OUR PLACE OF WORSHIP IS SILENCE: “WITH INEXORABLE SUFFERING”

 Album Reviews  4 Responses »
Apr 132018
 

 

(We present Andy Synn’s review of the new album by California-based Our Place of Worship Is Silence, which is being released today by Translation Loss Records., and features striking cover art by Wrest of Leviathan.)

 

When you get right down to the beating, bleeding heart of things, a band is really just an organic machine, a biological mechanism of meat and metal, driven by electrical impulses and instinctual imperatives to procreate and disseminate its memetic ideas as far and as wide as possible.

This is something that Our Place of Worship is Silence seem to have grasped on an innate level with their vicious and hate-fuelled second album, With Inexorable Suffering, which finds the deadly duo simultaneously fleshing out their gruesome sound whilst also stripping it back to its most lethally efficient form. Continue reading »

ANDY SYNN PRESENTS: REVIEWS IN HAIKUS (MONOLITHE, ÆTHĔRĬA CONSCĬENTĬA, GLORIOR BELLI)

 Album Reviews, Reviews In Haikus  1 Response »
Apr 102018
 

 

(After a hiatus, we present another edition of Andy Synn’s three-line reviews.)

 

According to my records (or vague recollections) it’s been almost ten months since the last edition of ‘Reviews in Haikus’… and this simply will not stand!

So, since I have a backlog of unreviewed albums as long as the Seine, I’ve selected three albums from our Gallic cousins which deserve some attention to cover here.

So, without further ado… Continue reading »

AN NCS PREMIERE (AND A REVIEW): BLACK MASS PERVERTOR — “LIFE BEYOND THE WALLS OF FLESH”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Apr 092018
 

 

With a history that can be traced back to 1998 and a sound that has evolved over the course of a demo, a previous EP, and a 2016 album (Phanerosis), the Finnish black metal band Black Mass Pervertor have reached an apotheosis of devilment with their new EP, Life Beyond the Walls of Flesh.

It’s a fiendishly infectious romp that, in the accurate words of the public relations campaign paving the way for its release, bows reverentially to “Belial, Barathrum, and especially early Impaled Nazarene whilst nodding to the early-Noughts work of Horna, Sargeist, and Behexen.”

It has, in short order, become a deliciously deviant pleasure of mine, a pleasure I get to share with you today in advance of its release by Blood Harvest Records on Friday the 13th of this month. Continue reading »

WEED PRIEST: “CONSUMMATE DARKNESS”

 Album Reviews  No Responses »
Apr 092018
 

 

(DGR prepared this review of the latest album by Weed Priest from Galway, Ireland.)

 

I’ve been hinting at writing this one for a very long time — considering that this album hit on October 31st, 2017, and I didn’t mention it other than to say I was looking into it in December. In the annals of reviews of mine that I have deleted and restarted numerous times, this one has to be up there. Considering that we’re now in early April, the album is very much up there as one of the ones it has taken me a very long time to forge ideas about.

Put simply, it’s because I am not the doom guy around here. Your doom expert around these parts is our very own ruler of the early morning post Comrade Aleks. Not only has he put together a near-ceaseless and well-constructed series of interviews with different musicians across the genre and issued them here (and elsewhere) for some time now, but he has also written a tremendous book. Continue reading »

SHADES OF BLACK: LEVIATHAN, DEIPHAGO, HOTH, GRÁ, TOMUSZ

 Album Reviews, SHADES OF BLACK  6 Responses »
Apr 082018
 

 

I’m deep in the heart of Texas today for my fucking day-job, and will be deep in the heart of Philadelphia tomorrow for the same reason, but in the meantime I’ve managed to cobble together some streams of new music from the black realms, and some thoughts about each selection.

LEVIATHAN

It may be my imagination, but it seems that more and more bands who have a devout following are choosing to spring their new releases without much warning or PR assistance. That’s what Leviathan did one week ago, with the release of Unfailing Fall Into Naught through Ascension Monuments Media.

This new album is a compilation of tracks previously released in other formats. It includes Leviathan’s contributions to a 2004 split CD with Xasthur (released by Profound Lore Records) and a 2006 split with Sapthuran (released by Battle Kommand Records, and then later released by Southern Lord in 2007 as a stand-alone Leviathan EP called The Blind Wound). Continue reading »

INFERNO FESTIVAL 2018 – DAY 4

 Concert Reviews  1 Response »
Apr 062018
 

 

(Andy Synn was fortunate to be in attendance at the 2018 edition of Inferno Festival in Oslo on March 29 – April 1, and files this report, which we’re spreading out in installments this week. Day 4 is the focus of this post; reactions to Day 1, Day 2, and Day 3 can be found here, here, and here.)

 

The fourth, and final, day of Inferno Festival 2018 was the day which held the fewest number of bands that I was really interested in, but that didn’t mean there weren’t a bunch of killer acts to see. Continue reading »

INFERNO FESTIVAL 2018 – DAY 3

 Concert Reviews  5 Responses »
Apr 052018
 

 

(Andy Synn was fortunate to be in attendance at the 2018 edition of Inferno Festival in Oslo on March 29 – April 1, and files this report, which we’re spreading out in installments this week. Day 3 is the focus of this post; reactions to Day 1 and Day 2 can be found here and here.)

 

The third day of the festival began with another long lie in, followed by a bit of a wander around Oslo, which included stopping at a nice little restaurant/bar just around the corner from the venue for a delicious burger and several pints of Norwegian beer, before I eventually made my way into Rockefeller in time to catch Nordjevel riffing it up on the main stage. Continue reading »

NECROS CHRISTOS: “DOMEDON DOXOMEDON”

 Album Reviews  5 Responses »
Apr 052018
 

 

(Few bands have made as dominant a mark on the progression of extreme metal as Necros Christos, and that makes their new album an event worth focusing on — and Wil Cifer does that here, in this review.)

 

I am a sucker for niche sub-genres. “Occult Death Metal” was one of those. It meant… we masturbate on our copies of Onward to Golgotha, but we’re dark enough to lure people like you in. even with the influences worn plainly on their little black sleeves.

One of the best bands to emerge from that was this German band, who have heralded this album as their last. This supposed swan-song finds the band coming out from the murk of cavernous reverb to a more organic brand of death metal with less Incantation worship. For that matter, there are a few moments that sound like Morbid Angel. Continue reading »

ABYSSAL: “MMVIII – MMXIV”

 Album Reviews  No Responses »
Apr 042018
 

 

(In this post Grant Skelton reviews a new anthology release collecting the music of the Mexican funeral doom band Abyssal, and shares news about Abyssal’s next album.)

 

“What are we? We live in the dark, everything we see it’s not what it appears to be. We are blind to this world, we are blind amongst ourselves, we live afraid. It is out feat that brings us to commit horrendous acts towards everything that surrounds us, fighting anger with anger, blood for blood. It’s our fear of finding out we are fragile and weak. Human figures on beautiful landscapes that is all we see, for we live in the abyssal plains… Music to be the companion on those long struggles for a better world, doesn’t matter the sound, when melody and meaning come together we feel we are not alone, there’s someone beside us fighting the same fights.”
(From the MMVIII – MMXIV liner notes)

 

 

Tijuana, Mexico is the home of Abyssal, a funeral doom band whose upcoming 2018 album (more info on that later) should be on our radar. Although active for a decade, word about Abyssal seems scarce even in dedicated doom circles. Their first 2 albums (Blindness and Landscapes) had only been available on CD-R prior to this year. Thanks to Concreto Records, fans may now enjoy a proper physical release of those two albums as part of an anthology called MMVIII – MMXIV. Rounding out the anthology is Abyssal’s 2014 track “Ad Noctum”. Continue reading »

INFERNO FESTIVAL 2018 – DAY 2

 Concert Reviews  4 Responses »
Apr 042018
 

 

(Andy Synn was fortunate to be in attendance at the 2018 edition of Inferno Festival in Oslo on March 29 – April 1, and files this report, which will be spread out in installments over the balance of this week. Day 2 is the focus of this post; reactions to Day 1 can be found here.)

 

Day two of Inferno began with… me sleeping in. And damn, did it feel good.

It also meant that, after grabbing some food, doing some writing for NCS, and checking my work emails, I was nice and rested and ready to hit the festival good and early, even getting there with enough time to have a bit of a wander around the (admittedly quite limited) array of merch stalls on offer, where I picked up a copy of Drottnar’s second album Stratum and browsed a bunch of truly terrible band shirts, before grabbing a cool spot from which to watch the opening band, Swedish occult artists Mephorash. Continue reading »

 Older Entries  Newer Entries