Nov 262010
 

[EDITOR’S NOTE: Our UK contributor Andy Synn made his way to Oslo, Norway, to catch Dark Tranquillity‘s live show on November 6. DT was supported at that club show by fellow Swedish metallers Avatar and Marionette. Andy provides this review of the night’s offering of metal in Oslo.]

John Dee’s in Oslo is a surprising venue in many ways. As the smaller of the rooms available in the building on Torgatta you immediately expect it to be of perhaps a lower quality than a larger venue, yet overall the entire place was presented with a higher degree of class and quality than most venues of a similar size which I have visited here in the UK. Wide-ranging and extremely clean, well-laid out with two separate bars and a raised area at the back of the room, the venue worked perfectly for a metal show this evening. Kudos to the owners and staff of John Dee.

Unfortunately, the supports were not exactly of the same level of quality.

MARIONETTE

First up was Marionette, a Swedish band of whom I’d heard good things with regard to their brand of modern melo-death, influenced performance-wise by Japanese visual Kei. Unfortunately, they were, and are, routinely terrible. Embodying much of what has gone wrong with the melo-death sound in recent years, the band appeared onstage garbed in black shirts and white ties, each with their own “interesting” hair-style and accompanied by a singer in a pseudo-Japanese mask that lasted all of 30 seconds on his face. They came across as a bad metalcore band using keyboards and “wacky” imagery to appear interesting in a desperate attempt to appeal visually to angsty teens who think that Green Day are punk as fuck and My Chemical Romance have something important to say about the youth of today. (more after the jump . . .) Continue reading »

Sep 152010
 

Two nights ago our NCS spiritual advisor Alexis and I dropped in to Studio Seven to catch Kataklysm in action. Neither one of us had any business hitting a metal club that night because we both had really early days ahead of us the next morning. But Kataklysm was on the bill, and only a case of amoebic dysentery would have kept me away.

Alexis hadn’t listened to Kataklysm before and she went along mainly to humor me. As a compromise, we arrived a bit late and left right after Kataklysm’s set — so we missed Kittie (who I was really curious to see) and DevilDriver (who we’ve seen before). Consequently, this is only a partial concert review, which is probably fitting — a half-assed review to match up with our typically half-assed photos.

And we do have lots of those — images of the first two bands we saw (Hostility and Misery), and of course a few handfuls of our better pics of the astounding Kataklysm. Our thoughts about the part of the show we saw, plus some other random thoughts, plus the photos, are after the jump . . . Continue reading »

Aug 242010
 

This is the second part of a two-part post about the SUMMER SLAUGHTER tour’s performances in Seattle and Portland on August 20 and 21. In Part 1, we gave our impressions about the music and posted photos of about half the bands performing in Seattle.

Today, we have a random assortment of observations about our two days of metal in the Pacific Northwest, plus photos of all the bands at the show in Portland.

None of us here at NCS know what the fuck we’re doing with a camera. We like to justify our ineptitude by telling ourselves it’s just like the DIY ethic of underground metal. We also like to make excuses that divert attention from our complete lack of training, such as the constantly changing or almost non-existent light, the non-stop motion on stage, the distance from which we’re taking the photos, and — most important — the fact that we go to shows to listen to the fucking music, not to take photos, so there’s a limit to how much time we’re going to spend snapping away like a fucking tourist.

But, despite our manifold shortcomings as photojournalists, we think these pics are just barely good enough to share, so we’re sharing them — a lot of them, since 11 bands played in Portland and we didn’t miss out on any of them.  (after the jump . . .) Continue reading »

Aug 232010
 

This year’s edition of THE SUMMER SLAUGHTER tour was a celebration of death metal in some of its more brutal and technical flavors — and one out-of-place wild card that stole the show. In this case, “stealing the show” is a relative term, because the line-up of bands was so strong.

In fact, with allowances for the extremity of our musical tastes here at NCS, this was as consistently solid a line-up, from start to finish, as any tour in recent memory: Vital Remains, Animals As Leaders, Carnifex, Decrepit Birth, Cephalic Carnage, Veil of Maya, The Red Chord, All Shall Perish, The Faceless, and Decapitated.

In fact, we were so stoked about this tour that we decided to see it both in Seattle last Friday and again in Portland the next day. The tour’s last show is in San Francisco tonight, so we were catching the bands near the end of a long summer haul that no doubt wore them out. But you couldn’t tell that from the way they played. If we didn’t have day jobs and were closer to SF, we’d be tempted to take in a third performance — it was that good.

As usual, we took a crapload of photos at both performances. And in fact, most of them are crap. But we’ve been painstakingly sorting through them to find the least crappy ones that we wouldn’t be too embarrassed to share.

So, today, we’ve got some high-level reactions to what we heard from all the bands, plus photos from the Seattle tour stop. Tomorrow (now at this location), we’ll have some random observations about the scene and the crowds and a few other thoughts that aren’t really in the nature of a review, plus the best photos from the Portland show (which are a bit better than the ones we’re posting today).  (continue after the jump . . .) Continue reading »

Aug 222010
 

Really a slow start here at NCS today. The three of us who put this thing together piled into a van at the crack of dawn yesterday and drove from Seattle to Portland, got settled in to the place where we were staying, and showed up early for the start of the SUMMER SLAUGHTER tour.

About 9 1/2 hours later, we stumbled out of The Roseland Theater with aching body parts and heads filled with a complete deluge of metal. By the time we got something to eat and made it back to where we were staying, it was a really late night. And now it’s a really late morning.

The show was stupendously good, with no real weak spots in the performances from start to finish and lots of high points. We took a gazillion photos that will take some time to sort through and edit. We’ll put up the best of the bunch as soon as we can, along with photos we took when this same tour was in Seattle two nights ago.

For now, The Faceless is on my mind. I thought their performance and Animals As Leaders’ were the best of a very strong night. So, until we get our shit better together and put up a more complete post for today, there’s some Faceless music after the jump and a few more photos of the band performing last night in Portland. Continue reading »

Aug 212010
 

SUMMER SLAUGHTER was in Seattle last night. I went with one of my NCS cohorts (Alexis) but left after Cephalic Carnage. Why? Because all the perpetrators of this site are  leaving at the crack of dawn to drive to Portland today. Why? To see SUMMER SLAUGHTER in Portland. Why? Don’t ask.

So, I’ll get to see the first 5 bands twice. For now, three words:

Animals. As. Leaders.

More words:

Cephalic. Carnage.

Jul 292010
 

Soilwork is in the midst of a headlining tour in support of its recent album The Panic Broadcast, and the three perpetrators of NO CLEAN SINGING were in the audience when the tour blew through El Corazon in Seattle on July 27.

The bands on this tour are an interesting mix. No two of them play the same style of metal. We had Soilwork‘s melodic metalcore, Death Angel‘s supercharged thrash, hyper-technical death metal from Augury, Mutiny Within‘s aggressive power metal, Swashbuckle‘s pirate thrash, and melodic death metal from Seattle’s Deathmocracy.

It was also a long night, and those (like us) who were there from start to finish got their money’s worth: Deathmocracy took the stage at about 7 p.m., and Soilwork finished a 90-minute set at 12:30 in the morning. In a nutshell, we got thoroughly deep-fried in a vat of molten metal.

In this post, we’ll give you some brief notes on the performances and a collection of our reliably half-assed photos of each band — after the jump. Continue reading »

May 312010
 

On the night of May 28, Dark Tranquillity‘s 2010 WE ARE THE VOID TOUR made its scheduled stop at Studio Seven in Seattle, and two of your NCS collaborators were present to take in all the awesomeness this show had to offer.

This was a must-see event for us, because Dark Tranquillity was one of the bands that first hooked us on extreme metal. And apart from the significance of that, we catch their live act whenever possible because they dependably deliver outstanding performances. Of course, they weren’t alone — Threat Signal, Mutiny Within, and local band Blood and Thunder were also on the bill.

So, here’s our report on the concert, plus we’ve got an unusually large batch of performance photos to show you after the all the verbiage.  (And if you think these photos are amateurish, you should see the hundreds we took that didn’t make the cut!)

BLOOD AND THUNDER

We’re not gonna say too much about this band’s performance here  — because we devoted a whole post to them yesterday. In a nutshell, they kicked massive amounts of ass: A great stage presence; technically excellent playing; and one catchy, headbangable song after another. This band churns out modern melodic death metal that deserves a wider audience.  (We do have some photos of the band’s performance that we didn’t put in yesterday’s post — so we’re putting those up at the end of this one.)

(stay with us after the jump for the rest of this review, plus all those photos we promised . . .) Continue reading »

May 302010
 

Two nights ago, one of my NCS collaborators (Alexis) and I hit Studio Seven in Seattle for Dark Tranquillity‘s headlining We Are the Void Tour. Along with Threat Signal and Mutiny Within, the night also featured an opening performance by a Seattle band called Blood and Thunder. We’ll be posting our review of the entire show tomorrow, but we decided it was time to focus on Blood and Thunder in a way that the typical format of our concert reviews doesn’t really allow.

The two main draws for us at this show were, of course, Dark Tranquillity (who were cosmically awesome) — and the band we’re writing about today. We’d seen them for the first time a month ago when they opened for The Finnish Metal Tour on its Seattle stop (reviewed by us here), and we were super-impressed. Now that we’ve had the chance to see and hear them a second time, we’re even more blown away.

The local Seattle metal scene has a growing number of talented bands that we predict you’ll be hearing a lot more about in the near future, but Blood and Thunder may just be the best un-signed extreme metal band in Seattle.

We spent time talking with some of the guys after their set at Studio Seven. In addition to being superb songwriters and musicians, they’re as nice a bunch of metalheads as you could want to meet, and they were patient enough to pose for some photos outside the venue (like the one above and a few more after the jump). But they’re also dead serious and very intelligent in the way they’re going about trying to make a name for themselves in this overcrowded niche of music. It was an eye-opening conversation for us.

(Continue reading after the jump for our report on that conversation, our review of Blood and Thunder’s set, and a big batch of our barely tolerable concert photos of this band in action . . .) Continue reading »

May 202010
 

Job For A Cowboy, Whitechapel, Cattle DecapitationRevocation, and I Declare War hit Seattle hard on JFAC’s current Ruination tour on the night of May 18 at El Corazon. All three of your NCS collaborators turned out for the carnage and we file this somewhat incomplete report, along with a somewhat incomplete batch of our half-assed photos (be sure to scroll to the end of the review to see those).

Somewhat incomplete, because we had to leave before JFAC’s set. Maybe if we were being paid to run this site, we’d have stayed to the bitter end, but the people who actually do pay us were expecting our asses to show up on time early the next morning. Life is full of fucking compromises, isn’t it?.

I DECLARE WAR

Well, what can we say? It’s just so fucking cool to see our local boys making good. As we reported here back in March, IDW has signed with Artery Recordings and has a new album (Malevolence) due out on June 8, with two of the songs currently streaming on their MySpace page. They played some dates earlier this month in California with Whitechapel and Son of Aurelius, and next month they start a nationwide tour with Molotov Solution, Dr. Acula, and Monsters.

But this night was a show for the home folks — something of a coming-out since the news of their label-signing, and man, did the home folks turn out. El Corazon was packed to the gills in time for the first chord of IDW’s first song, and they showed these hard-working, hard-playing dudes a lotta love.  (more after the jump . . .) Continue reading »