Jun 072013
 

I first heard the music of Germany’s Planks last September and wrote about them here. What I heard then was a Bandcamp stream of Planks’ amazing 2012 album, Funeral Mouth. Not much later I discovered that Planks had recorded a split with a band named Lentic Waters that was released on vinyl in June 2012 by Apocaplexy Records, and was made available for free download via a link on this page. I wrote about that split here. Now, Planks are on the verge of releasing another split with a band named O.

For this new split both bands recorded cover songs. Planks picked “A Forest”, which was originally recorded by The Cure and appears to be one of the all-time favorite songs of the band’s vocalist/guitarist Ralph Schmidt. Mike Hill from Brooklyn’s Tombs contributed guest vocals on the track.

The other band, O, consists of members from the border region of Germany, The Netherlands, and Belgium. The song they picked to cover is the “Laura Palmer Theme” from the David Lynch TV series Twin Peaks. It appears that show is a favorite of everyone in O (I like it a lot too). Continue reading »

Jun 072013
 

At the end of this post are two metal videos. You should watch them and listen to the music.

The first one is for the song “Lesser Men” by Norway’s Darkthrone. It appears on the band’s latest album, The Underground Resistance, which is out now via Peaceville. For my tastes, the song is one of the best that Darkthrone have produced in the last five years. It’s part black metal, part punk, part thrash, and heavy as hell. If you haven’t heard it yet, it’s the kind of song that you’ll have trouble getting unstuck from your head.

The video is damned cool, too. Directed by Lowe Seger, it’s a black-and-white montage of urban images. The film has no story or footage of a band performance, but it somehow suits the music.

The second offering here is a lyric video from The Amenta (Australia). The song is “Sewer” and it appears on the band’s 2013 album Flesh Is Heir. In the words of the band, it “shows off the creepy, dirty side of The Amenta. These lyrics are one of two songs written by vocalist Cain Cressall and describe the use of sex to obliterate the self.” Continue reading »

Jun 062013
 

This is the second part of a two-part post about new music that swallowed me up last night. By blind chance, all four of the songs I heard sound like granite must feel, sitting on your chest or coming down in an avalanche on your head. Part 1 (here) dealt with Geryon and Hollow Leg. This one focuses on Lycus (Oakland) and Ortega (The Netherlands).

LYCUS

In addition to delivering crushing music, all four of the bands featured in this two-part post bring us striking cover art for their new releases. As you can see, the debut album by Lycus, Tempest, is adorned with the awesome painted art of the Italian madman Paolo Girardi (go past the jump to see more of the album art).  Tempest is scheduled for release by 20 Buck Spin on July 9 (digitally and on CD/LP).

I haven’t yet carved out time to listen to the album, and nothing from it is yet available for public streaming, but I did check out the first song from the band’s Demo MMXI. That demo was released two years ago by Graceless Recordings (run by Mike Meacham of LOSS) and on vinyl by The Flenser Records, and it’s a name-your-price download on Bandcamp. Continue reading »

Jun 062013
 

Sometimes the hands of blind coincidence shuffle the cards of life and deal you a flush. And so they did for me last night. In addition to other blog-related activities, I had time to listen to four new songs, and by happenstance they all turned out to be from the same suit — and they were also a winning combination. I know four cards don’t make a flush, but one of the songs is 18 minutes long, so I think that counts as two cards (at least).

The songs are actually from somewhat different genres of metal, but when I say they’re from the same suit I mean that they have this in common: BASS

I’m dividing this post into two parts, with two songs in each one. The next post will come later this morning.

GERYON

The first song I listened to was brand new, the first track released by a new band named Geryon. I listened to it mainly because Geryon is composed of two members of Krallice, Nicholas McMaster and Lev Weinstein, and the song was produced by a third, Colin Marston. I do like me some Krallice. But there were two other reasons, and you’re looking at one of them at the top of this post. Continue reading »

Jun 052013
 

Two and a half years ago I wrote a post about “Banjo Metal” that continues to be visited and still leads to the occasional e-mail contact from people interested in the subject (Google “banjo metal” and see what comes up first). That post focused on metal bands who have used the banjo in some of their songs (plus an obligatory item on the magnificent Béla Fleck). Today brought us news of a different type of banjo metal — a banjo cover of a metal song.

Okay, some of you might quarrel with applying the term “metal” to Sweden’s Ghost. Hell, I’ve quarreled with myself about that. But hey, they do sing about Satan!

The cover is of Ghost’s best-known song, “Ritual”, and it’s performed on video by Erling Bronsberg, a skilled banjo player who e-mailed me about the cover last night. He’s based in Örebro, Sweden, and performs with a group called the Black River String Band. He uses “standard sawmill tuning” for this song, which probably means something to banjo players but to me simply sounds cool. His cover is cool, too. He puts a bluegrass spin on the melody without completely losing the song’s familiarity, and the picking is tasty. Check it out: Continue reading »

Jun 042013
 

Long-time NCS readers know that we have a weakness (in a totally non-pedophile way) for BABYMETAL, the three-member female group who made a name for themselves by fusing Japanese idol music and metal. This obsession began with former frequent visitor and occasional contributor Phro (who is based in the Tokyo area). Even though Phro is occupied with other pursuits and doesn’t show up around here very often, he still stays in touch, and this morning he fired off an e-mail alerting me to the premiere of a new BABYMETAL song and video: “Megitsune”

In fact, we have Phro’s own introduction to the video (which will be followed by some more Phro words and some of my own):

“Alright you sad sacks, sit down, shut the fuck up, and press play, because Baby Metal have a new song and video. It’s bombastic in all the right ways, slightly cheesy in all the best ways, and just barely cute enough to still be recognizable as Japan’s finest pop metal band.

“I won’t bother explaining it to you, because, seriously, there’s a fucking YouTube video right here. If you can’t press play because you’re at work, I forgive you, but otherwise this should be fucking your eardrums like a giant, zombie tyrannosaurus rex cock hungry for your ear cherry.” Continue reading »

Jun 042013
 

Unlike the usual “Scene and Heard” post, this one collects items of interest that I heard more than 24 hours ago. And the reason is that my blog time has been severely constricted since last Friday by a two-headed boa named Work and Party. The coils have been loosening a bit, so now I’m able to highlight the following new video, new teasers, and new song that I’ve been digging lately.

SAILLE

Andy Synn made this Belgian band’s second album Ritu (released earlier this year by Code666) the subject of one of his reviews in haiku: “Subtly symphonic / A glorious, sweeping sound / All hail the darkness”. For a three-line synopsis, that was pretty spot-on, but the record deserves more extensive praise. It really is a very fine album, multi-faceted and tremendously engrossing.

Lyrically, the songs deal with death rites in ancient cultures, as well as aspects of Lovecraft’s Cthulhu mythos. One of the songs, “Blood Libel”, takes as its subject the murder of a boy (William of Norwich) in Norwich, England, in 1144. The Jews of Norwich were falsely accused of killing him in a ritual murder (a “blood libel”). According to The Font of All Human Knowledge, similar accusations were made in other English towns over the next 40 years, leading to massacres of Jewish people in many communities, including the butchery of Norwich Jews in their homes in 1190. Continue reading »

May 312013
 

Normally I would have used the “Seen and Heard” label for this round-up of items I found yesterday while rooting through the interhole. But there’s something about these four items that suggested an alternate title . . . .

BEHEMOTH

Poland’s Behemoth have been busy recording their tenth full-length album — which is now projected for release by Metal Blade this coming fall — and yesterday the band announced that they’ve picked a name for it: The Satanist. Despite fame, some degree of fortune, and Nergal having survived multiple trips to court defending against charges brought under Poland’s laws against giving religious offense, Behemoth don’t fuckin’ back off, do they? Here’s a statement from Nergal that accompanied the news about the album title:

“It took us over two decades to come up with a title that…says it all. While our new songs artistically take surprisingly adventurous directions, our message stands steadfast—Proud and Radical. THE SATANIST stands for undying yearning for liberation and love for freedom in all aspects of life. Considering all our life experiences that often took dramatic curves I couldn’t think of more appropriate and fitting statement of who and where we are now.”

There will undoubtedly be a steady drumbeat of album updates from the band and Metal Blade over the summer. Undoubtedly we’ll post most of them here, too. Because, Behemoth! Continue reading »

May 302013
 

There are dozens of especially happy In Flames fans out in the world today. The band have just released an official video for their song “Ropes”, which appears on the album Sounds of A Playground Fading, and all parts of it are excerpts from fan-made videos.

In Flames started the project near the beginning of this year with a call for fan videos, whether live footage, home videos, tribute-band performances, playthroughs, or anything else related to In Flames. They apparently received hundreds of clips from all over the globe, and then Erik Engstrand edited all those submissions into the video you’re about to see.

I really enjoyed watching it. It includes a cool reappearing, sepia-toned montage of the fan clips, and then the fan-made excerpts themselves, of course. Watch it after the jump. Continue reading »

May 302013
 

In mid-April Amon Amarth brought us a stream and a free download of the title track to their forthcoming album Deceiver of the Gods, which I duly reported here. At that point, I wrote this:

With this band, here in 2013, you know with a high degree of certainty what will lie within. Both thematically and musically, the band have settled on a formula that has made them exceedingly popular. It’s a formula that happens to appeal to me, though I must admit that I would love it if the band broke their own mold every now and then and fired something different in the kiln.

Today brought us a stream — and a free download — of the new album’s title track. It’s a thrashier attack than much of what was to be found on 2011′s Surtur Rising, but no less catchy than what you would expect from this band, and with an appealing dual-guitar melody in the mid-part. As my NCS colleagues have pointed out, it also includes a key change!

Have Amon Amarth broken the mold with this song? Nope — it will not throw the Amon Amarth faithful for a loop, nor will it change the minds of those listeners who aren’t impressed with this brand of Viking-themed melodic death metal. But it’s only one song. We may still hear something we aren’t expecting.

Today, Stereogum has exclusively premiered a second song from the album by the name of “Shape Shifter”. I give up. I abandon all semblance of analytical objectivity. The song drives me into 100% fanboy mode. There is only one word for this, no matter how overused that word is: EPIC. Continue reading »