(DGR reviews the new album by Anaal Nathrakh.)
It’s probably telling that, lately, Anaal Nathrakh’s discography has become the soundtrack to just about everything that I’ve done. It’s the drive to work soundtrack, and the drive home after the shitshow routine is completed eight hours later. When people portray heavy metal as music consisting of catharsis, Anaal Nathrakh immediately springs to mind as a band whose very reason for existence is to let anger out — both from the musicians in the band and from the fans around them — in one expulsion of energy. A gamma burst from a dying star of utter negativity.
Anaal Nathrakh have built their career out of being as abrasive as humanly possible. As a latecomer to the band, it has been fun to go back through their career and experience the inordinate amount of inhuman noise and utter abstract madness that this duo have unleashed since their formation. Continue reading »










