Sep 082014
 

 

(NCS contributor KevinP shares his latest quarterly round-up of albums that he commends to your ears.) 

We’re getting toward the end of the year and the amount of quality releases hasn’t slowed down one bit.  And there are even more to come as well (Wolfheart, At the Gates, Bloodbath to name a few just off the top of my head).  Here’s 5 more albums you should defintely check out.

Majestic Downfall/The Slow Death split

http://chaos-records.bandcamp.com/album/split

Once this is officially released on September 15th, you should be able to hear all 6 songs (3 by each band), but one listen to the Majestic Downfall track, “The Dark Lullaby”, should give you all you need to know.  The Slow Death is no slouch on this by any means.  Very good and competent funeral-esque doom.  So I don’t blather too much, start listening and see my review here [Editor’s intrusion: I don’t know why I’m letting Kevin link to his own review. I’m going to review this split and it’s the only one you’ll need to read.] Continue reading »

Sep 082014
 

 

(NCS contributor KevinP interviews the ubiquitous Anil Carrier, pictured above right in the line-up of Britain’s Towers of Flesh. He is also a member of Binah, Exsequor, Necrotize, Purify the Horror, The Solemn Curse, and Theoktony — though we don’t claim that’s a complete list.)

 

K:  I always joke how you are in like 532 bands, so I find it more than ironic we are talking TOWERS OF FLESH today while you are recording the new THEOKTONY.  How do you find the time for all these projects?

A:  Generally it’s very difficult and time consuming. You have to sacrifice a lot to do this on the level that I do.  But as time goes on it definitely becomes worthwhile.

My role in each band differs.  I may play all instruments and compose everything on a record or I might just jump in for the drums and leave the rest to others.

 

K:  Do you ever feel burnt out or the need to just get away from it all with so many projects?

A:  It can sometimes be very tiresome. But I have always been driven to build a body of work and although I wouldn’t say that it’s a selfish need it’s definitely something that drives me to carry on.  I have periods where I don’t write music and other times when I can’t stop, so I wouldn’t say I ever get burnt out. Continue reading »

Sep 082014
 

 

(In this post Andy Synn reviews a live performance from September 3 in Derby, England.)

I kind of knew already this was going to be a good night, even before setting foot out the door.  For one thing I have never, ever, seen a bad Unearth show — the Massachusetts maulers always bring it hard and hit that sweet spot between metal and core every time. Plus The Hairy Dog is a great venue, both sound and layout wise (and the fact that I wasn’t driving, so could enjoy a few beers, definitely helped too!).

But what would really make the evening special, and a tad bittersweet, was the fact that this would be potentially my last chance to see Shadows Fall live, as the band have announced they are going on an extended hiatus from touring. And, you see, Shadows Fall have been one of my favourite bands ever since I caught them supporting Kittie in Manchester back in February 2002, long before the release of The Art of Balance brought them to the attention of the metal-loving public at large, so this show really would mark, in many ways, the end of an era for me. Continue reading »

Sep 082014
 

In this round-up to begin our new week here at NCS, I’ve brought you a trio of recommended videos I spied yesterday plus news of a free music sampler from Napalm Records that’s worth checking out.

DECEPTIC

I discovered this first video via a link sent by our friend “deckard cain“. It’s for a song named “Ocean”, which appears on the debut album (The Artifact) by a band from Gothenburg, Sweden, named Deceptic. deckard wrote that the music reminded him of Textures, Scar Symmetry, and Soilwork, and after I heard the jolting song I thought that was a good summing up of stylistic references.

But the video as a whole is really what landed it at the top of this post. It was made by Igor Omodei, and it is truly a feast for the eyes, with both excellent camera work and editing of the band footage and superb animation and visual effects. I had a smile on my face all the way through, and then my eyes really popped wide in the final 30 seconds. Kudos to Mr. Omodei. Continue reading »

Sep 072014
 


 

I spent a chunk of yesterday catching up on new music premieres and teasers from last week. I’ve collected four of the best in this post, representing a range of metal styles.

ATRIARCH

Portland’s genre-bending Atriarch are preparing for the release of their third album, An Unending Pathway, via Relapse Records on October 27. It’s available for pre-order here. Last week one of the new album tracks had its premiere. The title is “Collapse”.

This new song is well-named — it sounds like both a physical and an emotional collapse, the kind from which there won’t be a rebuilding. The rumbling drums and sour guitar melody dominate the song, with the vocal mix of horrific growls and psychedelic wails giving it the air of a ritualistic chant. Before it ends, all hell breaks loose; the drums become spine-shattering, the vocals turn to ghastly shrieks, the bass and guitars become an explosive wall of sound. Doom on… Continue reading »

Sep 062014
 

For the music reviewed in this post, we need to turn back the clock. In the first place, the music was released more than two years ago, in June 2012. In the second place, the unholy spirit that surges through the songs is older still — much older — but it’s no less ferocious and its appetite for destruction is still insatiable.

The band’s name is Maze of Terror and they’re based in Lima, Peru. Their sole output to date consists of a five-song EP entitled Skullcrusher, and points must be awarded for truth in advertising: This EP is one hell of a skull crusher.

I could tell you this music is the kind of throat-throttling, honestly deviant, impeccably executed thrash that would have been right at home on mix-tapes from 30 years ago that people are still talking about today. Or I could tell you this: Continue reading »

Sep 052014
 

(In this post Leperkahn reviews the new EP by Orange County’s Phobia.)

Phobia may have just won the prize for the most hilariously literal release title in existence.

They are releasing a new 7” via Deep Six Records. It’s called Grind Core. If you’ve heard of Phobia before, that’s truly all you need to know to understand this thing slays.

In the hands of most bands, naming your release after the well-established sub genre in which you traffic might be seen as a bit ill-advised. We all might release a collective groan if Morbid Angel named their next album Death Metal, especially after the out-of-touch fiasco that was Ilud Divinum Insanus. A hypothetical new Mayhem album entitled Black Metal would probably warrant a plagiarism lawsuit. But in the hands of Phobia, such a title really does tell you all you need to know before even setting down the needle. It assures you that Phobia haven’t pulled a highly-unlikely genre-180 to explore complextro — and that the band are still churning out grind as potent as ever and aren’t bashful about saying so. Continue reading »

Sep 052014
 

In this globe-trotting post I’m reviewing a recent split release by Moloch from Nottingham, England, and Haggatha from Vancouver, Canada, as well as a January 2014 EP by Slug Salt Lava from Istanbul, Turkey. When you hear the songs, you’ll probably understand why I grouped them together under the heading “Sculpted In Tar”.

MOLOCH

The Moloch / Haggatha 7″split was released earlier this year by an unholy triumvirate of Dry Cough Records (UK), Graanrepubliek Records (Netherlands), and Choking Hazard Records (Canada). If you order from Dry Cough’s Bandcamp page (here), you’ll also get an immediate digital download of the split.

Moloch’s track is named “Head of Coil”, and it follows the band’s 2013 splits with Meth Drinker and Ensorcelor. The word “crushing” gets thrown around with abandon, like spit in a mosh pit, but “Head of Coil” is crushing. The fuzz-bombed riffs and powerhouse drum beats hit like a slow-motion bridge collapse, and the people trapped in those cars as they descend into the yawning chasm below — they’re screaming; you hear them in the furious vocals and the squalling feedback. To repeat: crushing. Continue reading »

Sep 052014
 

 

Here are a few randomly chosen items discovered over the last 24 hours that I thought were worth your time.

MARTRÖÐ

This first item caught my attention because of the artwork up there. It was drawn by Misanthropic-Art for a forthcoming EP by a band named Martröð. But having seen the artwork, my eyes popped open even wider when I saw the line-up:

MkM – Vocals (Aosoth, Antaeus)
Esoterica – Guitars (Krieg, Chaos Moon)
H.V Lyngdal – Guitars (Wormlust)
Wrest – Additional Guitars, Ambiance (Leviathan)
Thorns – Drums (Acherontas, Blut Aus Nord) Continue reading »

Sep 052014
 

The Font of All Human Knowledge tells us that the phrase “slash and burn” originated as the name for an ancient agricultural technique that involves cutting trees and other natural growth and then burning them to ash, once dried, in order to create fields for new growth. That phrase springs to mind immediately upon hearing “Sinister and Demented”, the new song by Italy’s Hideous Divinity that premiered not long ago. It appears on their forthcoming album Cobra Verde.

The song is an assault of high-speed sonic decimation. It threshes, it thrashes, and then it burns in a super-heated conflagration. But so complete is the devastation that it’s hard to imagine that anything will grow from the scorched ground it leaves behind.

Everything in the song is geared toward jolting the listener with galvanizing power — from the blazing fretwork to the jaw-dropping drumwork to the ravaging vocals (which sound more like a pack of wolves than a single human). Simply from the perspective of technical proficiency, this is technical death metal of a very high order. Continue reading »