May 262015
 


None of these people is me.

I’m seriously considering a legal change of my name to include the words “Ass Backwards” in it. I mean, I’m not fooling anyone anyway, so I might as well be up-front about it.

Case-in-point: Instead of writing a chronologically oriented and comprehensive review of the recently concluded Maryland Deathfest XIII, I just started tossing out random collections of photos over the last three days, mainly as a way of explaining why I wasn’t doing much of anything else for the site. And now, rather than starting over with something that actually looks like a thoughtful report on an amazing event, I’m going to continue with what I started and fill in the gaps I left, working my way backward to the pre-fest show last Wednesday.

Once again, there will be more of my photos in the continuation of this series than my words, which may come as a continuing relief to many. Continue reading »

May 262015
 

 

(DGR prepared this review of a show in Sacramento, California on May 11, 2015.)

I’ve often joked about my living in Sacramento as being an unfortunate situation and something of a curse. Sacramento, which could easily be described as a pretend big city and the world’s largest cow town, often within the same breath, is a city that up until the past three years or so would rarely get many touring acts rolling through town. Most of the time, those tours would hit the big cities (you know, the ones they actually care enough to include on a map of California because stuff happens there, unlike us, who get preferential treatment because we are the capitol) and then quickly jet away from the desolate wastelands of this state.

The local scene has always been vibrant but even now, with a whole bunch of venues in town and multiple concerts that likely would have NEVER rolled through before those venues came to Sacramento, I still find myself surprised. Sometimes, the stars align and we even manage to pull off something incredibly insane — like Anaal Nathrakh coming to podunk-ass Sacramento and playing in a venue the size of a large kitchen. Continue reading »

May 252015
 

 

Alas, our revels now are ended. Maryland Deathfest XIII is over and in the history books, and it was an amazing experience. I’ve got to pack up and vacate my hotel room soon, and I don’t have nearly enough time at the moment to say everything I want to say. For now, I’ll show you some photos I took from the first three performances I saw yesterday (the last day of the festival), with a few words about each of those first bands I saw on Sunday. More pics and words will come in the next few days.

 

PRIMORDIAL

 I arrived late to the Edison Lot and missed the first four bands of the day, but caught all of Primordial’s set — which floored me. Alan Averill is an amazingly intense and charismatic front man, and his voice is an instrument of incredible power and passion. In the category of clean vocals, he probably took the prize for the fest, though ICS Vortex performing with Arcturus the night before was a very close second. Continue reading »

May 242015
 

 

I guess I’m not strictly taking a blog break, because I’m writing this post. I just wanted to say hello and tell you that I’m having a wonderful time at Maryland Deathfest and wish you were here. I know just reading those words will make your whole day, and probably even your whole week.

Saturday was amazing, even though my traveling companions and I missed some awesome bands because our visit to the National Aquarium lasted longer than we planned, and because we were compelled to make some difficult choices between bands whose set times conflicted with each other.

But these bands I did see were just fucking fantastic:  Arcturus (pictured above), Triptykon, Antigama, Adversarial, Wolfbrigade, and Agoraphobic Nosebleed. Continue reading »

May 202015
 

 

(Ben Manzella wrote this review of the performances by Glaciers, King Woman, and True Widow in San Francisco on May 17.)

As the transition of spring into summer begins, it’s been a state of confusion within San Francisco. Yes, the light of day sticks around until 8PM almost nightly now; but the weather has been colder than average. This past Sunday, with the cold, came local bands Glaciers and King Woman opening for True Widow at Bottom of the Hill.

While all the bands had a rather fuzzed-out, doomy sound in their own ways, it was Glaciers who started the night and they definitely brought energy to the room. Continue reading »

May 162015
 

 

(Our man Andy Synn was lucky enough to attend the second annual Incineration Festival in the UK and turns in this report, with videos.)

Let me preface this review with a quick round of thanks to the people who made the festival, and my presence there, possible.

My main thanks go out to Daniel of London Metal Monthly (for whom I also write on a semi-regular basis these days) for arranging my press pass and feeding my ever-expanding ego (though at no point did I have to utter the immortal words “do you know who I am?”… which was a shame).

I also want to thank Steve and Stephen for dealing with the masses of people queuing for wristbands and for sorting my access on the day itself, as well as for all their work behind the scenes in booking the bands, venues, crew, and everything else that must have gone into a mammoth undertaking.

However, they, along with Nimai, are only the names I know of the people who were involved. For an undertaking this big – one that’s only in its second year no less – there must have been a host of other helpers and organisers working alongside them. And although I don’t know their names, I thank them as well. Continue reading »

May 062015
 

 

(Guest writer Ben Manzella returns to NCS with this review (and his photos) of performances by Inter Arma, Yautja, and Hornss in San Francisco on May 2, 2015.)

Saturday night in San Francisco; if this peninsula of a city doesn’t already feel crowded during the week, you feel it on the weekends. This weekend was interesting, though, considering that in one Saturday night you had to clearly define whether live music was your priority or instead stay in keeping with the modern culture and hype. Basically, sit at home or in a bar eating overpriced food for an overpriced event that ended up being underwhelming (the Pacquaio-Mayweather fight) or go see a metal show. For me it was never a question, the metal show was always going to win; but then it came down to which one?

See, 924 Gilman (a non-profit, volunteer-run, all-ages club beloved by the punk and hardcore scene) was hosting The Body and Full of Hell along with an assortment of what I assume was mostly local support, including Kowloon Walled City; Septic Flesh and Moonspell were incanting their darkness in Oakland; and then Bottom of the Hill in San Francisco (a bar turned venue as of almost 25 years ago) was hosting Inter Arma and Yautja with local support from Hornss. You see the choice I made. Continue reading »

May 042015
 

 

(BadWolf reviews the Seattle date of the Decibel Magazine 2015 Tour, accompanied by exclusive photos taken by Madison Leiren, except where noted.)

This is the third of four annual Decibel Magazine tours that I’ve reviewed for No Clean Singing (I missed the third installment, featuring Napalm Death headlining, due to Maryland Deathfest. I’m not sorry). At this point in time, the mechanics of the tour itself — the way it interacts with coverage in the magazine, the way that the lineup is formed over time, and the way it is presented artistically — are becoming apparent to me.

Rather than simply assess the show I saw itself, it’s important to discuss these deeper factors, because Decibel Magazine wields a lot of market power in the United States, and the US remains the biggest music market in the world even though metal remains relatively unpopular here. In that respect, however, the tour is operating in an easy middle ground between what I would call respect for profits and respect for the metal zeitgeist. They do that by locking in headliners that already have clout and draw, but aren’t going to pursue metal as a full-time activity, and slotting openers who intend to make a career out of music. At least that’s how it’s worked for the past two years.

It seems as though 2014 was a prototype and 2015 was the first successful rollout of a set Decibel Tour formula. The recipe is as follows: Continue reading »

May 012015
 

 

Life is so unpredictable. Some days, it just rains shit in torrents. Other days, it’s almost magical. I had one of those magical days — actually, a magical night — earlier this week (April 29), when Lago, Rhine, and Rat King played in Seattle.

The show was at the resurrected Funhouse, which has now occupied the lounge at El Corazon. Lago (from Phoenix) have been touring the West Coast, and their Seattle stop was the occasion for this event. I’m a big fan of the band, and have been really impressed with Rhine’s recorded music too, so I was very curious to see what both bands would be like live. In my case, Rat King was a complete unknown.

To start with a summation: All three bands were fantastic. And although this is ostensibly a show review (with photos I snapped using my phone), it’s also intended as an introduction to our readers (or re-introduction) to the music of these bands; I’m including streams of their most recent releases along with my comments about their live sets. Continue reading »

Apr 302015
 

 

(Electric Wizard recently completed their first North American tour in over ten years, and Leperkahn caught their show at Chicago’s Metro on April 7. He provides these thoughts and photos of the event.)

I feel like I should start this off by saying that I’m really sorry that this is three weeks late. This school might have it in for me, but every once in a while I try to stick it to the man by neglecting work to do things like write this review.

Anyway:

Electric Wizard recently rolled through Chicago, as well as quite a few other cities across North America, bringing Satan’s Satyrs along as support. Unbeknownst to me at the time they announced the tour, this was the first time they had toured North America, barring a performance at MDF 2012, since 2002. This may explain why the Chicago show, as well as quite a few others, sold out quicker than I would’ve expected (granted, I’m used to a San Diego turnout, where almost nothing will sell out in advance, and you can comfortably buy a ticket for a show the day before). Continue reading »