Jan 222019
 

 

The opportunity to premiere a video for a new song by Malevolent Creation from their 13th album (fittingly named The 13th Beast) seems like the kind of halcyon time that should inspire a dense retrospective, a positioning of the music in the context of more than 30 years of heavy metal creativity by this band. Unfortunately, for me, the task is too daunting. Even attempting to provide an adequate musical biography by way of introduction is a bewildering challenge. So I’m just going to pretend that you don’t know much about this group beyond the song you’re about to hear.

And, having reflected on this approach, I don’t think it’s unfair. We can pay honor to the decades-long achievements of a band such as this one, but if we’re truly honest with ourselves, past glories do not make new music any better than it would be if the band’s name were blacked out. Nostalgia, and respect borne of a group’s ground-breaking contributions, really should not influence how we hear a new song or album. If we are not sheep, then every new honor we might bestow must be earned. Continue reading »

Jan 222019
 

 

It isn’t uncommon for current bands to honor the giants of the past on whose shoulders they stand, and whose music provided both inspiration to their own creativity and vicious joy to their own listening. But the homage that Pánico Al Miedo (Spain) and Sol De Sangre (Colombia) have paid to their own death metal heroes in a new split is still something very special.

La Senda De La Muerte is the name of this new split. It will be released on CD by Germany’s War Anthem Records on January 25th and in a cassette tape edition by Scotland-based Camo Pants Records on March 1st. It includes Sol De Sangre‘s covers of songs by Entombed and Unleashed, and Pánico Al Miedo‘s covers of songs by Pestilence and Death. And while both of these excellent bands have taken significant steps to link these recordings to the era that gave them birth, they’ve also put their own stamp on the music — perhaps most significantly, they’ve reinterpreted the lyrics in Spanish, giving the songs a new kind of vibe and atmosphere. Continue reading »

Jan 222019
 

 

Today is the day when Casus Belli Musica and Beverina release Starthrone, the new album by the Russian solo music project Nebula Orionis, and to help spread the word we’re featuring a full stream of the recording.

The album is recommended for fans of Midnight Odyssey, Mesarthim, and Ison. It is dedicated to explorers of the universe, and in its own sounds it casts the listener’s mind out into the far reaches of the cosmos, guiding us on our way in an imagined exploration that’s full of mystery and wonder, and also the exposure to compulsive physical power. Continue reading »

Jan 212019
 

 

Death metal addicts with a slavering taste for the foul and the ferocious, pay attention, because we’ve got just the thing to feed your need.

What we’re presenting today is a track named “Dying Breed” by the thrashing death metal band Apes of God from El Salvador. It will appear on the band’s gruesome and slaughtering new EP, Procession of Death, which will be released on February 25th by Death In Pieces Records.

This new EP, which consists of four new studio tracks and two live tracks recorded at Megarock Fest 2018, is the fifth entry in the group’s discography, which also includes the 2018 debut album Misanthropy. For this recording, the band’s line-up includes vocalist Cesar Canales, guitarist Rodrigo Salguero, bassist Rob Malcoms, and drummer Gabriel Puente. Continue reading »

Jan 212019
 

 

As trained medical professionals it is our strenuous advice that you engage in extended neck exercises before listening to the Obzerv song that we’re presenting today. Failure to follow this directive could result in muscle sprain and vertebral trauma.

Actually, we’re not trained medical professionals, but we do have extensive experience with headbang-related physical damage, and we do know massive grooves when we hear them. You’ll hear them, and we predict you’ll be moved by them in extravagant fashion, from the very first seconds of Obzerv’sPlot Twist“. But as the song’s title suggests, there’s more to the music than physically compulsive grooves. Continue reading »

Jan 182019
 

 

The New Jersey blackened death metal band Hath made an impressive advent in 2015 with an EP named Hive, but their debut album Of Rot and Ruin is nevertheless an enormous (and enormously good) surprise, not a step forward but an extravagant leap ahead. The news that Willowtip Records will release the album on April 12th is being announced today, and to help spread the word we’re premiering the first advance song from the album, the name of which is “Usurpation“.

This new track is a powerful preview of Hath’s songwriting approach on the new record, which turns these songs into richly dynamic and emotionally intense experiences. “Usurpation“, in particular, is an ever-changing yet completely electrifying rush that, by turns, is pulverizing, incendiary, gloom-drenched, and glorious. Continue reading »

Jan 182019
 

 

In September of last year we reviewed and premiered Slaves & Snakes, the new album by the French band Nuisible, which was released later that month by Deadlight Records. In describing their brand of brutalizing heaviness the band make references to Tragedy, Darkthrone, and Entombed. Crust and hardcore form the backbone of their assaults, which are undergirded by massive low-end weight and driven to heights of murderous blackened frenzy. The music is as merciless as the open mouth of Hell and meaner than a pack of rabid dogs, and yet on this album the band display a knack for embedding both rhythmic and melodic hooks in its ten mauling tracks, and of switching gears often enough to keep you in harness for the whole bruising ride.

In attempting to describe the album’s crippling physicality, I wrote: “Delivered in different ways, it’s a bone-breaking, body-mangling demolition job. The drumwork is punishing; the bass lines sound like the gnashing of granite teeth; the rhythm guitar is tuned to a gritty, bruising tone; the sounds of the lead guitar are almost always unnerving, And the jugular-ripping vocals are raw, berserker manifestations of unbridled rage.”

Slaves & Snakes is definitely a demolition job, but one that doesn’t wear out its welcome despite the music’s unvarnished and often painful intensity. And in case you missed it, today we have an excellent reminder of why you should fix that oversight, because we’re premiering an engrossing music video for the album’s third track, “Evil Still“. Continue reading »

Jan 172019
 

 

The Canadian death metal band Evilosity, who hail from Vancouver Island, aren’t wet-behind-the-ears newcomers, though their recorded output hasn’t been hurried or prolific. They first came together around 2002, released an EP named Snuff in 2006, and then a debut album entitled Sickening Display of Redemption in 2008. But while the band have been active in performing live since that time, a decade has passed without a new release. That’s about to change.

Evilosity have now completed work on a new EP named Sterile Existence that was recorded with veteran metal producer and engineer Rob Shallcross and includes four previously unreleased songs and a re-recording of the title track from that previous full-length. As a sign of what the new EP holds in store, today we’re presenting a lyric video (which sets the EP’s eye-catching cover art in motion) for the new song “Evilution“. Continue reading »

Jan 172019
 

 

In extreme metal circles these days, when one thinks of Iceland one thinks of black metal. Draugsól was one of many Icelandic black metal bands who proved their worth, with a fine 2017 debut album named Volaða land (we learned more about the band and that album in a 2017 NCS interview). Subsequently, two of Draugsól’s three members (guitarist/bassist/vocalist Maximilian Klimko and drummer Kjartan Harðarson) chose to forge ahead under a new name — Kaleikr — and their first album Heart of Lead will be released on February 15th by Debemur Morti Productions.

The album is described as “a journey from sadness through despair to total mental collapse”. In mid-December DMP released a song from the album named “The Descent“, one of three tracks on the record that includes a guest performance by Árni Bergur Zoëga on viola. It appears second in the running order, following the opener “Beheld At Sunrise”, in which the viola also figures prominently before the album’s musical descent begins.

Through each successive track, the journey becomes more strange, dark, and unnerving as Kaleikr draw upon an array of stylistic tools as they see fit to portray their narrative in sound, without being constrained by the conventions of any one genre. Where the album begins at sunrise, it ends in perpetual sunset, with the record’s seventh track. But before reaching that striking culmination, the music surges to an apotheosis of intensity in the song we’re helping premiere today — “Neurodelirium“. Continue reading »

Jan 172019
 

 

In the esoteric teachings of the Kabbalah, evil exists in multiple forms, and must be understood in different ways. We are told that one of the evil forces identified in Kabbalist mysticism is Zohamah, which means “darkness” or “pollution”, a form of evil that results in kilkul (or spiritual damage). Zohamah is also the name taken by a mysterious Israeli band, the work of a single individual whose initials are H.M. (although a full line-up has been assembled in preparation for live performances).

Zohamah’s first recorded output was a 2017 EP named Manic Depression, and now there’s a debut album. Entitled Spread My Ashes, it will be released by Redefining Darkness Records on February 1st. “Emptiness“, a single that is now included on the album, was first released in 2017, and today we present a second track from the album — “Black Cloud“. Continue reading »