sonic mutilation with impressive technical skill — and slipping in some grooves and eerie melody in the midst of their foul, slaughtering tirades. Continue reading »

May 212019
 

 

In just about every review of an album by Black Crucifixion there seems to be an obligatory history lesson, and there will be one here too, because in the case of this band the historical context may actually matter. And there are other reasons to appreciate their history, which we’ll come to.

At the same time, the road traveled by this band has led them to a very different place than where they began in their songcraft almost 30 years ago, as it has in the case of such other early black metal stalwarts as Ulver, Satyricon, Ihsahn, Tom G Warrior in his Triptykon days, Enslaved, and Carl-Michael Eide under the banner of Virus. What doesn’t seem to have changed is Black Crucifixion‘s devotion to the devil. Continue reading »

May 202019
 

Every song on Hornwood Fell‘s new album Damno Lumina Nocte is named “Vulnera” — the Latin word for “wound” (accompanied by Roman numerals I – VII) — every one of them a projection of “dark landscapes, discomforts, and open wounds of the society we live in”. Every one of them is a cavalcade of disturbances, a mind-warping amalgam of dissonance and derangement that seems to embody mental fracturing and emotional splintering. It is as if the band found Pandora’s Box, and without hesitation opened it, recording the sounds of all the evils within as they escaped in a mad rush of freakish abandon.

This is not easy listening. The music is persistently abrasive and frequently cacophonous. There are twisted melodic motifs and rhythmic patterns that appear often enough to stitch the songs together, often in physically compulsive ways, but things change unpredictably, and veer so sharply and so often that it’s hard for a listener to maintain any balance — like trying to walk a high tightrope that’s being plucked (rapidly) by giant fingers.

It is also, perhaps perversely, an utterly fascinating experience. There is a mad genius at work within these tracks (two of them, actually), and the songs are so weirdly transfixing that the minutes speed by like starlings in flight. Looking away from these deep, festering wounds turns out to be very difficult. Continue reading »

May 202019
 

 

For a song named “Hope Annihilator“, it kindles hope — actually it provides more of an assurance than a hope — that heavy metal will live forever. It’s such a damned good song, in part because it so seamlessly interlocks so many classic sounds, and because it’s delivered with such authentic spirit. And, to be fair, it’s also an annihilator.

The song comes from the new fourth album by the Italian band Barbarian, which has a timeless name in addition to a brilliant amalgam of classic sounds: To No God Shall I Kneel. The album will be released on June 7th by Hells Headbangers, with suitably barbaric cover art by Acid Witch’s Shagrat. Continue reading »