Dec 202018
 

 

Transcending Obscurity Records has been spreading around premieres from the new album by Veilburner in the run-up to its December 28 release, having already deployed three tracks through Toilet Ov Hell, Invisible Oranges, and Heavy Blog Is Heavy. We have yet another one for you today, and even though we come at the end of the line, there’s still a chance that some of you haven’t yet been exposed to the mind-altering effects of this Pennsylvania duo’s latest display of sonic alchemy. If so, now’s your chance.

And by the way, those aren’t empty words — this new album, A Sire To The Ghouls Of Lunacy, really is a thoroughly bewildering yet completely enthralling experience, an experimental rendering of black/death metal that’s not quite like anything else you’ve probably come across this year, and not one you’ll soon forget. It sends shivers down the spine, sets off fireworks behind the eyes, and spins the mind like a flaming top on the verge of careening into smithereens or taking flight like a rocket. Continue reading »

Dec 202018
 

 

On February 8th of next year, Promethean Fire (a side-label of Kolony Records focused on black metal) will release The Path of Seven Sorrows, the debut album of the Italian band The Scars In Pneuma. Originally started in early 2017 as the solo project of vocalist/guitarist/bassist Lorenzo Marchello, the line-up was expanded with the addition of guitarist Francesco Lupi and drummer Daniele Valseriati later that same year.

While black metal forms the backbone for Marchello’s compositions, the music morphs into different sonic shapes through the incorporation of ingredients drawn from death metal and doom, and a favoritism for evocative melodies. In other words, strict genre conventions don’t hold much influence here, as you’ll soon discover through our premiere of a song from the new album named “Souls Are Burning“. Continue reading »

Dec 202018
 

 

With only 11 days left in the old year we’re now being hit by an onslaught of advance tracks from albums destined for release early in the new one. There’s always a risk that excellent records released at the end of the year will be overlooked, and perhaps an equal risk that albums released in the early days of 2019 may be forgotten when year-end lists are assembled next December. However, I’m betting that the new one by the Russian black metal band Ulvdalir, which is set for release by Iron Bonehead Productions on January 25th, won’t be forgotten — it’s just too damned magnificent!

This new full-length, …of Death Eternal, is Ulvdalir‘s fourth album, and their first in eight years. The first sign of its startling extravagance was a song named “Swords of Belial” that surfaced last month, and now we present a second sign, in the form of “Music of Cold Spheres“. Continue reading »

Dec 192018
 

 

Today — December 19thCDN Records will release Bilateral Carnage, a new 7″ vinyl split release by a pair of Canadian death metal bands, Ottawa-based Deformatory and Toronto’s Blood of Christ. Deformatory‘s brutal contribution to the split is a track called “Myiasis“, and today we present an unusual music video for the track to accompany the sonic assault.

The song is described as one that “unravels the psychosis of retribution” — dissecting “a victim’s penalty for betrayal in a sickening tale of prolonged suffering”, and it provides a preview of Deformatory‘s direction on their next album, which we’re expecting at some point in 2019. Continue reading »

Dec 192018
 

 

“This album REALLY isn’t for you!” So states the PR material for the new album on the Harvest of Death label by the duo of unrepentant Portuguese extremists in Vetala. The wordsmith in question wasn’t referring to me in particular (at least I don’t think so), but to some broad swath of “critics” who might take offense at an album named Retarded Necro Demential Hole and whose utter depravity could be perceived as a way of taking a shit on good taste and “any and all conceptions of ‘black metal'”.

Of course, I took that as a dare. I mean, most of you know the range of extreme metal that typically forms my own bread and rancid butter. How could it possibly be too transgressive or disgusting for me to swallow? Continue reading »

Dec 182018
 

 

When last we checked in with Norway’s Beaten To Death the year was 2015 and the band were on the brink of releasing their third album, Unplugged, which our reviewer Austin Weber called “the rarest kind of grind release” — “a record that’s memorable from start to finish”, with unusual vocals and melodic components that floated above the thrashing chaos and groovesome chugs in a way that made the music unusually atmospheric and gave it staying power.

Now these Oslo-based grind innovators are returning to the field of battle beatings with a new album named Agronomicon, which will be digitally released by Mas-Kina Recordings on Christmas Eve and on CD and LP come January 4th. The band have begun releasing something new on a daily basis leading up to the release, and today we bring you the latest offering, a track called “Havregubbens Dolk“. Continue reading »

Dec 182018
 

 

If you are new to the sound of the Swedish black metal band WAN, you could make some good inferences about the nature of their music from the titles of their first three albums — Wolves of the North (2010), Enjoy the Filth (2013), and Wan Way To Hell (2017) — not to mention their 2015 split, Necroholic. And if those clues aren’t convincing enough, a list of influences that includes Bathory, Hellhammer, Celtic Frost, Darkthrone, Aura Noir, Nifelheim, Old, and Bestial Mockery should provide further guidance.

But there’s no need to engage in guessing games today, because we have new music from WAN to share with you that emblazons their brand like hot iron on the flesh, in a way that will appeal to the lust of their existing fans and provide a compelling introduction to new ones. What you’re about to hear is WAN’s new EP, Gammal är äldst (“Old is the oldest” in English), which is set for release by Carnal Records on December 21st. Continue reading »

Dec 172018
 

 

What, you may ask, is a tabouret? And what does it have to do with rope and soap, or for that matter with death metal? A partial answer can be found at the end of this writing, but much of this fine new album’s title might still remain a mystery. There is, however, no mystery about why the music is so damned good. One listen will prove that, which is what we’re giving you the chance to experience today.

Unlike the words in the album title, Stranguliatorius isn’t one you’ll find in the dictionary, though in its own mouth-mutilating way it’s just as clever and intriguing as the album’s name. The Lithuanian barbarians who chose it as their appellation are damned clever songwriters, too, though it must be said (as their label reports) that they are thirsty for blood and hungry for flesh. Continue reading »

Dec 132018
 

 

The German black metal trio CNTMPT made their debut with a self-titled album in 2014, and are now about to return with a new full-length named Towards Neglect, which will be released by Into Endless Chaos Records on December 17th — and today we present a full stream of the record, along with comments about each of its tracks.

The music on Towards Neglect is almost entirely instrumental. Like the music itself, the voices that can be heard, often distantly, seem to be sounds from another world, barely human. And there is indeed a sense in the music that it is crashing into our dimension from a different one where, as the label accurately forecasts, light and fire intersect with darkness and ice. The emotional intensity is devastating — almost overwhelming — and the instrumental performances are equally intense in their explosive athleticism. Continue reading »

Dec 132018
 

 

In 2015 the French one-man band In Shadows and Dust began what has become an annual album-release cycle, each one appearing on the 21st of December, and the cycle will continue this year as Redefining Darkness Records will release the project’s fourth full-length on the winter solstice, the day of least light in the Northern Hemisphere. Its title is Enlightened By Darkness.

The band’s name suggests gloom and decay, and when coupled with the chosen release date and the album’s name itself, you might expect music in which melancholia and doom reign over a sepulchral soundscape of frigid wastelands. What you will find instead, in the lyric video we’re premiering today for the new album track “Revenge“, is an explosively savage shock-and-awe campaign. Continue reading »