Jan 012017
 


Partied hard, smiling big.

 

Happy New Year to one and all. I hope you survived whatever you did last night, intact and with only a modicum of blood loss and brain-cell death. I would tell you in detail what I did but I’m not sure you could stand the excitement. Even I was so drained after both putting down the robot uprising and preventing the savagery of the loris horde’s celebration from overflowing their compound, armed with nothing but a few blow darts, that I was asleep by 10:30, stone cold sober and vomit-free.

I’m beginning the new year at NCS the way I ended the old one (here), by assembling a giant batch of the new music I heard in recent days that I thought would be worth your time, plus one older release I came across only recently.

As a trained medical professional (ha!), I’ll warn you that if you did suffer more than a modicum of blood loss or neuronal cell death, you might want to wait another day before exploring what awaits you below. It won’t help your recovery, and it’s no sane person’s idea of a hangover cure. Damned good metal, though.

I’ll also mention that because this post takes the place of my usual Sunday Shades of Black feature, the music is mainly in a blackened vein, though not entirely. Continue reading »

Dec 312016
 

 

Yes, of course, it’s just an arbitrary date, one that has no intrinsic meaning. The arrow of time moves inexorably forward, the segmentation of its path into old years and new ones solely our own creation, one more effort to impose some kind of communal order on chaos. The effort fails, but as an occasion for remembering good times and bad, and perhaps kindling hope for a better tomorrow, the clicking of the clock past midnight tonight serves a laudable purpose. Even as simply an excuse for a cathartic blowout, it’s a good thing, if that’s your thing.

The calendar will flip over, but I’ll just keep writing as if nothing is about to change. Why the hell not? I have a lot of new songs and videos I’ve discovered over the last 48 hours. I’ve collected a few of them — the result of hard choices — and will make some of them the subject of this last NCS post of 2016, and the rest the subject of our first post of 2017 tomorrow.

Happy Fucking New Year to all of you from all of us. My resolution, over which I have no control, is to be here with you one year from today, saying the same damned thing. Continue reading »

Dec 282016
 

christmas-new-year-week

 

Well, here we are at the mid-point of an odd week, a week that falls between two big holiday weekends in a year when both Christmas Eve and New Year’s Eve fall on Saturday nights, enhancing the opportunity for revelry. Lots of people are having to work this week, but it feels like no one really has their heart in it. Others are on vacation. The usual flood of PR e-mails has slowed to a trickle; most of metal blogdoom is snoozing. As the new year rapidly approaches, people are beginning to fantasize about 2017 being better than 2016 and wondering what other well-loved celebrities will be cut down by the Grim Reaper in the few days before it arrives.

Obviously, we’re still forging ahead during this limbo week, and I thought I’d provide a forecast of what lies ahead at our site.

LISTMANIA will continue into the new year. This week we’ll finish rolling out the year-end lists by NCS contributors Grant Skelton and Wil Cifer and we’ll post year-end lists from our old friend SurgicalBrute and from three more invited guests —  Johan Huldtgren (Obitus), Ken Sorceron (Abigail Williams), and Seb Painchaud (Tumbleweed Dealer).

And then LISTMANIA will continue next week with some big brutal lists compiled by our old friend Vonlughlio from the Dominican Republic, as well as lists from a few other invited guests that I’m anxious to see. I trust that I’ll also receive the annual Not-Metal List from ex-NCS slave BadWolf (aka Invisible Orange’s editor Joseph Schafer) along with Andy Synn’s list of favorite 2016 songs. And undoubtedly there will be a few other LISTMANIA surprises before next week ends. Continue reading »

Dec 262016
 

transcending-obscurity-sampler

 

Those of you who have been hanging around our putrid site for more than a few weeks will recognize the name Transcending Obscurity, since we’ve been regularly highlighting albums on that label for years — and even more frequently over the last year or two as they’ve been dramatically expanding their roster of international bands. Today we have some exciting news about an immense free sampler of music just released by Transcending Obscurity, along with a chance to win a Mark Riddick-designed shirt.

The sampler features 55 tracks from 55 bands, spanning a wide range of metal sub-genres and an equally expansive geographic coverage. All of the bands are signed to Transcending Obscurity and include such names as Officium Triste, Paganizer, Ursinne, Echelon, Henry Kane, Stench Price, Sepulchral Curse, Fetid Zombie, Infinitum Obscure, Altar of Betelgeuze, Veilburner, Jupiterian, and Rudra, among many others whom we’ve written about at NCS. Continue reading »

Dec 242016
 

sol-invictus-daniel-gautier

 

Once upon a time everything seemed to slow down during the holiday season… or at least everything other than the consumerist frenzy of gift-buying. But now in many ways the final weeks of the year seem as busy and eventful as all the other weeks, both at work and almost everywhere else. This year we even got announcements of a new nuclear arms race that no one asked for — what better way to celebrate peace on earth and good will to men!

I did notice a fall-off yesterday in the flood of messages arriving in the NCS e-mail in-box, but there were still a lot of new-music announcements, and I found even more in my Facebook news feed. There’s a risk that much of what I saw and heard will be overlooked, with many metal-oriented sites and blogs taking time off and many fans diverted from their phones and computers by holiday activities. So I decided, for the hell of it, to devote this Christmas Eve round-up exclusively to news and music streams that appeared (or that I discovered) for the first time yesterday.

Mind you, what follows isn’t everything I noticed, or even everything I enjoyed. I’ve made these selections to provide diversity of sound, and I’ve saved a few nasty things for tomorrow because NCS always does its best to reduce Christmas Day to a smoldering ash heap — praise and glory to Sol Invictus! Continue reading »

Dec 222016
 

shaarimoth-temple-of-the-adversarial-fire

 

This time of year there are always a few people who ask whether I’m going to post my own list of the year’s best releases. Again, the answer is no, because making the effort would be too paralyzing. I have enough trouble deciding whether to wash my underoos or let them ferment for another week.

On the other hand, I do kind of feel left out of the year-end LISTMANIA frenzy, so I thought I’d put together a Top 10 list, but one that’s a bit easier for my overtaxed brain to process. These are the 10 best songs I heard for the first time yesterday.

Hey, don’t laugh! It wasn’t that easy — I listened to more than 20 new songs yesterday, so I did have to make some decisions. Of course, I couldn’t be bothered to rank these 10 tracks; there’s a limit to how far I’m going with this.

SHAARIMOTH

The first song is “Faceless Queen of Bloodstained Dreams”, which is from an album I’ve been anxiously awaiting — the second full-length by Norway’s Shaarimoth, which is arriving more than a decade after the first one. Continue reading »

Dec 212016
 

astral-blood-free-of-my-scars

 

To celebrate the Winter Solstice today, the Minneapolis-based black metal band Astral Blood have just released the first single from their new album SYZYGY, which will be released in early 2017 by Throats Productions. The song’s name is “Free of My Scars” and it’s an irresistibly captivating track, one that’s both hauntingly atmospheric and electrifyingly vibrant.

SYZYGY is the band’s first full-length and follows the 2014 release of a self-titled EP. I started paying attention to the band when I learned that its line-up includes Joe Waller (ex-Amiensus, Adora Vivos, Sarasvati, Nuklear Frost) — who performed guitars, bass, drums, keyboards, and vocals on the new album — as well as vocalist/guitarist Andrew Rasmussen.

What you’re looking at above is the artwork for the single by Reuben Sawyer (Rainbath Visual), but also check out the wonderful cover art for the album by Jas Helena: Continue reading »

Dec 202016
 

the-manx-1

 

We’re about to take a large step off our usual beaten paths, though maybe you’ll come to realize that it’s not as big a leap as first appearances might suggest.

What we’re presenting today is a music video for a new song called “Mystery Skum” by a band from Los Angeles who call themselves The Manx. The video was filmed during a 2015 tour with Nekrogoblikon and Crimson Shadows, though the song itself hasn’t yet been officially released. Continue reading »

Dec 182016
 

gravatus-cover-art

 

I’ve managed to complete the second part of a two-part post that I began earlier today, though it’s not as complete as I had hoped. This second installment includes five full albums or EPs, all of which deserve more words of praise than I have time to give them, but once the new week begins I’ll have even less time than I do today. And so I’ve decided it’s better to make relatively brief exclamations of excitement than none at all.

In addition to those five full releases, this post includes one new advance track. It’s only barely in the usual blackened vein of this series (if at all), but I like it so much that I’ve bent the rules.

GRAVATUS

We begin with a new album named LI_E by the one-man Romanian project Gravatus, which was released on November 12. This was my first exposure to the music of Gravatus, but I’ve found myself enthralled by LI_E. Continue reading »

Dec 182016
 

wiegedood-de-doden-hebben-het-goed-ii

 

Last Sunday was bereft of a Shades of Black feature, so today I plan to have two. Yes, I’ve obviously forgotten my oft-learned lesson about not announcing future plans when you’re a part-time, half-witted metal blogger who can’t predict the diversions of life. So the truth is, the second part of this post may or may not arrive today. But at least you’ll have two good advance tracks, two excellent full releases, and one wonderful tribute compilation to keep you company in case I go off the rails.

WIEGEDOOD

Here’s an excerpt from our man Andy Synn’s review of Wiegedood’s last album,

“The Belgian three-piece, whose name is also the Dutch term for ‘Sudden Infant Death Syndrome’ (way to keep it morbid, guys), possess an enviable knack for pumping out a ferocious torrent of rage and fury, whilst maintaining a keen melodic edge that’s neither weak nor overbearing. That may not sound like much, but it’s a hard balance to get just right, and these guys make it look like child’s play. Pun intended.”

Continue reading »