Oct 172014
 

 

(DGR reviews the new album by Anaal Nathrakh.)

It’s probably telling that, lately, Anaal Nathrakh’s discography has become the soundtrack to just about everything that I’ve done. It’s the drive to work soundtrack, and the drive home after the shitshow routine is completed eight hours later. When people portray heavy metal as music consisting of catharsis, Anaal Nathrakh immediately springs to mind as a band whose very reason for existence is to let anger out — both from the musicians in the band and from the fans around them — in one expulsion of energy. A gamma burst from a dying star of utter negativity.

Anaal Nathrakh have built their career out of being as abrasive as humanly possible. As a latecomer to the band, it has been fun to go back through their career and experience the inordinate amount of inhuman noise and utter abstract madness that this duo have unleashed since their formation. Continue reading »

Oct 172014
 

In this post we bring you the premiere of the title track from the forthcoming debut album — All Sights Affixed, Ablaze — by a band from Ontario, Canada, named Idol of Fear. But first, a bit of background information.

The band took their name quote from a quote in Ingmar Bergman’s 1957 movie Det Sjunde Inseglet (The Seventh Seal): “We must make an idol of our fear and that idol we shall call God.” They recorded a three-song demo in 2013, and now plan to release their debut full-length on November 18, 2014.

The album includes 8 tracks, its total length is 44 minutes, it was mixed by Jeff Wardell, and it was mastered by Tore Stjerna at Necromorbus Studio. The cover art is by the viciously talented Mark Riddick.

Okay, enough background. What about the music? Continue reading »

Oct 172014
 

 

I’d dashing off for my (fucking) day job, so I’ll make this brief:  At the Gates have just debuted a video for the song “Death And The Labyrinth” off their forthcoming album At War With Reality. It was directed by Patric Ullaeus , and here’s what vocalist Tompa Lindberg has to say about it:

“We had a very special idea about the kind of approach we wanted for the first video from ‘At War With Reality’. What we needed was someone gifted enough to throw himself artistically into the project full on. The lyrics to the song are very multi-layered and surreal, so we wanted someone to create a fevered dreamworld that went with the melancholic frustration and dramatic desperation that we feel comes across in the song. This is exactly what Patric has created for us. It’s his vision of the music and lyrics, which compliments the track perfectly in my opinion. I couldn’t be happier!”

Without further ado, watch and listen to “Death and the Labyrinth”. Please leave any reactions you may have in the Comments. Continue reading »

Oct 172014
 

 

Here are a few items that caught my eye over the last 24 hours, partly because of the artwork, but in some cases also because of the accompanying news.

HATE

I’m going to put Hate in front of Behemoth for a change.

Thanks to a tip from Andy Synn I saw the announcement from earlier today by Poland’s Hate that they will be releasing a new album named Crusade: Zero on January 15, 2015, via Napalm Records. As usual, the album was recorded and mixed at Hertz Studio with the Wieslawski Brothers. Continue reading »

Oct 162014
 

 

I took a short break from my fucking day job to scan through the NCS e-mail, and what did I see but an alert that Goatwhore had just premiered an official video for the song “Nocturnal Conjuration of the Accursed”, from their most recent album, Constricting Rage of the Merciless.

So I watched it. And you should, too. Because it’s Goatwhore. And they fuckin’ rock.

(and the lighting and colors in the video are cool)

Here’s the video: Continue reading »

Oct 162014
 

 

About 10 days ago we had the pleasure of premiering (here) a lyric video for “The Final Outcome”, the title track to a new EP by a Roman band named Black Therapy. Today we’re bringing you the official stream of the entire EP in advance of its official release tomorrow — preceded by this review.

There are four tracks on the EP, three of them original songs and one of them a cover. I already wrote about the title song that it was one of the most satisfying injections of Gothenburg-style melodic death metal I’d heard all year, and that turns out to be true of the second track as well, “Black Crow”.

Both songs are high-voltage gallops, with jolting verse riffs, sweeping choruses, and the kind of rapidly swirling lead guitar melodies that may cause you to form your hands into claws and lift them toward the heavens — while you bang your head like a crazy person. Continue reading »

Oct 162014
 

 

We’re pretty damned hyped about the new album from Italy’s Hideous Divinity. We’ve already written about the first track from the album that debuted last month (“Sinister and Demented”), and we helped premiere the second track (“The Alonest of the Alone”) — and now we’ve got one more advance song from the album to bring your way. This new one is the title song.

When we interviewed Hideous Divinity guitarist Enrico Schettino about a week ago (here), he emphasized the importance of writing actual songs, even in the arena of brutal death metal: “We care about the song. We care about its structure and hooks and mood.” You don’t have to look any further for proof of that than “Cobra Verde”.

The song is undeniably bludgeoning — explosively so. For most of its length it moves at the speed of a blast front following a megaton detonation, with a sonic power that’s just as destructive, driven by the off-the-hook percussive militarism and high-speed riff flurries. Continue reading »

Oct 162014
 

I’m still more than 2,500 miles from home as a result of the old fucking day job, with precious little time to call my own, but I did take some breaks last night and early this morning, just long enough too explore three short releases that I’ve been meaning to check out. All of them are good, all of them are on Bandcamp, and all of them are either wholly or partly in the realms of black metal.

JØTNARR

I can’t remember which of my Facebook friends linked to this two-song EP, but whoever you are, thank you.

Jøtnarr are a three-man group from Colchester, England, and the title of that two-song EP, which is their most recent release (from December 2013), is Divide the Growth and Stone. Last month they were featured as “Band of the Day” at Terrorizer (here), along with an interview by Kez Whelan, and that may have been how my FB friend stumbled upon them. Continue reading »

Oct 152014
 

 

As I write this I am sitting on an airplane at about 40,000 feet somewhere over the Rocky Mountains. I am having to fly across the country because of my fucking day job, and once I get where I’m going, I will have to fucking work — pretty much day and night until I make it back to Seattle on Saturday night.

I tell you this not to pique your curiosity — because I can’t tell you what I’m doing, or I could, but would then have to kill you — but as an explanation of why there will be some scarcity in our posts between now and Sunday. Also, the “Seen and Heard” title is only half true:

The wi-fi on this plane isn’t good enough to let me stream music, so I actually haven’t heard anything — other than the guy sitting next to me snorting his phlegm every 10 minutes, the dude in front of me snoring, and the dull roar of the engines. Also, I have to fucking work on the plane beginning pretty damned soon.

Well, enough of my whining. Here are some things I’ve seen in my scampering through the inter hole this morning, and some things I would like to hear when I have the chance. Continue reading »

Oct 152014
 

 

I learned about Finland’s Less Than Three through an e-mail from my old web friend fireangel (Night Elves), who for many years has made it her mission to focus on and spread the word about Finnish music.

The band started as a bedroom project of one Jesse Soiletsalo (ex-Medicated) in 2010, but in time he recruited quite an impressive line-up of allies to record the music he had composed: drummer Samuli Mikkonen (Profane Omen), vocalist Tommy Tuovinen (MyGrain), bass-player Pyry Hanski (ex-Before the Dawn, Mörbid Vomit), and second guitarist Ari-Pekka Repo (ex-Murdershock).

They recorded a self-titled EP and released it in March 2013, and this month they’ve released a second one, entitled The Black Box, with vicious cover art by Jussi Salolainen — or at least they’ve released it for listening. Announcements about a physical or digital release are yet to come. Continue reading »