Jul 052013
 

Well, finally. Of all the songs on Decapitated’s superb 2011 album Carnival Is Forever, “404” was the one your humble editor picked for Our List of 2011’s Most Infectious Extreme Metal Songs (though it was a close call between that one and “United”). And although Decapitated have produced multiple music videos for Carnival, “404” was overlooked for video treatment — until about an hour ago.

Now we’ve got it — a montage of clips from live performances set to the studio track of the song. It’s a reminder of both what a fuckin’ awesome song this is and what a killer live show Decapitated deliver.

As a trained medical professional, I also want to remind you about the importance of doing your neck-loosening exercises before watching this, so you don’t pull a muscle when your head starts bouncing to and fro and every which way. Here it is: Continue reading »

Jul 052013
 

(Andy Synn delivers yet another list of favorite things that come in five’s. And to quote one of the most memorable comments we’ve ever received, almost everything in this list “runs totally contrary to NCS statement”.)

So today’s post was originally going to be a review of an awesome black metal album I’ve had on the backburner for a few months now… but instead I did this. So sue me. I like singing.

Ballad need not be a dirty word in metal. Although I share with you a general distaste for the way in which most mainstream rock/metal bands defecate a steaming pile of melodramatic emotion onto a disc just to prove how “sensitive” they are, I’d say that by now we can spot these sort of box-ticking attempts at cross-over appeal a mile away. You can tell when a band is trying too hard, or when it’s done just because of the “hit factor”.

But what I’m talking about here are the sort of metal ballads that are both organic to their creator’s sound (as opposed to say, how every other tough-guy groove metal band has a generic ballad-y love song “for the ladies” to show that although they’re ‘dangerous tough guys’, they’ve really got a heart of gold…) and also still maintain that sense of power and depth, and often complexity, that has become synonymous with the metal genre.

So, anyway, here’s five of my favourite, artistically rewarding, emotionally affecting, metal ballads. You’ll find that they’re mostly (say 75-85%) clean sung, but I don’t think that should be a bar to the appreciation of a quality song. What’s more each and every one just fits with the sound and identity of the band as a whole. Continue reading »

Jul 052013
 

Apathia Records is an independent French record label founded in 2009.  They say they have only one rule: “We sign what we like.” The truth of this statement is demonstrated by a digital compilation of music entitled Compendium: Year I – III that Apathia has just released for free download.

The compilation consists of 11 tracks by 11 different bands, and stylistically the music is all over the place (and includes bands that are outside the realm of what we usually cover at NCS). It includes groove/thrash from Heart Attack; death metal from Genital Grinder and Como Muertos; gothic avant garde by Wormfood;  ambient rock/metal from Përl, Lyan, and Blien Vesne; post-rock by What Mad Universe; and mind-fucking music that there’s simply no easy way to describe from Pryapisme, ÖXXÖ XÖÖX, Abstrusa Unde.

I managed to track down embeddable streams of all the songs on the comp except the one by Heart Attack and I’m including them after the jump (for Heart Attack, I’ve got a different song from the same album that includes guest vocals by Shawter of Dagoba).

To get the compilation, go to THIS PAGE. When you get there you will have to like Apathia on Facebook, tweet them, or give them a +1 on Google Plus to unlock the download. The digital file includes a digital booklet. Check out the song streams next. Continue reading »

Jul 042013
 

Happy Fourth of July to all you U.S. denizens. I don’t really go in for flag-waving hoo-hah, but this will nevertheless be the only NCS post for Independence Day (so it will be a jumbo round-up). My wife and I will be entertaining some special visitors from the other side of our Great Land this afternoon, and then tonight we’ll be mourning one of the members of the intrepid NCS aeronaut pigeon squadron, who deliver most of our metal news to us.

They got confused and delivered some of the items you’ll be hearing today to one of our neighbors, and after he heard what it was, he opened fire, mortally wounding one of those brave flyers. She will live in our hearts forever. We’re planning a simple grave-side ceremony, followed by ritual execution of one of the neighbor’s kids. I suggested we just put out an eye, but half measures weren’t acceptable to the other aeronauts. And really, who can blame them?

It’s a stirring sight to witness a small screaming child dropped into a pit of spikes from 100 feet by pigeons flying in the Missing Man formation, and painted in the death markings of their race with a mixture of pigeon shit and ditch water.  Better than fireworks.

KONTINUUM

What better way to begin celebrating the Birth Of Our Nation than with some Icelandic metal? Yes, I know it’s a cliched thing to do on the 4th, but I’m old-fashioned at heart. Continue reading »

Jul 032013
 

To the sound of the monstrance clock
Air is cleansed, assembled flock
Black candles burn all night tonight

As the parish sighs in smoke
Enters lady revealed of cloak
To the haunting sound of the monstrance clock
Singing:

Come together, together as a one
Come together for Lucifer’s son

The music of “Monstrance Clock” sounds so sweet, but really, it isn’t. It isn’t my favorite track on Ghost’s latest album Infestissumam — that would have to be “Year Zero” — but it’s my second favorite, and so I’m quite happy to report that Ghost have released a new video for it. Directed by Rob Semmer, it sets the magnetic music to scenes of the band’s performances at the El Rey in Los Angeles and Webster Hall in New York City. Watch it next… Continue reading »

Jul 022013
 

It’s been a long time coming, but California’s Abysmal Dawn have just premiered their official video for “In Service of Time”, a track from their very strong 2011 album Leveling the Plane of Existence. The video was self-financed, and the production apparently encountered a variety of hurdles, with the final creation taking more than a year to complete. But everyone involved should be proud, because it’s very cool to watch.

Set in a dystopian urban future that’s intentionally reminiscent of the classic German silent film Metropolis, the video tells a tale of dehumanization and ultimately rebellion (and it may remind other viewers unfamiliar with Metropolis of an updated Bride of Frankenstein story, too). Kudos to director Robert Mestas for creating such an eye-catching work, and to the band for their perseverance.

With about two years having passed since the album’s release, you’re probably already familiar with the song, but if you’re not, that’s an added treat that lies in store for you. Check out the music and the visuals next…. Continue reading »

Jul 022013
 

Savannah, Georgia’s Black Tusk are staring into the teeth of a July 23 release date for their new EP Tend No Wounds via Relapse Records. I’ve already got the hots for the cover artwork, which was created by Brian Mercer (Eyehategod, Lamb of God, Zoroaster). I’m getting pretty steamy over the music, too. First, there was the band’s official video for “In Days of Woe” (which debuted about two weeks ago), and then today we got another new track — “Internal/Eternal” — via Crave Online.

The new song is a crusty bucket of Southern fried riffs, alcohol-ruined vocals, and cannonball drum hits. It’s primo headbang material, but there’s something ominous about the smoke-filled air in this room, like you better finish your shot in a hurry because you’re about to get knifed.

Listen to this song after the jump (and watch the previous video, too). I’m really diggin’ it, and looking forward to listening to all 6 tracks on the EP. Continue reading »

Jul 022013
 

Here’s a collection of selected items your humble editor witnessed and heard while stumbling around the interhole yesterday. As usual, the stuff is all over the musical map.

BLACK CAP MINER

Black Cap Miner is the side project of West Virginia vocalist/guitarist Chris Ojeda of the mighty Byzantine (whose 2013 release ought to get some kind of award for comeback album of the year). The objective of the project is to get you to headbang like it’s 1988. To be more precise, OJ and friends are recording covers of some old school thrash songs. But not just any songs, and not just any friends. Check out his list of guest performers:

JAMES MALONE (Arsis)
GREG BURGESS (Allegaeon)
TONY ROHRBOUGH (Byzantine)
JAY HANNON (Gizmachi)
KYLE THOMAS (Exhorder, Trouble)
CHRIS POLAND (Megadeth)
CHUCK BILLY (Testament)

I think a robust HOLY SHIT! is in order, don’t you?  I mean, not to take even one little thing away from Chris Ojeda, but that’s a mighty fine group of comrades to assemble for the recording of some thrash. Continue reading »

Jun 302013
 

In terms of headline-making news in the global world of metal, you’d be hard-pressed to find anything with more ooomph than the news that the legendary CARCASS will be releasing a new album this year, their first in 17 years. The album, Surgical Steel, will be released by Nuclear Blast this fall.

Today, the first track from the album leaked. It surely won’t be up on YouTube for very long, so you might want to catch it ASAP. The name is “Captive Bolt Pistol”. I doubt I can completely separate my reaction from the fact that this is a new Carcass song, but it sounds sweet to me. It’s more on the Heartwork end of the band’s musical trajectory, which is to say melodic death metal, and that might disappoint some really old-school Carcass worshippers, but it’s still got a cutting edge and I do like that guitar solo.

Listen fast . . . after the jump. Continue reading »

Jun 302013
 

All yall muthafukkers can shoot me later, but I’m playing these songs first. The trigger-finger impulse may come from the fact that not all these songs are metal.

About 10 days ago I found myself in mixed company, getting fucked up in an apartment late at night with some friends and everyone taking turns playing music from YouTube on a big-screen TV. And by mixed company I mean that I and one other person were metalheads and the other two weren’t. But I liked some of the not-metal songs I heard, and they’re in this post. Every other song in here is a metal song I’ve heard recently that I really liked, songs I hadn’t heard before.

Hey, this is what people do when they have a blog. It’s better than telling you what I had for breakfast or about my last bowel movement.

That photo up there has got nothing to do with any of the music. It’s a photo of Canada’s WEAPON. It’s up there because my NCS comrade Andy Synn notified me this morning of the extremely sad, breaking news that Weapon is disbanding. According to a statement on their Facebook page, “There is no drama surrounding this decision: it is time for us collectively, and more importantly, as individuals, to move onwards and upwards towards other paradigms.” Thanks for the metal, dudes.

Let’s start with some metal. The song is “Spectral Visions of Mental Warfare” from the 2011 album of the same name by a German band called NARGAROTH. First song I’d ever heard by them, but I thought it was downright beautiful, and it includes throat singing, which is a rarity and a big plus in my book. Continue reading »