Album Reviews Archives - Page 364 of 557

BRAIN DRILL: “BOUNDLESS OBSCENITY”

Jul 042016

(To celebrate Independence Day, we would like to drill your heads, and Austin Weber would like to review this new Brain Drill album — and we are both getting our wishes!)

While not the first of their ilk, preceded by Origin and to degrees Cryptopsy and several others, California natives Brain Drill ushered in a new dimension of hyper-frenetic technical death metal upon their unholy birth in 2006, bearing instant fruit with an initial EP that year entitled The Parasites. From there the group linked up with Metal Blade Records for two over-the-top-yet-face-melting albums, 2008’s Apocalyptic Feasting and 2010’s Quantum Catastrophe.

After Quantum Catastrophe the band seemed to drift away, but founding member and main composer Dylan Ruskin announced about a year ago that a new album was in the works — and it has now arrived. Continue reading »

SHADES OF BLACK (PART 1): CAÏNA, OLD GRAVES, LARVAE

Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK 3 Responses »

Jul 032016

For this Sunday round-up of recommended music in a blackened vein, I compiled advance tracks and two full-album streams from a total of six bands. Because I’m a little pressed for time today, I decided to split the collection into two parts and finish writing the second half for tomorrow, so as to char the shit out of The Glorious Fourth. Between now and then I might add to the collection, too.

I’m starting with music from two bands whose past work I’m familiar with, and then turning to groups who are new to me, concluding tomorrow with one whose music is only slightly “blackened” but has some famous names attached to it.

CAÏNA

With a few relatively brief pauses, Caïna has been prolific and inventive, releasing six albums and more than a dozen shorter releases since the first demo in 2005 — and transforming the shapes of the sound along the way. Caïna’s new seventh album is named Christ Clad in White Phosphorus, and it’s coming out on July 15 through Apocalyptic Witchcraft Records.

For this new album, Caïna’s core creator Andy Curtis-Brignell is joined by vocalist Laurence Taylor (Cold Fell) and bassist Paul Röbertson, along with contributions by members of the British experimental/noise group Warren Schoenbright and Integrity’s Dwid Hellion in his guise as Vermapyre. Continue reading »

AN NCS PREMIERE: PEQUOD — “FALSE DIVINITY”

Album Reviews, Premieres, SHORT BUT SWEET 4 Responses »

Jul 032016

“Explosive” is a good one-word summary of False Divinity, the new EP by Germany’s Pequod that’s set for release on July 5th. “Vortic-Death-Thrash”, which is the band’s own label for their music, is accurate, too. It is indeed a vortex of skull-crushing death metal and electrifying thrash, and as you’re about to find out through the full stream in this post, it includes other qualities that make it a lot of vicious fun to hear over and over again.

If you’re new to this band, we’re told that they first came to life in early 1998, and since then they’ve released a pair of demos, a self-titled EP in 2004, and a debut album named Forgotten in 2011. And because they chose the name of Captain Ahab’s whaling ship for their own name, Ahab can’t be considered the only German metal band with an affinity for Moby Dick. Continue reading »

DEATH RITUALS: VERBUM, OROBAS, AUM, TIDES OF SULFUR, UNCANNY REALITY

Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET 2 Responses »

Jul 012016

I meant to post this yesterday, but my job continues to mess with me. What I did here was to collect some new singles and a couple of new EPs that I found two nights ago while using the internet to crawl through the underground. I like all this stuff and thought you might also find something in here that strikes the right chord.

In this globe-trotting expedition the music consists mainly of various shades and phases of death metal (much of it “blackened”) by five bands, hence the title of this post.

VERBUM

Verbum are based in Chile, and their debut EP Processio Flagellates was originally released on tape by the Chilean label Penitenziagite Records, although it’s now also available as a download at Bandcamp. Continue reading »

ASTRONOID: “AIR”

Album Reviews, Exceptions to the Rule 13 Responses »

Jul 012016

(Andy Synn wrote this review of the new album by Astronoid from Boston)

Previously unknown to me (though the band have, prior to this, released a total of two EPs and one stand-alone single), I’ve been seeing the name “Astronoid” popping up on my radar quite a lot recently, as the release of their debut full-length album Air seems to have caused something of a stirring in certain circles.

And rightfully so, as it’s an incredibly captivating, instantly infectious album, practically bursting at the seams with some of the most gloriously emotive melodies and shamelessly enervating riffage I’ve heard this year.

But I wasn’t entirely certain it was NCS material.

In fact I’m still not.

But, screw it, I’m going to review it anyway. Continue reading »

SHORT BUT SWEET: CONJURER — “I”

Album Reviews, SHORT BUT SWEET 4 Responses »

Jun 292016

(Andy Synn reviews the new EP by Conjurer, which will be released on July 1 by Holy Roar Records.)

We all know by now that hype can be a double-edged sword.

Certainly it can serve to drum up some necessary excitement and anticipation where it’s needed, there’s no denying that. But equally, it can set up unrealistic expectations that act like the proverbial albatross around a band’s collective neck, particularly in cases where certain blogs and magazines (and even the band’s own PR) keep throwing out sweeping comparisons and wild exaggerations as part of a veritable onslaught of hyperbole.

It can honestly leave you wondering whether to believe what you’re reading, or if it’s simply another example of puffed-up propaganda from the media group mind.

Birmingham-based quartet Conjurer (whose name you may have seen mentioned here at NCS once or twice before) have built up something of a buzz for themselves in the few short years they’ve been together, based almost entirely on the strength of their live performances.

And, as such, their debut EP, the ungooglable I, has a lot riding on it. Not only is it the band’s first chance to solidify their own sonic identity on record, but it’s also their first opportunity to prove whether or not all that hype and hyperbole floating around in the digital aether is actually justified.

So… do they deliver the goods? Or are they all mouth, and no trousers? Continue reading »

SHADES OF BLACK (PART 2): BLACK FUNERAL, WARFIST, VETURHEIM, REST, ALRUIN, ELK

Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHADES OF BLACK, SHORT BUT SWEET 6 Responses »

Jun 292016

Well, I’m two days late with this post. My original plan was to follow Part 1, which appeared on Sunday, with this Part 2 on Monday. But I got busy posting other things both Monday and Tuesday, and so here we are. Having delayed too long already, let’s just get right to the music….

BLACK FUNERAL

The Texas band Black Funeral was born from the mind of Michael W. Ford (aka Akhtya Nachttoter) in the mid-’90s, and although other members of the line-up have changed over time, Ford has persevered, releasing 8 albums that began with 1995’s Vampyr – Throne of the Beast. And this year, roughly six years after the last Black Funeral full-length, another one will be upon us in September via Iron Bonehead Productions and Dark Adversary. Continue reading »

SHORT BUT SWEET: ALMYRKVI — “PUPIL OF THE SEARING MAELSTROM”

Album Reviews, SHORT BUT SWEET 6 Responses »

Jun 282016

(In this post Andy Synn reviews the new EP by Iceland’s Almyrkvi, now available on Bandcamp.)

Black Metal has a long history of dealing with darkness in all its many forms… so it’s not surprising that so many of its adherents eventually turn their eyes towards the vast, vacant heavens and seek inspiration in the bleak emptiness of the void.

And so it is with Iceland’s Almyrkvi, the brainchild of Sinmara guitarist Garðar S. Jónsson, whose debut EP Pupil of the Searing Maelstrom seeks to capture the fearsome cold and endless nothngness of the celestial abyss in five impressively atmospheric and morbidly mesmerising tracks. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): AU CHAMP DES MORTS — “JOUR SE LÉVE”

Album Reviews, Premieres, SHORT BUT SWEET 3 Responses »

Jun 272016

In April we were privileged to bring you the premiere of the title track to Le Jour Se Lève, the debut EP of a precocious French band named Au Champ Des Morts, and today we share with you a stream of the entire EP, which has now been released by Debemur Morti Productions.

ACDM was founded in 2014 by Stefan Bayle (Anorexia Nervosa) and Migreich (VULV), and this EP is a precursor to the band’s debut album, which will also be released by Debemur Morti. The EP consists of two songs, both of which quickly establish this band as one to watch closely. Continue reading »

BE’LAKOR: “VESSELS”

Album Reviews 6 Responses »

Jun 202016

(Andy Synn reviews the new album by Australia’s Be’lakor.)

With so much of its musical territory cannibalised in the boom and bust of the Metalcore bubble, and with so many of its originators/innovators either breaking up or shifting their sound (for better or for worse) into pastures new, it’s been a rough decade or so for the style known as “Melodeath”, particularly since most of its adherents seem to have long since settled into a comfortable rut of rehashing and reusing the same old riffs and the same old melodies, ad infintum, ad nauseum.

Heck, there’s practically a cottage-industry these days dedicated to churning out a stream of generic-brand Insomnium clones, as if the masses of faceless At The Gates rip-offs and soulless In Flames copycats weren’t already diluting the genre enough as it is.

So perhaps you can understand that, as much as I was looking forward to hearing the latest Be’lakor album, my expectations were tempered somewhat by my general dissatisfaction with the state of the modern Melodeath scene, and my still somewhat lukewarm feelings towards 2012’s solid, but unspectacular, Of Breath and Bone.

But blow me down and call me Shirley if the Aussie quintet haven’t stepped up their game on this one. Continue reading »

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