Nov 172022
 

There’s something admirable in standing fast against powerful headwinds, even when the position may cause some to cringe.

Bob Malmström staked out their position long ago as the true originators and crowned kings of “borgarcore”, and they have taken delight since 2010 in jabbing their fingers into the eyes of standard “against the system” punk mentality by celebrating the benefits of Dom Perignon, lap dances by pretty girls, fast cars that can be run by you instead of over you, and favorable swings in the stock markets. Maintaining that position in recent years has gotten tougher, but these Swedish-speaking Finns haven’t backed down. In the context of their new EP Segla med Satan they write:

It’s 2022 and everything is going to hell. The stock market is tanking, the waves are full of poisonous algae porridge and in the east a mad tyrant force-feeds his brain virus to the people like a Frenchman force-feeds geese. The world is on the brink of an abyss…. Salvation is not what anyone expected, nor asked for, but it gives you the Zen to ski down the slopes of the Alps waving your middle fingers to the poor. We’re ready to rock the gold teeth out of your mouths.

Punk is for poor losers. Folk metal is for stupid losers. Bättre folk metal is for rich geniuses! Continue reading »

Nov 172022
 

(Andy Synn brings you some multi-national mayhem courtesy of Inverted Matter)

There are many, many things I love about Metal.

But one of the biggest is that there’s always something new to discover, a new artist or album to uncover that you’ve previously overlooked, so it’s practically impossible to get bored or jaded (emphasis on “practically”).

Take Inverted Matter, for example.

This multinational menagerie of misfits, monsters, and mercenaries (whose ranks include Defacement drummer Marco Dal pastro – putting in yet another pulverising percussive performance here) are brand new to me, despite the fact that they released their debut album, Detach, way back in 2017.

But, better late than never, right? And now that I’ve discovered them it’s time for me to pay it forward and introduce them to some of you in turn.

Continue reading »

Nov 172022
 

(Last month The Antichrist Imperium released their third glorious and reverent ode to Satan under the auspices of the Apocalyptic Witchcraft label. Allowing time for it to settle in, DGR now devotes a long review to it.)

We’re well past a month since the release of The Antichrist Imperium‘s newest album Vol III: Satan In His Original Glory. One of the things we can can say about it is that it will constantly leave you befuddled and may take you about a month to fully wrap your head round it as well.

It is a strange album, from a collective of musicians for whom ‘weird’ has become a consistent throughline in their overall mass of projects to begin with. Voices as a whole and especially their latest volley Breaking The Trauma Bond? Abrasive, weird, fascinating. Ackercocke‘s return Rennaissance In Extremis? Weird as hell and fascinating. Antichrist Imperium when they’re not in full death metal mode? Much the same.

That you have the presence of two of the boulder-punchers from Werewolves in the lineup shows that someone in the band has the mind to attempt some of the most high-minded and far-reaching music and then just as quickly pen some of the dumbest, purposefully one-directional music out there. Continue reading »

Nov 162022
 

(Andy Synn goes on a juicy Prog-Metal journey with the new album from Montreal’s Ashbreather)

While we’re not averse to writing about some of the bigger names in Metal here at NCS – though this year, if I’m not wrong, we’ve actually chosen not to feature several of the “big” names, due to the fact that they get more than enough coverage already – our focus is always on showcasing and supporting the work of those bands who might otherwise fly under the radar (at least in terms of the wider Metal scene).

So, in that spirit, today we’re turning to a cinematic, single-track concept album by a Canadian trio whose music is best described at “Progressive Sludge”, with a heavy emphasis on the “Progressive” part of the equation, and a penchant for throwing in some unexpected creative twists along the way.

Enjoy!

Continue reading »

Nov 152022
 

Time flies when you’re having fun. Time also probably flies when you blindly stumble into the path of a rushing freight train.

What brought that morbid thought to mind? Well, you can guess from the title of this feature. It’s the obliterating new EP The Summoning by the Puerto Rican death metal band Omnifaiam, and in particular the EP’s powerhouse opening song “Deceivers of the Bleak“. Continue reading »

Nov 152022
 

(Late October brought forth MNRK Heavy‘s release of a new album by Spanish Noctem, a band we’ve been following closely and happily for a long time, and now we catch up to the new album with this extensive review by DGR.)

Over the course of six albums Noctem have placed themselves in an interesting spot musically, where it has seemed like the only point of reference for comparison in terms of their musical history was the album prior and nothing more.

The group have gone through some sizeable leaps and shifts in their sound over the years, and many of them are well-documented on this here site. While it seemed like they may have found a niche within the black metal world with their triptych of Oblivion, Exilium, and Haeresis, the following disc The Black Consecration moved away from the overwhelming chaotic madness of those three albums and into a realm much more deep and cavernous than before.

The Black Consecration was Noctem proving their worth to the black metal abyss, and that is really the biggest point of reference when it comes to this Spanish group’s latest album, Credo Certe Ne Cras, because after the band laid their foundation through that preceding album, they have now built upon it by becoming “bigger” in just about every sense imaginable. Continue reading »

Nov 142022
 

(Andy Synn gives Dream Unending another chance to win him over with their new album)

If you know anything about us here at NCS – beyond our charm, good lucks, and our unwavering loyalty (and, yes, I am riffing on a previous intro, what of it?) – you’ll know that we’re not afraid to admit when we’re wrong.

That being said, I still stand by my decision to include Dream Unending‘s first album in my list of the most “Disappointing” albums of 2021 as, while I didn’t hate it by any means, the amount of hype around it was completely unjustified.

It wasn’t really the band’s fault, to be fair, but, from the reactions by some of the Metal Media (a lot of which seemed content to just lazily regurgitate the press materials) you might have thought that they were the first (and only) band to ever consider combining the dolorous heft of Doom with the dreamy dynamics of Post-Metal (or that Paradise Lost had never existed).

However, I am happy to report – very happy, as a matter of fact, as I always felt this project had promise, despite being so critical of their debut – that Song of Salvation is a huge step up, and a huge step forward, that just might live up to most (if not all) of the hype around the band.

Continue reading »

Nov 142022
 

(A new three-track ChestCrush EP has been out in the world for about a week, time enough for DGR to feel comfortable giving it the following review, for those who might have overlooked it.)

ChestCrush is a project we arrived at late in the year 2021. The international group’s first full length Vdelgymia was one that had hovered on the periphery for some time that year, and whenever we got the chance to share it with people, we would bring it up. It’s how the song “Grudge” wound up being spun during one of our Gimme Metal invasions, and we even argued for the brutally rock-headed “Different Shepherds, Same Sheep” as one of the most infectious songs of last year before that list performed its duties and was sent out on an ice floe.

Given that ChestCrush have resolved themselves into a year-over-year churn at the moment, it seems like you can’t discuss the group’s latest EP Apechtheia without lookng at its older sibling, because these are two very distinct releases from one another, not just in terms of musical content but also in terms of lineup: Apechtheia marks the first time that main musician Evangelos Vasilakos has united with Australian drummer Robin Stone and Texas-based death metal vocalist Topias Jokipii. Continue reading »

Nov 102022
 

Exactly what constitutes the precise definition of “Technical” Death Metal is a controversial topic at the best of times.

After all, doesn’t Death Metal – above a certain number of bpm, at least – actively require a certain amount of technical talent to properly pull it off?

And where exactly does one draw the line? After all, no-one would go around referring to Cannibal Corpse as “Technical Death Metal”, obviously, but many of their riffs (and particularly their bass-lines) are pretty finger-flensing, while Dying Fetus (to pick another “big name” out of the hat) are pretty famous for their face-melting fretwork but are arguably just as well-known for their willing embrace of bone-headed brutality.

Perhaps it’s just an age thing – maybe some of today’s “Technical Death Metal” bands wouldn’t have been referred to as such “back in the day” – or maybe there’s more to it than that.

Whatever the answer is… I don’t have it for you here. But I do recommend you check out all three of the artists/albums featured in today’s article, whether you’re a fan of “Technical” Death Metal or not.

Continue reading »

Nov 082022
 

(Andy Synn is here to host our premiere of the new album from Fell Ruin, out this Friday via Tartarus Records.)

One thing everybody knows about us here at NCS is that – in addition to our dashing good looks and stunning sexual prowess – we are loyal.

If we write about your band and like what you do then we’re prepared to wait as long as it takes to hear more from you.

Case in point, Fell Ruin‘s debut album, To The Concrete Drifts, hit me like… well… like a tonne of concrete when it was released back in 2017, so when we were asked if we wanted to host the premiere of the band’s long-gestating follow-up I immediately jumped at the chance to do so.

After all, I’ve had Cast in Oil… for a while now, and since I had already planned to review it this week it just made sense to take advantage of this offer.

A word of warning though – the band’s second album is a far different beast than its predecessor. So expect the unexpected.

Continue reading »