Jun 242014
 

Well, that flyer up there made my eyes pop open big time. It lists the first round of bands confirmed to perform at the second installment of Philip Anselmo’s Housecore Horror Film Festival in Austin, Texas, on October 23-26, 2014. As the name suggests, there will be horror movies, too, but they could be looping My Little Pony cartoons all weekend and I wouldn’t much care. Because look at that line-up of bands!

Satyricon playing with SubRosa!

Eyehategod playing with Portal!

Cattle Decap performing with Author & Punisher!

Acid Witch on the same line-up as Archspire!

Ringworm with UnEarth!

What strange and wonderful partnerships. And this is just the first round of bands, with more to come. And if you’re wondering about the appearance of Randy Blythe’s name, here’s what the organizers said on their Facebook page:   Continue reading »

Jun 242014
 

I watched a lot of new music videos yesterday, many of which made me smile, though not all for the same reasons. I decided to put all the smile-inducing ones right here for you — five of ’em, in alphabetical order by band name. That’s right, five. Settle in, fix a bucket of popcorn and douse it in that movie theater goop that should be labeled IT TASTES LIKE BUTTER BUT IT’S NOT!, and watch. And listen. Listening is important.

If none of these makes you smile, then I surrender and will take my lashes without complaint. Because I never complain when that happens.

DEMONIC RESURRECTION

As we’ve previously reported, India’s Demonic Resurrection have a new album entitled The Demon King that’s due for release on July 14 by Candlelight Records (and by Universal Music in India). Yesterday the band started streaming the album’s first single, “Trail of Devastation”, and it’s a winner — well-written, well-produced, dynamic, memorable, and made for fist-pumping.

It combines swirling guitar melody, sweeping orchestration, and riffs that alternately twist insidiously and jab like a prize-fighter. The Demonstealer puts his multifaceted vocal talents to good use in the song, too, with an array of harsh roars, scalding shrieks, and carefully placed, soaring clean vocals that really work. Continue reading »

Jun 232014
 

I’m posting this news as a public service, because… see the name of this site. Though I may not be a diehard King Diamond fan, I know many of you are, and so here’s today’s big announcement:

King Diamond has confirmed what has been rumored for several weeks: the band will return to North America for a full tour this Fall! The tour will wrap up with the previously announced performance at Fun Fun Fun Fest in Austin, TX, and begins on October 11 in Atlanta, GA. A limited edition King Diamond jacket will be available through the SHOWstubs.com fan club presale, which begins tomorrow, June 24th. Tickets will be on sale online and at box offices nationwide on Friday, June 27th.

“King Diamond will be joined on stage, of course, by long time band members Andy LaRocque, Mike Weed, Hal Pacino, and Matt Thompson. Additionally, North American fans will be bearing witness to the band’s full European festival stage show. These will be the most ambitious and largest productions in North America in the band’s entire history. A special guest supporting act for the tour will be announced at a later date.”

Here’s the full listing of dates and places: Continue reading »

Jun 232014
 

photo credit: MUSIFOTO

(A couple months ago our man DGR gave a very positive review of Exilium, the new album by Spain’s Noctem, and today we bring you his e-mail interview of the band’s frontman, Beleth.)

 

Although most people reading this will already have some inkling of who you are, I figured I would get a quick introduction out of the way for people who may not do well with the rosters of most of the bands they listen to.  So let’s get a quick identification as to who you are, what role you play within the band, and how long you’ve been part of Noctem?

Beleth: Ok, I’m Beleth, vocalist of Noctem, founding member along with Exo and obviously I’ve been working in the band from the beginning in 2001. Although 2007 is what we call the real beginning of Noctem.

 

It seems like some bands will unintentionally release trilogies in terms of sound in their discographies, where they usually play with the same ideas for about three albums and then the fourth is a sudden shift or some crazy new idea for them. However, Noctem seem to have shifted toward a much more menacing, faster, and sleeker sound compared to the more bludgeoning works of something like Divinity — all over the span of three albums. Do you see this trend continuing?

Beleth: I think Noctem these past 6 years have followed an extreme line, that has served to find a more personal sound. Our style has not changed, but it is now more extreme and more mature than our beginnings with Divinity.

 

You guys have also pulled heavily from mythology for inspiration in your works. Much of Exilium has references to it, and Oblivion played with mythology and history from Guatemala. How does Noctem find its ideas?  Do you often find yourselves scouring the web for old texts to read and occasionally finding yourself going, “You know, there’s a concept for a disc here”?

Beleth: Actually yes, I spend hours and hours looking for the proper Thematic for each album, choosing topics and writing lyrics. It’s not easy, we never wanted to talk about well-worn topics such as anti-Christianism, Countess Bathory, etc, you know what I’m talking about. These are typical themes that many bands are always dealing with. Continue reading »

Jun 232014
 

Good bands die, and sometimes other good ones rise up from their ashes like a Phoenix. A case in point: I’ve been in mourning over the death last year of God Dethroned, but that great band’s members are moving on to other things, including drummer Michiel van der Plicht (also ex-Prostitute Disfigurement, ex-Detonation) who is now a member of the new Dutch band Apophys. I also experienced pangs of grief a few days ago when I learned that Mondvollond had also disbanded — and lo and behold, Mondvolland’s Mickeal Schuurman turns out to be the bass player for Apophys. Apophys also includes talented guitarists Sanne van Dijk and Koen Romeijn (Detonation) and vocalist Kevin Quilligan (Toxocara, Erebus).

I’ve been investigating Apophys since discovering them for the first time this weekend, and I’ve included in this post a selection of what I found. Eventually I’ll come to their music, but I’m beginning with a medical procedure.

The subject of this procedure was Apophys vocalist Kevin Quilligan. He paid a visit to phoniatrician Enrico Di Lorenzo (who also happens to be the frontman of Rome’s Hideous Divinity) for a vocal assessment. I had never heard of phoniatrics before, and if its a new field for you as well, you can learn a small amount about it here. This consultation was videotaped, and fortunately it turns out to be more interesting than film of a colonoscopy, although both procedures involve the insertion of tubes with cameras into fleshy orifices. Continue reading »

Jun 232014
 

As I mentioned yesterday, I’ve been fucking off in Texas since last Thursday. Finally got back to Seattle last night after a thoroughly enjoyable four days in Austin. I didn’t listen to much metal while I was away, but I did make lists of things I wanted to check out after I got home. And so I did, and so here are a few of those discoveries.

EMPEROR

The 2014 edition of HELLFEST in Clisson, France, ended last night, and most (if not all) of the performances are available for viewing at the French site Arte.tv (collected here). Yesterday I embedded streams of the sets by Sólstafir and Watain, and I thought I’d include one more this morning. This one is the full set by Norway’s Emperor, who have been celebrating the 20th anniversary of In the Nightside Eclipse with a series of festival performances (they will also be performing at Wacken Open Air in Germany and headlining the 2014 installment of Bloodstock Open Air in the UK).

A person could spend days watching the HELLFEST videos, which of course you won’t do because that would divert your attention from reading every word of every post at NCS. But you might at least make time for this one.

(thanks BadWolf) Continue reading »

Jun 222014
 


Photo © Metal Chris

You may have noticed that I haven’t written anything for our site for a few days.  I’ve been hanging out with family and friends in Austin, Texas, the hallowed place of my birth.  There has been much eating, drinking, and merriment, but almost no time for metal. I’m thinking I can get back to my normal routine after getting back to Seattle tonight. But although I haven’t been listening to much music, I do have a few things to spread around today.

SÓLSTAFIR

Today is the last day of HELLFEST in Clisson, France. The French site Arte.tv has been webcasting performances from the festival, and I thought I’d mention that Iceland’s Sólstafir will be performing today. As best I can figure, their set will start at 1:00 pm Pacific Time and 10:00 pm local time in Clisson.

I’ve seen Sólstafir perform live on a grand total of one occasion, but based on that experience I highly recommend you watch this.  I’ve embedded the stream player after the jump, but in case that doesn’t work for you, go HERE.

UPDATE:  Sólstafir’s set has obviously now been completed, but I’ve substituted the archived footage of the show after the jump. Continue reading »

Jun 222014
 

(In this post we have Austin Weber’s interview of Youri Raymond, guitarist/vocalist of Montréal’s Unhuman, whose debut album Austin reviewed here.)

Except for a group of hard-core devotees and super-geeks like me, last year’s independently released self-titled Unhuman record came out of absolutely nowhere, catching the majority of the technical death metal scene by surprise. Yet that record was actually a very long time coming, with the majority of the songs originally dating back to 1999 and 2001.

I wanted to get the story behind what caused the album’s delay and all other things Unhuman related. While French is his principal native tongue, Unhuman’s main composer, guitarist, and vocalist Youri Raymond did a fine job deciphering the garbled language I speak and answering back in English. After the interview you can find links to some of the bands Youri mentioned in the interview.

********

Continue reading »

Jun 212014
 

(Guest contributor Old Man Windbreaker returns to NCS after an extended absence with the following quirky commemoration of this seasonally significant day.)

Mellow greetings, fellow sapients. Old Man Windbreaker greets you, indeed. Old Man Windbreaker is also sleep-deprived and febrile. Old Man Windbreaker decided to write something for this year’s day of the Northern Solstice. And no, it is not an installment of the promised “A Tredecennium of Metal” series.

Anyway, let us get on with it — a review of Wagner, Wagner Reloaded, and Wagner Revolutions. In addition to finding out whether that is a real thing, you will find here enclosed in this non-existent envelope the non-existent answers to the big questions: “Where do we come from?” “What are we?” “Where are we going?” “Will it blend?” {Cue Immortal and their invisible oranges}

Firstly, there is no trilogy of feature films or musical works titled “Wagner”, “Wagner Reloaded”, and “Wagner Revolutions”. We shall be considering only the music recording titled Wagner Reloaded by Apocalyptica with the MDR Symphonic Orchestra, with the corresponding dance performance choreographed by Gregor Seyffert.

Secondly, One shall wish you to have a great time on this year’s day of the Northern Solstice, which also happens to be World Music Day. One shall not apologise for the irrelevance of the music review to the event of the Northern Solstice.

Finally, One shall make no further mention of the answers to the big questions, other than to say this: “Yes, it will blend.” Continue reading »

Jun 202014
 

(Guest writer Ben Manzella wrote the following review of the June 6 performances by Meshuggah and Between the Buried and Me in L.A. and took the photos as well.  The delay in posting the review is due entirely to the ineptitude of our pathetic editor.)

A Friday night was upon the metal loyal and ignorant alike in Los Angeles, and to pretty much everyone’s approval Meshuggah was in the building. It was the first date of the 25 Years Of Musical Deviance North American tour, and it was sure to be a night to remember. I had seen Meshuggah on the Obzen tour with Cynic and The Faceless, but I knew this night would have a different “feel” to it.

The whole night there was an atmosphere of coming together. Dino Cazares (Fear Factory) and Chris Broderick (Megadeth) were seated together at a table in the floor area of the Wiltern Theatre, chatting and enjoying a night out seeing some friends; metalheads of all ages wore the uniform sporting the more extreme side of metal, with Morbid Angel, Immortal, etc., emblazoned on their chests, and even some of the so-called”false” metal bands such as Five Finger Death Punch and Disturbed.

No matter your status, age, or even residence (in line for the wristband that allowed attendees to drink, I saw multiple IDs from out of state), we were all there for one purpose: to celebrate Meshuggah’s legacy as they possibly killed anyone with the slightest inkling of epilepsy in their DNA (the lighting for their set was insane!)

On to the music. Continue reading »