WHERE DOOM MEETS DEATH (PART 1): NEW MUSIC FROM XORESTH, UNTIL DEATH OVERTAKES ME, ATAVISMA, SEDATION THERAPY, AND THRONE

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Jul 092018
 

 

Through a happy coincidence, I’m drowning in despair this morning. I have a collection of new tracks that I thought would be worthy of a Monday round-up, and most of it comes in varying flavors of doom.

Of course “doom” as a genre label doesn’t tell you very much because the genre has subdivided so many times over so many decades. As the title of this post suggests, you’ll find flavors of death/doom metal in this collection, but the title is meant to have a second meaning — a hint at the atmosphere to be found in the songs that are less closely connected to death metal. And as the title further suggests, I’ll have a Part 2 either later today or tomorrow.

XORESTH

When you watch the video for this first song you will see Xoresth’s music labeled as Funeral Doom. To be more precise, this is music for the funeral of all humankind, with no surviving soul left to mourn. As I hear it, it’s a vision of the future in which our planetary home has been burned to a cinder and then frozen in a heatless void. Not for naught, the name of the album is Vortex of Desolation. Continue reading »

SEEN AND HEARD: ABORTED, OMNIUM GATHERUM, SKELETONWITCH, CAST THE STONE, DAKHMA

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Jul 062018
 

 

The last 24 hours brought a big slug of new music from a bunch of well-known bands, and the first four items in this end-of-the-week round-up are among those. I found quite a lot of good new music from lesser-known bands as well, and put one of those at the end of this collection.

ABORTED

To begin I present for your enjoyment the official video for “Squalor Opera“, a new song taken from the next album by perennial NCS favorites, Aborted. Entitled TerrorVision, it will be released through Century Media on September 21st, 2018. Continue reading »

QUICK HITS: GOROD, IMMOLATION, VOID ROT

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Jul 052018
 

 

I know we’ve thrown a ton of music and videos your way recently, but I find myself with a bit of free time left before I have to bid NCS good-by for the day, so I thought I’d do one more thing. To quote the timeless words of Bart in Blazing Saddles, “Excuse me while I whip this out.”

GOROD

Breaking news: A few minutes ago I happened to be loitering on Facebook (only briefly so as not to damage my health) when that eye-catching artwork up there popped into my news feed, accompanied by these words from the band Gorod: Continue reading »

DELIRIUM REIGNS SUPREME: PLOUGHSHARE, DESTROYER ATTACK, ERIPHION, LODGE OF THE EMPTY BED

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Jul 052018
 

 

Sometimes when you have no plan, the plan makes itself. A guiding hand intervenes, or if you’re not superstitious, you nod your head at the pleasures of serendipity and synchronicity.

I didn’t plan to make this post, but in searching for new music I happened, by a fortunate chance, to listen to the music in this post in the exact same order as I’m presenting it here. And it all seemed to fit together in a way that spawned the title of this post.

PLOUGHSHARE

Literature of Piss was the 2017 debut EP of this band from Canberra, Australia. In Offal, Salvation is the band’s 2018 debut album. “The Urinary Chalice Held Aloft” is the name of one of the tracks on the album. Perhaps you begin to get a sense of the band’s worldview. Continue reading »

FIVE FOR THE FOURTH: AL-NAMROOD, DECLINE OF THE I, VANHÄVD, PANZER SQUAD, WOLFBASTARD

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Jul 042018
 

 

Today is the Independence Day holiday here in the U.S. The first thing I saw upon scanning the local Seattle paper after waking up was a fascinating story that included the photo above, and this headline:

 

Puget Sound explorers partied so hard for July 4, 1841, a sailor blew up his hand with a howitzer

 

We’ve come so far since that event, marked by the monument above near Puget Sound, which was reportedly the first official Fourth of July celebration held west of the Mississippi: Now we can blow off our hands without using military armament; inexpensive fireworks will do the job just as well. And what better way to commemorate the birth of the nation than by an orgy of drunkenness and self-inflicted wounds? Continue reading »

SEEN AND HEARD: KRISIUN, KHONSU, MIRE, BIRTH THE WRETCHED, ENDOLITH, KIELKROPF

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Jul 032018
 

 

As you may have noticed, I compiled another round-up earlier today, though I was just following instructions with that one, all the choices having been urged upon me by my comrade DGR (and Andy Synn, in part) to suit a What Year Is It?!? theme. I haven’t completely escaped the urgings of my comrades in this collection either, since three of the songs and videos were pressed upon me by Mr. Synn.

However, although I’m less the curator of this particular gallery and more like the slovenly dude who frames the stuff and hangs it on the wall, I did include music of my own choosing at the end (and for better or worse, I’ll be picking everything for our Independence Day round-up tomorrow).

But before we get to all the music, I have a couple of news items (and even the second of those was brought to my attention by my colleagues).

KRISIUN

How could I resist the opportunity to brandish (extra-large) the painted artwork of Eliran Kantor at the top of our page again? Obviously, I couldn’t. It will appear on Krisiun’s new album, Scourge of the Enthroned, marred by text, as follows: Continue reading »

WHAT YEAR IS IT?! NEW STUFF FROM INTO ETERNITY, UNEARTH, BLEEDING THROUGH, JOURNAL, JACK KETCH, SILENT CIVILIAN (ON THE WAY), AND MUNICIPAL WASTE

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Jul 032018
 

 

This is a SEEN AND HEARD round-up that’s going under a different name today. If the reason for that isn’t already obvious from the title of this post, let me explain:

Below you will find new songs and one new video, plus a news item, from seven bands. One of them is by a band whose last release was 10 years ago. Three are from bands whose last albums came out eight years ago. Two more are by bands whose last albums were released six and four years ago, respectively. And the video for the last one is set in a time when if you wanted to watch a movie at home, you went to the VHS store.

I can’t take credit for the Robin Williams–Jumanji meme or the post title. That was suggested by DGR, and actually it was he (with an assist from Andy Synn) who foisted all these new songs and videos on me. Basically, today I’m just a marionette whose strings are being pulled by others. Let’s get this over with so I can go back to listening to really disgusting death and black metal. Continue reading »

AN NCS VIDEO PREMIERE: WITHOUT WAVES — “VICTORIAN PUNISHMENT”

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Jul 022018
 

 

In March of last year Prosthetic Records released Lunar, the surprising debut album of Chicago’s Without Waves, a constantly morphing collection of music that displayed a form of artistic experimentation which brought into play a range of influences, from extreme metal to jazz fusion, from electronica to atmospheric rock. Next month Without Waves will embark on a six-state tour with label mates Zaius, and to mark the occasion they’ve prepared a music video that we’re bringing you today, for one of the eye-opening tracks off Lunar.

If you haven’t heard “Victorian Punishment” before, you’ll discover that it rarely stays in the same place for very long, nor does it follow a predictable course. It’s a study in sharp contrasts of style, volume, and mood. It puts your head in a blender set to puree, and then smoothly untangles everything. It’s a shock to the system, and a spell. Continue reading »

BEHOLD, THE WAGES OF OUR BEST INTENTIONS

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Jul 022018
 

 

(As we reach the mid-year turning point, Andy Synn highlights a baker’s dozen of releases from the year’s first half to which we haven’t previously paid sufficient attention but recommend now.)

How did you all like that utterly pretentious/portentous title? Originally I was going to give this piece a much more mundane header, but then I thought “hey, I’m trying to get people’s attention… so why not go with something eye-catching?”

You see, we’re now officially in the second half of 2018, and, despite our best efforts and our best intentions, we’ve still failed to cover a significant percentage of the multitude of Metal albums released over the last six months.

Now I’m not a fan of those “Best of the Year So Far” lists (though others at the site seem to view them more favourably) but, in an effort to make at least some small recompense for this terrible dereliction of our duties over the preceding 182 1/2 days, I decided to put together this column highlighting thirteen different records which you might otherwise have overlooked. Continue reading »

QUICK HITS: MANTAR AND CANCER

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Jul 022018
 

 

We have a couple of fine premieres coming later today, and because I devoted some time to writing about those, I didn’t have time to prepare a full SEEN AND HEARD round-up for this Monday — but with a few spare minutes and a bit of a lag in our publication schedule before the first of those premieres is due to arrive, I thought I’d give you a quick hit — two recent songs that made very positive impressions when I heard them this weekend. I might have time for another one of these posts in between those two premieres as well.

MANTAR

I may have mentioned before that Mantar are one of my favorite bands on the planet. And without meaning to detract from the impact of their recordings, they have become one of my favorites because of their live performances, which I’ve been lucky to witness on three occasions. The power and electrifying impact of what these two do on stage can’t really be captured in a studio, in part because they’re so riveting to watch.

Having said that, I’m still eager to hear their new album, The Modern Art Of Setting Ablaze, which will be released by Nuclear Blast on August 24th. Continue reading »

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