Jan 082018
 

 

In an effort to catch up with new music that appeared last week (or in some cases that I only discovered last week), I’ve resorted to a two-part OVERFLOWING STREAMS post. And for those who haven’t noticed the format of these posts, they’re a form of personal surrender to the flood of new music. I enjoy writing thoughts about what I want to recommend, but in posts such as this one I just let the music speak for itself because there’s so much to recommend that I don’t have time to blurt out my own reactions.

In the first part of this post I decided to collect only new split releases that I’ve recently found. To be sure, these aren’t the only splits that I’ve discovered recently — some I intend to listen to but haven’t heard yet. These, I’ve at least listened to once and have had positive reactions, and perhaps you will too. The first one is really hot off the presses, since it just appeared over the weekend. Continue reading »

Jan 062018
 

 

I had a very busy week, both on and off our site, so busy that I wasn’t able to cobble together a round-up of news and new music. However, I did try to keep abreast of what was coming out, and my list of intriguing tracks that appeared over just the last week is YUGE — so YUGE that I’m afraid I’ll have to resort to an OVERFLOWING STREAMS post on Monday, one in which I don’t do anything but just stitch together new music streams and release details without commentary.

But I decided I would do something for today as a head-start (in addition to working on a SHADES OF BLACK post for tomorrow), and here’s what I’ve done: I picked the latest recommendations from three of my NCS colleagues, and then added one of my own, which happens to be the latest new song premiere that I’ve listened to. But first, a news item…

PANOPTICON

A few days ago the administrator of Panopticon’s official Facebook page posted the artwork you see above, along with these few words: “Slip case cover for the new double album. the scars of man on the once nameless wilderness. Out in March on Bindrune Recordings in the USA and Nordvis in Europe. Art by Hanna Larsson of Sólfjall Design.” Continue reading »

Dec 312017
 

 

(Here we are, on the last day of the year. But before it disappears into the history books, TheMadIsraeli has a couple more 2017 releases to recommend.)

 

I decided before we let 2017 end, I’d get one more in. This is another case of released way too late in the year for it to matter for many people. I’m telling you, December releases for albums fucking suck.

TONGUES

I, Voidhanger is low key one of my favorite labels around. They’ve always been good at acquiring some of the absolute best in the realm of avant garde and progressive, especially in the black metal realm. When the music isn’t either of those things, it’s full of so much venom and grit it’s hard to say no regardless.

Tongues are a Danish black metal band, a minority genre to my knowledge considering Denmark’s typical pedigree for metal. They play a very dissonant haphazard style that still manages to contain quite a bit of melody, with some slight death metal and doom metal riffing touches put in play to enhance the rather dismal horrific atmosphere of their sound. Their debut record Hrellia is quite impressive. Continue reading »

Dec 272017
 

 

I’m three days late with this week’s edition of SHADES OF BLACK, and still woefully behind in sharing new music in a blackened vein that I’ve discovered over the last month. I’m bound and determined to do at least one more of these features before 2017 is interred in a moldy grave, as long as I’m sufficiently unbound by other distractions.

This particular collection includes one complete new album, advance tracks from two more, some new live videos, and a new single.

EUCLIDEAN

To begin this selection of music, I want to strongly recommend Quod Erat Faciendum, the debut album of the Swiss band Euclidean, which was released on December 21 and came strongly recommended to me by starkweather and by Miloš. Continue reading »

Dec 262017
 

 

I hope everyone had a good Christmas Day, even if the day itself is nothing special to you. As you may have seen, NCS was alive and kicking despite the holiday, with three premieres yesterday. And we’ll continue to kick for the rest of the week with a rollout of more year-end lists by NCS contributors and invited guests, plus assorted other posts.

I wasn’t able to get a SHADES OF BLACK post done for Sunday, but it’s coming soon… and may be a two-parter, because there’s a lot I want to write about. But to start the six days that remain before New Year’s Eve, I selected three recent songs and one new EP that sound like the antithesis of peace on earth, good will toward men, because I can only take so many demonstrably impotent platitudes of that nature before I have to dose myself with flesh-eating music.

ATOMWINTER

The consumption of flesh commences with a track from Catacombs, the new third album by the German harbingers of total death in Atomwinter. The album will be released by Trollzorn on February 9 (digital, CD, and gatefold LP). And isn’t that a hellishly fantastic album cover? Continue reading »

Dec 242017
 

 

There is something to be said for waiting until the year really is ended before making a year-end list. To take but one example, the EP we’re about to premiere (which could be called an album because of its length) is being released digitally tomorrow — the 25th of December, less than a week before 2017 is interred in the tomb of calendar time — and if I had already made a list of the year’s best EPs, I would have to revise it to make a place for Abeloth.

I admit that the learning phenomenon expressed as “recency is primacy” may have something to do with my reaction to this EP, which is the latest release by the Slovenian black metal duo Snøgg. But I suspect that if I had first heard it on January 1, 2017, I would still be revisiting it here in December — because it’s completely fascinating.

The compositional history of the song is also fascinating. Continue reading »

Dec 222017
 

 

After a nearly two-week vacation in which I blogged very little, I returned to Seattle late last week and was promptly slammed by my fucking day job, unforeseen personal obligations, bad weather, and a whole bunch of NCS articles to write or edit, including the continuation of our LISTMANIA series, interviews, reviews, and a bunch of premieres. I can’t really say I need another vacation already… but I kind of do.

Anyway, I haven’t written one of these round-ups in 12 days, and I’m way behind in even listening to all the new songs that have appeared since my vacation began 19 days ago. I started working on this collection early this week but decided to include a couple of songs that have appeared more recently. I hope to do more catch-up round-ups this weekend, including a Sunday SHADES OF BLACK feature, because holidays don’t mean shit around here.

PESTILENCE

Roughly four and a half years after their last album, Pestilence will release a new one via Hammerheart Records named Hadeon, and earlier this week Hammerheart previewed the album with a single called “Multi Dimensional“. It didn’t take long for my NCS comrade TheMadIsraeli to send me an alert about the song, wth a positive message. Continue reading »

Dec 172017
 

 

On Friday night I returned to Seattle after a very nice vacation that lasted nearly two weeks. Thanks to the efforts of my NCS writer comrades, I was able to keep my promise to my spouse that I wouldn’t blog (much) while on vacation. And as a further bonus, the loris horde didn’t burn the NCS compound to the ground while I was gone, though I did notice what seem to be the bones of a few small children strewn behind their barbed-wire enclosure that weren’t there when I left. That seems like a fair price to pay if it avoided an assault on our headquarters.

As I try to get my head back in the game, I count 14 days remaining in 2017, and I thought I’d give you a preview of what lies ahead at NCS before the year dies and we cremate its remains. And because I detest posting anything here that doesn’t include music, I’m throwing in one new song after that. Continue reading »

Dec 122017
 


Afgrund

 

(Like the good cowboy he is, DGR has stepped forward to handle round-up duty today.)

We at NCS are big fans of posts full of genre whiplash, and this roundup of things that caught our eyes and ears last week will likely be one of those. We try to always keep our giant fish net of news-and-music catching open for stuff to fall in and we like to clean it out whenever we get the chance, even though you would’ve figured that last week things should have slowed down just a bit…you would think.

However, just because it’s close to the end of the year and time for everyone to begin writing up summaries of their favorite albums of 2017, and just because our editor managed to escape from the loris horde encircling the NCS compound for a vacation, does not mean heavy metal got the hint and decided to slow down for a bit. We did here in our little comfortable corner of the ‘net, but that doesn’t mean everyone did. And so we go outside to clean off the radar dish and see what landed in the net over the past week. Continue reading »

Dec 102017
 

 

I didn’t expect I would be able to prepare this round-up. I’m still on vacation (through December 15), and have been pretty faithful to the promise I made to She Who Must Be Obeyed that I would not blog (much) during this trip. For example, we had nothing on the site yesterday, which is a rarity.

But, I had a small amount of time to myself this morning, and there didn’t seem to be any harm in checking out some new music. I’ve barely glanced at the NCS e-mail box during the last week, so I decided to start making my way through the mail that arrived over just the last two days (more than that would have devoured my limited blog time this morning). What you will hear in this round-up is the result of that limited and hurried survey.

First, however, I want to share a piece of news that I had missed until Andy Synn indirectly led me to it.

NECROPHOBIC

On Friday I posted Andy’s list of his favorite 2017 EPs. One of his choices was inadvertently omitted from the text he originally sent me for posting, and when he caught the error, he sent me some further text, and the omission happened to be a 7″ EP called Pesta that Necrophobic distributed during a tour. Continue reading »