Sep 042017
 

 

(In this post Andy Synn combines reviews of three recent EPs, with music streams of course.)

Phew, time really flies doesn’t it? I mean, somehow it’s already September and although we still have a huge number of releases to look forward to before the year’s end, I find my mind already turning towards the upcoming Listmania with an equal mix of anticipation and trepidation.

Thankfully that particular furore is still a little way off and, although work is keeping me pretty darn busy at the moment, I should be able to fit in quite a lot of reviews and features before the time comes for our annual wrap-up.

So, without further ado, get ready to wrap your earholes around three short, but succulent morsels of Thrash, Death, and Death-Thrash courtesy of Entombment (USA), Iron Flesh (FR), and Seprevation (UK). Continue reading »

Sep 012017
 

 

I finished my work on the U.S. east coast last night, and for reasons I won’t bore you with, it turned into a sucky day. A few stiff drams of the amber bead improved my mood, which improved further as I listened to the music collected here. This was one of those interesting listening sessions where the things I picked to stream just kind of fit together (at least in my addled brain), as if someone had chosen them for a playlist.

I’m going the airport now for the trip home. There’s a premiere coming your way a bit later this morning, but otherwise this will be another short day for posts at our site. Things will get back to (ab)normal around here this weekend and next week.

ALL PIGS MUST DIE

I discovered All Pigs Must Die for the first time watching them kick the holy bejesus out of an audience at a Seattle club back in August 2011. They were taking part in Southern Lord’s The Power of the Riff tour. The next month they released their debut album, God Is War, which was a hard-to-define amalgam of punk, hardcore, crust, black metal, and death metal that was downright beastly. Continue reading »

Aug 272017
 

 

I made a swan dive into a lake of tequila last night at a friend’s birthday party. I surfaced this morning but I’m not swimming very well at the moment. Unfortunately, this means there will be no SHADES OF BLACK column today. I hope I’ll get it finished in time to post tomorrow. But in addition to this morning’s trio of reviews (which I wrote yesterday before the swan dive), I wanted to leave something further with you today.

I guess everything is coming in threes on this Sunday. Here are two videos and one-half of a split that I happened upon yesterday and thoroughly enjoyed. Apart from that coincidence there’s no real rhyme or reason for grouping them together in this post.

NATIONAL SPACE AGENCY

National Space Agency is an organization based in Sydney, Australia. The identities of its members are Classified — literally, their names are all “Classified“. They describe their music as “Cinematic Stoner Metal from Outer Space”. Their stated mission is to “regulate alternate timelines and parallel universes to restore the one true reality”. However, their new video fractured my reality. Maybe the pieces are being assembled into some new shape within my head, or what’s left of it. We shall see. Continue reading »

Aug 272017
 

 

I spend so much of each day scurrying around to find and write about new songs from forthcoming releases and to prepare introductions for our own premieres that I rarely have time to write my own reviews of full releases, except in the context of introducing our premieres. On a whim I decided to stop scurrying for 24 hours and share at least a few thoughts about three recent releases I’ve been enjoying.

REBEL WIZARD: THE WARNING OF ONE

The new Rebel Wizard EP is out now. It’s described as “Four anti-shamanic pre-fetal negative metal anthemic warnings of ‘one'”. You should listen to it. You should especially listen to it if you have a taste for the kind of creativity that turns out music which is off of metal’s most familiar beaten paths — although you could also think of it as music that creates intersections of well-loved pathways that usually diverge. Continue reading »

Jul 262017
 

 

By their own account, Minneapolis-based Aziza play “Thunderpunk”, combining “sludge, hardcore, and heavy metal”. “We play buttrock for the thinking man’s metal head,” they say. I get where they’re coming from, but I also think they’re understating the exuberant inventiveness on display in their new EP, Council of Straitjackets, which is being released today — and which we’re premiering in this post.

No doubt, the music is heavy — it’s brawny and bruising, venomous and vicious — but it’s also brain-scrambling and occasionally hallucinatory. I had visions of a brutish thug performing a nimble, bounding floor routine at a gymnastics meet while clubbing the competition and then showing his appreciation for the judges by sinking his teeth into their jugulars. Continue reading »

Jul 232017
 

 

Listeners who have closely followed Iceland’s burgeoning black metal scene over the last decade know that there has been considerable cross-pollinization among bands in the vanguard of that surging movement. Sinmara is perhaps the best example, with a line-up that includes members of such other groups as Svartidauði, Slidhr, Wormlust, and Almyrkvi. Their 2014 debut album Aphotic Womb (which we had the privilege of premiering) was a gripping display of what such a creative collaboration could produce. Since then, Sinmara have released only one other song, “Ivory Stone”, which appeared on their split with Misþyrming early this year (reviewed here). But Sinmara now return with a new EP, and once again we’re fortunate to host its premiere.

The new EP, consisting of three interconnected songs, is named Within the Weaves of Infinity. It will be released on August 24th by Terratur Possessions on vinyl and CD and by Oration on cassette tape. However, as of today it’s available digitally via Bandcamp. We have the full stream below, along with some impressions of the music and news of a forthcoming Sinmara tour. Continue reading »

Jul 162017
 

 

(In April the French band Gorod released an EP that they had prepared for distribution on a European tour. DGR finally caught up with that EP, and now turns in this detailed review.)

Heavy metal is often at its most fun when it feels like the artists behind it have lost their minds. There’s something about a musical genre oft-described as an explosion of catharsis having a creative explosion of its own and going nuts.

It’s not easy to stay reserved when you know that a band has set out to try something that is completely out of the norm for them, and such is the case with France’s frenetic tech-death titans Gorod and their recent thrash experiment EP, Kiss The Freak, which the band wrote and recorded in a very short window before going out on a European tour that saw them hitting the road with the likes of Havok, Warbringer, and Exmortus. Gorod themselves described it this way: Continue reading »

Jul 122017
 

 

I’m showing rare restraint in this round-up. Rather than try to stuff 8-10 new things into one bulging post, which my gluttonous self has a habit of doing, this time I’ve just picked four new things. Following this new, but probably short-lived, format, my plan is to scatter more of these shorter round-ups over the remaining days of this week, too.

GODHUNTER

Back in May we had the pleasure of premiering an unusual song named “Cocaine Witches & Lysergic Dreams” off the band’s new EP, Codex Narco, which has now been released. The whole EP is as hard to pin down as the song we premiered, and that’s one of its many attractions — the creative and unexpected splicing together of disparate musical elements, along with the strong emotional force of the songs, is a big part of what makes Codex Narco stand out.

One of the tracks on the EP is a cover song, Godhunter’s take on “Walking With A Ghost“, which was originally recorded by Tegan & Sara. I also mentioned that the song would eventually become the subject of a music video made by Mitch Wells from Thou, and that video was finally released yesterday. It’s the first item in this collection. Continue reading »

Jul 112017
 

 

We all have our metal comfort food, the genres we go to even when the performers aren’t doing anything too different from what’s been done for decades. And to be sure, a band doesn’t have to break any molds, or even chip them, to be worth hearing. Yet to varying degrees, we all have our antenna up for something that does break molds, but doesn’t simply leave you with a pile of shards, as if to proclaim nothing more than, “You see? We can break things!”

The demo you’re about to hear is indeed something that sounds very different from anything you’re probably accustomed to, and its ambitions go beyond the music itself. The explanation will take a few paragraphs, but I encourage you not to skip past them, because it’s a story that will explain and deepen the appreciation for what you’re about to hear.

And what you’re about to hear is 1: Gelige, traumatische zielsverrukking by the Dutch “post-black metal” band Grey Aura, along with the spoken recital of the first chapters of a book, in advance of its Bandcamp release tomorrow (July 12). Continue reading »

Jul 052017
 

 

Never underestimate the power of cover art to attract listeners. Though not a musician myself, that’s one piece of advice I would place high on a list of recommendations for metal bands if anyone were to ask me (though I’m not holding my breath waiting for the requests to pour in). For example, I was eager to hear the debut EP of the Italian death metal band Mistigma based on one look at the cover created by View From The Coffin — and now here I am helping to introduce Omega Mortis to you.

In its actual physical format, the EP looks very good as well: Continue reading »