IDOLATRY: “IN NOMINE MORTIS”

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Jun 142019
 

 

(This is Andy Synn‘s review of the fantastic new album by the black metal band Idolatry from Edmonton, Alberta, Canada — which was released on May 31st via Humanity’s Plague Production.)

One of my favourite discoveries of the last several weeks was this little blackened gem from Canadian chaos-weavers Idolatry, which by turns brings to mind the very best of Inquisition and Necrophobic (with maybe even a little bit of Emperor thrown in for good measure) without sounding overly in thrall to, or derivative of, any of them.

And while they may not be doing much to truly break the mould, there’s definitely something to be said for finding your evolutionary niche and filling it to perfection… and, in that respect, Idolatry are well on their way to becoming an apex predator in their own right. Continue reading »

NEKROÍ THEOÍ: “DEAD GODS”

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Jun 132019
 

 

(Andy Synn wrote this review of the new album by the Floridian death metal wrecking crew NEKROÍ THEOÍ, which was recently released by Prosthetic Records.)

Last week was a surprisingly busy week for new releases, which is why you’ll probably notice that I’ve dedicated all of this week (and possibly a big chunk of the next) to catching up on some of the artists/albums which we missed.

You’ll (hopefully) already have cast your beady eyes over my review of the new Enthroned album, and now it’s time to turn your attention to this stomp-happy slab of deathly delights from Nekroi Theoi. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): WINTERWOLF — “LYCANTHROPIC METAL OF DEATH”

 Album Reviews, Premieres  2 Responses »
Jun 132019
 

 

Bear with me, please. I need to indulge in a personal back-story, which is a partial explanation for why I’m so excited to present the premiere of Winterwolf’s new album, oh-so-fittingly entitled Lycanthropic Metal of Death. Or don’t bear with me, and just skip to the bottom and hit the play button (as long as you eventually do that, sooner or later, I’ll be a happy camper).

In December 2010, a month lost in the mists of time when this site was barely one year old, I impulsively embarked on a project impulsively named Finland Tribute Week. At that time, having become fascinated with (and eventually addicted to) extreme metal late in life, I was still trying to become educated about what I’d missed (a process that continues to this day).

I chose Finnish metal for a deep dive in part because I was so dumbfounded that a nation of such small population (relatively speaking) had succeeded in spawning sooooo many metal bands of soooo many different styles. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ATLAS ENTITY — “BENEATH THE COSMIC SILENCE”

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Jun 102019
 

 

Beneath the Cosmic Silence, the new album by the Florida progressive death metal band Atlas Entity, proves to be appealing on many levels. For those with a taste for fleet-fingered guitar technicality and agile, astute, and creative drumwork, it will deliver enormous smiles — in part because the top-shelf performance skill isn’t brandished for its own sake, but employed in the service of well-crafted songs. For listeners who enjoy becoming immersed in memorable, mood-changing melodies, both introspective and riotous, it offers that too. People who relish biting savagery will also get their fix. But perhaps above all else, the music is bursting with life — the kind of album whose irrepressible vitality makes you feel good to be alive, no matter how shitty your personal circumstances might be going into it.

The album also incorporates some evolutions in sound as compared to the band’s previous release, the 2015 EP Enceladus, even though the same two people are at the helm — composer, multi-instrumentalist, and vocalist Alex Gallegos and session drummer Samus Paulicelli (Decrepit Birth, Devin Townsend). And as compared to that first release, this one represents a big step forward. We’re very happy to present a full stream of it today in advance of its release on June 14th. Continue reading »

ENTHRONED: “COLD BLACK SUNS”

 Album Reviews  1 Response »
Jun 102019
 

 

(This is Andy Synn‘s review of the new album by the Belgian black metal band Enthroned, which was releasd by Season of Mist on Friday, June 7.)

The human brain works in some funny ways (well, mine does anyway).

Conditioned as it is, by thousands upon thousands of years of evolution, to discern patterns in the surrounding world, sometimes it makes unconscious connections between things which the conscious mind would never have thought to put together.

For instance, ever since receiving the promo for Cold Black Suns I’ve been unable to shake this idea that, on a certain level, Enthroned have a lot in common with Sepultura.

Not musically of course – the two bands could hardly be more different – but it’s undeniable that the careers of both groups are defined/delineated by two distinct phases, each with their respective fans and detractors, and that the split between the two eras can, in simple (and far from comprehensive) terms be put down to a dramatic change in vocalist/frontman.

The difference, however, is that while latter-day Sepultura has proven rather divisive and uneven over the years (though not without its high points), the modern version of Enthroned have only gone from strength to strength, to the point where it seems like a majority of the band’s fans now recognise their current incarnation as the definitive one. Continue reading »

SHADES OF BLACK (PART 2): ANDAVALD, STARLESS DOMAIN, NIGHTGRAVE, SKÁPHE + WORMLUST

 Album Reviews, SHADES OF BLACK  6 Responses »
Jun 102019
 

 

I wasn’t able to complete the second Part of this week’s SHADES OF BLACK in time to further despoil the Sabbath with it, but as promised, I have at least used it to begin sending the new work-week deep into the void.

Part 1 consisted of advance tracks from forthcoming albums, but for this one I’ve chosen four complete album-length releases that in all but one case arrived last week. As you’ll discover, there are other marked differences between the selections here and those in Part 1, which is another reason I chose this division.

ANDAVALD

As many of you already know, Fallen Empire Records has permanently ceased activity, but its proprietor has not. Instead, he has joined forces with Mystískaos Records, whose previous releases have included music by Chaos Moon, Entheogen, and Vonlaus. The first three releases of this new collaboration include two of the albums in Part 2 of this week’s black metal column. The first of those is Undir skyggðarhaldi, the debut record by the Icelandic band Andavald. Continue reading »

LUCIDITY: “OCEANUM”

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Jun 072019
 

 

(This is DGR’s review of the latest album by the Finnish band Lucidity, which was released in February by Inverse Records.)

It’s interesting that we have never before penned words about Lucidity and their branch of the sad-sack melodeath musical tree, as the Finnish group’s keyboard-laden doom-influenced style seems to be perfectly within this website’s wheelhouse — well, at least in one particular writer’s wheelhouse. But now the time has come.

Lucidity have existed for quite a while now, though only recently appearing to have become a more album-oriented project. Prior to the release of their debut disc The Oblivion Circle in 2015, Lucidity had been putting out a steady stream of demos, totalling around five before the aforementioned debut. Nearly four years later — in the back part of February — the group released their sophomore album Oceanum. Clocking in at nearly fifty minutes across eight songs, Oceanum has some heft to it as it drapes itself in a veil of melancholy while conjuring familiar imagery of forests, lakes, and all things pensive. Continue reading »

CARNAL FORGE: “GUN TO MOUTH SALVATION”

 Album Reviews  1 Response »
Jun 062019
 

 

(Here’s DGR’s review of the new album by Swedish death-thrashers Carnal Forge, which was released in January of this year by ViciSolum Productions.)

There exists a strange compulsion when it comes to review-writing on this end that has often run counter to how the clear majority of reviews are conducted, which usually focus on the most recent collection of up-coming releases. That approach makes sense, as people are often looking for information on albums right around release time, and afterward the discussion moves on to the more fan-driven “what works for me and what doesn’t” style of discussion. However — and you might have noticed this referenced in the recent write-ups by Andy — late discoveries often wind up backlogged in a weird purgatory state of “maybe I’ll write about this”… in between various games of keeping up with the most recent stuff coming out.

Albums left behind can tend to claw at the back of the mind, though. We find ourselves wanting to talk about some discoveries, regardless of release date. Maybe it will give the band a boost back into the public consciousness, however briefly; maybe it’s just to ease that weird guilt of “I’ve been enjoying this since I was introduced to it, yet have said nothing”; and maybe it’s just that the passage of time helps with the congealing of thoughts. Being able to step away from something only to come back later and see what really stuck with you is a wonderful thing, as hindsight can serve as an excellent guide on how to write about a disc.

Long story short, this is a roundabout way of saying, “Hey, remember the end of January? Feels like an eternity ago doesn’t it? Well I’ve been enjoying a disc by the reactivated Carnal Forge that came out around that time and want to talk about it.” Continue reading »

NIGHTRAGE: “WOLF TO MAN”

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Jun 052019
 

 

(Here’s DGR’s review of the new album by Nightrage, which is out now on Despotz Records.)

Every Nightrage album that comes out reinforces the conviction that Nightrage are a band who exist by sheer force of will. Who would’ve guessed that so deep into the band’s career they would finally have a vocalist who would stick around for more than two albums? Yet Nightrage’s Wolf To Man sets that record. Who would’ve guessed that the band’s eighth album kept them to a relatively stable schedule, with a relatively stable lineup, and (as it turns out) a relatively stable formula for music? And on top of all this, that they would manage to finally have a song mentioning the name “Nightrage” within the title? Yet Wolf To Man accomplishes all this.

Nightrage’s career is one that has seen the band go through numerous lineup changes (and even here they wound up changing the rhythm section, with a new bassist and a new drummer, as previous drummer Lawrence Dinamarca found himself busy with a newly revitalized Carnal Forge since 2017’s The Venomous), yet somehow always remain something of a standard-bearer for the mid-2000s melodeath scene, and in some ways its sound. Continue reading »

GLORYHAMMER: “LEGENDS FROM BEYOND THE GALACTIC TERRORVORTEX”

 Album Reviews, Exceptions to the Rule  4 Responses »
Jun 052019
 

 

(Evan Clark reviews the new album by Gloryhammer, which was released by Napalm Records on May 31st.)

Hark! And hear the glorious call of power metal! Before you now stands the mighty Gloryhammer, the last bastion of true fantasy power metal for the modern age. Perk up your ears mere mortals, and journey with us on the third chapter from the Kingdom of Fife! Legends From Beyond the Galactic Terrorvortex finds our heroes returning back to their rightful time to combat the evil forces of blah blah blah…

Okay, for those who don’t know, Gloryhammer is the symphonic power metal project founded by Christopher Bowes of Alestorm fame. The band is known for their over-the-top, satirical approach to the genre. Take a seat, grab a goblet of ale, and try not to take things too seriously. Continue reading »

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