AN NCS PREMIERE: A TRIO OF TRACKS FROM THE DISTURBING WORLD OF SLAGMAUR

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Jan 262017
 

 

The gestation of Thill Smitts Terror continues, but now we have a birth date: On March 30, 2017, Osmose Productions will release this new album conceived by the twisted imaginations within Slagmaur. We have for you today streams of three songs to disturb your peace of mind.

Thill Smitts Terror is the third album by these masked Norwegians, separated from its next-oldest sibling Von Rov Shelter by roughly six and a half years. Almost three years have now passed since I first began writing about the album. My intrigue began in the summer of 2014, when I came across pre-production versions of two songs, “The Drummer of Tedworth” and “Werewolf”, and promptly wrote about them. Two years after that, versions of two more songs appeared — “Kom Igjen Norge” and “Bestemor Sang Djevelord” — and I wrote about them, too.

Those tracks have disappeared from the place where they were once available for streaming, and what we have now are the finished album versions of three of those four tracks — “Drummer of Tedworth“, “Werewolf“, and “Bestemor Sang Djevelord“. Continue reading »

AN NCS PREMIERE: SAURON — “KLASZTOR”

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Jan 252017
 

 

The Polish band Sauron first took shape in 1991, discharging their first demo Hellish Requiem in 1993 and a second one named The Baltic Fog in 1995, helping to introduce the sound of pagan black metal within their homeland. The band broke up in 1999 but resurrected themselves in 2003, and since then have released four albums, including the powerful Wara! in 2016 (which we wrote about here).

Now, Wheelwright Productions is re-releasing The Baltic Fog in a new remastered vinyl LP edition, with a release date of March 3. In advance of the release, we’re helping to premiere a single from The Baltic Fog named “Klasztor“, which includes cover art for the single created by Robert A. von Ritter (Outre, Witchmaster, In Twilight’s Embrace, etc.). Continue reading »

AN NCS VIDEO PREMIERE: DEMONIC RESURRECTION — “MATSYA – THE FISH”

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Jan 252017
 

 

Every country on the planet has distinctive folk music and ethnic music traditions, and while the melodic tonalities, rhythms, and instruments may sound common and familiar to the people of that country, they often sound exotic to the ears of listeners from distant lands. Combining such distinctive folk music traditions with the aggressiveness and weight of heavy metal can produce riveting and fascinating outcomes, in which each of these disparate elements enhances the other, and they can also fall flat. The song you’re about to hear is one of the successes.

The track we’re premiering today through a lyric video is named “Matsya — The Fish“. It’s by an Indian band we’ve been following for many years — Demonic Resurrection — and it comes from their new album Dashavatar, which will be released on March 15th of this year. It has quickly become one of my favorite DR songs, and in my humble opinion one of the best of their creations over the length of a discography that goes back more than 15 years. Continue reading »

AN NCS PREMIERE: AEGRI SOMNIA — “AD AUGUSTA PER ANGUSTA”

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Jan 252017
 

 

The opportunity to premiere the fascinating debut album by the Spanish band Aegri Somnia is a special pleasure for me, and therein lies a story that I will tell — and part of that story includes commentary about the music by a friend of mine who I think of as a Renaissance man, an American close to my own advanced age who spent much of his younger formative years living in Madrid, and hasn’t ever lost his fascination for the country and its people. For this purpose I’ll refer to him as Oudekerk.

But first, an introduction to the band and the music. Continue reading »

AN NCS PREMIERE: EVER CIRCLING WOLVES — “LENORE”

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Jan 242017
 

 

Like all the broad genre terms of metal, “Doom” covers a lot of ground, so much musical landscape that the term by itself gives only the sketchiest of clues about what you may be about to hear. But even the more specific sub-classifications of the genre really don’t fit the unconventional twists and turns of the song by Ever Circling Wolves that we’re now presenting to you.

The name of the song is “Lenore“, and it comes from this Finnish band’s second album, which bears the wonderful title Of Woe or: How I Learned to Stop Worrying and Love the Gloom. It will be released on January 27 by Colorado-based Cimmerian Shade Recordings. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): VITRIOL — “VITRIOL”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Jan 242017
 

 

Vitriol have accomplished something remarkable on their first release, in fact so remarkable that it’s going to leave the brains of a certain segment of the listening public spinning around like they’ve been dropped in a blender set to puree. It’s one of the most stunning and stupefying death metal releases I’ve heard in this new year, and I probably won’t hear its equal by year-end. But I must say in the same breath that it may repel all but the most scarred and hardened listeners, the kind of people who (like me) revel in new extremes of noxious but electrifying filth. For those kinds of fans, however, Vitriol have already reach dizzying heights of appalling power.

Vitriol is a two-man operation based in Nuremberg, Germany. They originally released this self-titled debut demo last summer on tape, and now Hellthrasher Productions will expose the music to a wider audience through a CD release on January 27. We’re about to expose you to it with the premiere of a full stream. Prepare yourselves for something completely wild, and uglier than sin. Continue reading »

AN NCS VIDEO PREMIERE: SCORDATURA — “SERVANTS OF ENTRAPMENT”

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Jan 232017
 

 

The knife-wielding horrors of Pär Olofsson’s imagination stare out at you from the cover of Self-Created Abyss, the new album by Scotland’s Scordatura that’s set for release by Gore House Productions on March 24, but those blood-chilling visages still don’t adequately prepare the listener for the barbaric savagery and explosive destructiveness of the music. It’s an electrifying (and electrocuting) experience, and we have a sample of it for your tender ears as we premiere the lyric video for a monstrous track called “Servants of Entrapment“.

The song hits with typhoon-strength power, the massive grinding riffs eviscerating and disemboweling at a high rate of speed, matched by the clatter and boom of spitfire drumming. With hoarse growls and incinerating shrieks as vocal accompaniment, the sound is merciless and marauding. It’s like being teleported into the munitions frenzy of a war zone. But that feeling of utter mayhem is only part of the sensations of the song. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HORN — “TURM AM HANG”

 Album Reviews, Premieres  2 Responses »
Jan 232017
 

 

Turm am Hang is the new album by Germany’s Horn and it’s a unique experience. “Unique” is an overused and misused word, but here it’s not hyperbole. The album is so distinctive that it defies comparisons — as you’re about to discover for yourselves, because we’re presenting the premiere of a full album stream in advance of the record’s release on January 27.

The work of Horn’s lone creator Nerrath, Turm am Hang is Horn’s seventh album and, among the ones I’ve heard, the most successful. It was inspired by a variety of historical subjects, as well as by an appreciation for ancient valor and an animating spirit of tribalism. Continue reading »

AN NCS PREMIERE: GRIMA — “THE MOON AND ITS SHADOWS”

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Jan 222017
 

 

Tales of the Enchanted Woods is the second album by the Siberian atmospheric black metal band Grima, and it is now set for release by Naturmacht Productions on February 25. Today we bring you the premiere of the album’s second track, “The Moon and Its Shadows“.

Grima is two-person endeavor (Velhelm and Morbius) that has existed since 2014 as a studio-only project, with a pagan ethos “based on the worship of the elder forest, its power and magic, where the Grima is a supreme god… a powerful spirit, who protects only those who live in a forest, and punishes everyone who does not respect nature”. Continue reading »

AN NCS ALBUM PREMIERE (AND A SLOBBERY REVIEW): THE FEVERED – “I HAVE SEEN DEATH”

 Album Reviews, Premieres  3 Responses »
Jan 202017
 

 

In 1901, as part of his research on the rates of salivations among dogs, Ivan Pavlov developed a “conditioned reflex” in his test animals. He learned that when a buzzer or metronome was sounded in time with the presentation of food to his dogs, they would first salivate when the food was presented, and then later, after coming to associate the sound with the food, would salivate simply upon hearing the sound itself.

I am like Pavlov’s dogs — when I hear a mighty HM-2 pedal at work, the saliva starts flowing. I’ve gotten especially slobbery over the new album I Have Seen Death from Brisbane’s The Fevered. Through 10 tracks of Swe-death-style d-beat hardcore mayhem, they’ve rumbled my guts something fierce. Put your bib on to protect against soaking your shirt in slobber and join us for a full run through the album. Continue reading »

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