Reviews Archives - Page 159 of 601

AN NCS ALBUM PREMIERE (AND A REVIEW): DEATHCRUSH — “UNDER SERPENTS REIGN”

Apr 252022

The Sardinian band Deathcrush have been growing in hideous strength over the course of a career that’s now almost two decades long. For such a long life, their discography is relatively limited, with the most prominent releases being two studio albums and one live album (the sign of a preference for quality over quantity). Their third album, Under Serpents Reign, is now set for release on April 26th (tomorrow!) by Time To Kill Records.

If you knew nothing about the band’s music, their name alone would give you a clue. And most definitely, crushing death metal inspired by the likes of Morbid Angel, Immolation, and Deicide, has been a key ingredient in their blasphemous discharges of fury. But it’s not the only ingredient, as you would know if you heard the changes reflected in their second full-length, 2017’s Hell, as compared to their debut album Collective Brain Infektion (2013).

The new album seems like a continued evolution, one that integrates the more brutal ravages of the debut and the more blackened atmospherics of the second full-length, and then does even more to distinguish itself. You’ll have the chance to learn this for yourselves today as we present a full stream of Under Serpents Reign. Continue reading »

TE RUKI – MARAKO TE RUKI

Album Reviews 5 Responses »

Apr 252022

(Andy Synn once again proves himself a man of the world with this review of the magnificent debut album by Te Ruki)

There’s absolutely no denying it these days – Black Metal has truly become a worldwide phenomenon.

From its humble beginnings the genre has spread out to practically every corner of the globe, constantly evolving and mutating, forming new local scenes and embracing local sounds along the way.

And while much (physical and digital) ink has been shed debating why, and how, this happened, for me the answer is quite simple – whether intentionally or not, those crazy kids who first kicked off the whole movement ended up tapping into something truly primal, something so primitive and fundamental to the human condition that it connects with people of all ages and races, colours and creeds.

Of course, there will always be those who don’t approve of how far the genre has travelled from roots, but to me there’s something almost magical – not to mention deeply ironic – that the so-called ultimate “outsider’s” music has gone on to connect so many different people together through their common humanity.

Plus, let’s face it, if Black Metal had never left the basements and bars of Norway then we’d never have gotten to hear Marako Te Ruki… and that’s not a world I want to live in.

MISERATION: “BLACK MIRACLES AND DARK WONDERS”

Album Reviews 1 Response »

Apr 252022

(We present DGR‘s review of the comeback album released last Friday by the Swedish death metal band Miseration.)

It has been almost ten years since the previous Miseration album Tragedy Has Spoken. If the band had held on to their newest entry back into the death metal fray, Black Miracles And Dark Wonders, for another two months, it would’ve been a full decade. Talk about coming in just under the line of having that broadcast everywhere.

Miseration is one of a few long-running collaborations between constantly writing multi-instrumentalist Jani Stefanovic and legendary metal vocalist Christian Älvestam. Black Miracles and Dark Wonders is their fourth album; the group’s previous three were launched on a nearly every-three-year cadence before the Miseration project would find itself sidelined for nine years. In that span of time they found themselves increasingly busy, with both of them collaborating in the Solution .45 project as well – which would see two more albums added to that discography in that time. Continue reading »

VANUM – LEGEND

Album Reviews 5 Responses »

Apr 212022

(The living legend himself, Andy Synn, has thoughts about the epic new album from Vanum)

There’s this idea, prevalent among a lot of Metal fans (hell, among music fans in general, let’s be honest) that every band’s newest album has to be better than the one before, otherwise it’s considered a failure.

And I know what you’re thinking… of course it should be better. That’s just the way things should work. Only, no-one ever seems to want to take a moment to stop and think about what exactly “better” means.

Does it mean heavier? Faster? More technical? Does it mean more melodic? More popular? More accessible?

We always say that music isn’t meant to be a competition – but when we do so we’re usually talking about competition between bands, not about bands competing against themselves.

But the older (and, ahem, “wiser”) I get, the more I realise that the point of any album, any piece of art, is not to be “better” than the one which came before it, but to best represent the artist themselves, who they are and what they are trying to say (in whatever medium) at this precise point in their lives.

So when I say that Legend isn’t a “better” album than 2019’s Ageless Fire, I’m also not saying that it’s “worse”. It is, simply put, a perfect companion piece to it’s career-defining predecessor – one which showcases a more morose and melancholy side of the band – and a more than worthy addition to the group’s legacy.

AN NCS PREMIERE: FERAL LIGHT – PSYCHIC CONTORTIONS

Album Reviews, Premieres 4 Responses »

Apr 202022

(Andy Synn presents a review, and full premiere, of the new album by Minnesota’s Feral Light)

Let me tell you a bit about how premieres work here at NCS.

Generally speaking, a label (or a band) will contact us at some point in advance of the release date of whatever they want us to host – whether it’s a single, a video, or a full album stream – and ask us directly if we’d like to handle a premiere for them.

Before we say yes we have to check two things – firstly, do we have time and space in our schedule to actually do the hosting (the more lead-in time we have the better, obviously)? And, secondly, do we actually like the music enough to want to host it?

This latter question is definitely the more important of the two. After all, we only want to promote things that we honestly think are good – we do have some integrity, after all – so we need to be sure that what we’re premiering is something that’s definitely worth your time, and ours.

Every so often, however, things just seem to line up and we’ll get offered a premiere for something which we were already writing about… which is exactly what happened in the case of Psychic Contortions, the upcoming fourth album (set for release this Friday by I, Voidhanger) from Feral Light.

LUX INCERTA: “DARK ODYSSEY”

Album Reviews 2 Responses »

Apr 202022

(We present Gonzo‘s review of the latest album by the French band Lux Incerta, which was released on April 8th.)

When it comes to storytelling, the ubiquity of dark-versus-light is just about the most repackaged theme in human history. It’s everywhere. It’s the hero’s journey, the struggle of inner turmoil, the journey to the self, good triumphing over evil, and otherwise present in just about every other archetypal tale you’ve ever seen or heard.

When it comes to making art, though, none of that shit matters as long as you can tell the same story well. In music, this is particularly hard to pull off – especially in a modern-day metal scene that’s rife with saturation and subgenres. (And saturated subgenres, now that we’re going there.)

But bands like France’s Lux Incerta don’t give a fuck how many times you’ve seen, read, or listened to stories that revolve around the dark/light duality. Roughly translated from Latin, the band’s name refers to the apex of the light-versus-dark battle, when light is about to succumb to the dark. And their stylistic crossroads of death, doom, and prog metal reinforces how well the band lives up to that moniker. Continue reading »

SOLUS EX INFERIS: “EXOGENESIS”

Album Reviews, SHORT BUT SWEET No Responses »

Apr 192022

(This is DGR‘s review of a new EP released on April 15th of this year by the New York-based death metal band Solus Ex Inferis.)

Sometimes you land on a new release simply because you were curious as to what a certain musician might’ve been up to at a given moment. There are absolutely other avenues to discover music, but sometimes it’s just fun to go down the internet rabbit hole and see what other projects someone might be involved in. That is what led me to the death metal group Solus Ex Inferis and their newest release Exogenesis.

Every once in a while the thought that superhuman drummer Marco Pitruzzella has contributed work to something like twenty-plus projects will cross my mind. For the past few years he’s had credits on at least two-to-four releases, with Solus Ex Inferis becoming the latest project to which he’s contributed, adding to the vast body of work for this prolific musician.

Solus Ex Inferis are also one of a recent slate of death metal projects that have truly embraced being from all over the world, with Demonic Resurrection‘s Sahil Makhija (the Demonstealer) joining the fray alongside guitarist Dave Sevenstrings for their latest EP, while also calling in help from bassist Sean Martinez of Decrepit Birth/Muldrotha as well as some guest soloists.

What this translates to is the latest EP Exogenesis hailing from all over the world in the name of bulldozer brutality. You’ll know whether the twenty-five odd minutes of Exogenesis are for you if this statement gets you excited. Continue reading »

CHOKE ME: “DEATH LIKE A SUNSET”

Album Reviews, SHORT BUT SWEET 1 Response »

Apr 182022

(The California fastcore band Choke Me have quickly become a favorite of DGR, and thus he has enthusiastically dived into their music again with this review of their latest release.)

Choke Me‘s releases seem to appear with the suddenness of a high-speed car collision. It wasn’t that long ago we were talking about the three-piece group’s Hauntology EP, and prior to that it didn’t seem that long ago that we were discussing the group’s full-length debut The Cousin of Death.

Then again, given the shared ideologies between the group’s punk, grind, and ‘fastcore’ collision of sound, it doesn’t shock that the crew manning the good ship Choke Me have also embraced the rapid-fire release schedule and record length of the grind contingent as well.

We’re probably a few months out from suffocating under an avalanche of splits and single releases if the patterns hold true. April 1st saw the release of the latest music from Choke Me, seemingly forming out of a static-charged aether into one quick explosion under the name of Death Like A Sunset, and like its immediate predecessor in late 2021’s Hauntology it discharges another six songs and sub-twenty minutes worth of music. Continue reading »

SHADES OF BLACK: УБИЙ, MISANTHROPIC RAGE, LIBUR NULL, AARA

Album Reviews, SHADES OF BLACK, SHORT BUT SWEET 2 Responses »

Apr 172022

Untitled 2022 artwork by Toshiro Egawa

Some days it’s harder to get going than others. For me it’s usually the weekends. I wanted to sleep for 10 or 11 hours last night, but only got 8, and maybe it’s true that a lot of sleep can make a person groggier than a small slice. Even after 8 hours I had to mentally whip myself to move, as groggy as a bear coming out of sedation.

I forced that awakening because I felt compelled to write this column, to maintain the Sunday tradition. But I still slept late enough that there’s not much time before I have to leave the house to rendezvous with some friends. My spouse made the appointment, and set it for mid-morning. She knows about this column, but doesn’t consider it more important than social engagement. Well, she thinks all metal is awful, so that factors in too.

So here I am, stuck in a narrow space between sleep and closing the door behind me on the way out. This is what I managed to pull together before the door closed. Continue reading »

AN NCS PREMIERE: CLEARxCUT – SONGS OF DESIRE ARMED

Album Reviews, Premieres 2 Responses »

Apr 152022

(Andy Synn presents Songs of Desire Armed, the upcoming second album by CLEARxCUT)

While my love of Hardcore has been well-documented by now, there are still certain things about it which don’t always sit right with me (and I don’t just mean karate-dancing in the pit, whose ignorant, “look at me”, attitude has always seemed antithetical to the communal mindset of the genre).

In particular, despite supposedly being founded on principles of brotherhood and community, a lot of Hardcore bands/fans can be rather elitist and exclusionary – especially when it comes to emphasising the “brother” part – and while there have been a lot of moves towards changing this in the years since I first got into the genre, there’s still a fair way to go until Hardcore as a whole will be able to truly say that it practices what it preaches.

There are, however, still a lot of bands who both talk the talk and walk the walk, and CLEARxCUT – a vegan, anarchist, anti-fascist and straight-edge Metallic Hardcore collective made up of, among others, both current and ex-members of Implore, King Apathy, and Heaven Shall Burn – are unequivocally one of those bands, expressing their beliefs and ideals not to exclude or impugn others but to engage and inspire by example.

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