Nov 132013
 

Sales of music CDs in the US are in a state of “terminal decline”, and are projected to continue dropping by an average annual rate of 13% from now through 2017 and will probably never see “any kind of sales increase again”. Ironically, as some believe, they could be saved from complete extinction only by consumers who come to see them as a “nostalgia niche product”.

Maybe a day will come, far off in the future, when history will repeat itself and CDs will experience the resurgence that vinyl sales have been experiencing recently. But even with vinyl sales growing, the total physical market for music in the US is already dwarfed by digital sales, and the disparity is only going to get worse. The same trends are happening globally as well.

As physical sales of music have dropped, some observers have worried that album art would also become less and less significant, both as an art form and as a draw for consumers. I used to be one of those people. But I’ve changed my mind. I don’t base my optimism on any hard data, just my own observations, and so maybe I’m guilty of wishful thinking. But at least in the world of metal, it sure seems that fans still care about quality album art, and that striking album art draws fans into music they would otherwise never discover — even if they’re only buying digital downloads. Continue reading »

Nov 122013
 

(Andy Synn reviews the concert delivered by Norway’s Satyricon and Taiwan’s Chthonic last weekend in Manchester, England.)

One thing I have learned this past week is that gigs in the US and the UK run on different time-scales. Whereas our American cousins like to start late and run long, more and more I’m seeing British gigs start early and run to a merciless time-scale.

I’m also seeing more and more shows without an “opener”, as such, relying on the main bands to provide all the necessary draw (a decision which makes clear sense in a lot of ways, as tonight’s sold-out crowd demonstrated).

CHTHONIC

Case in point – tonight’s doors opened at 7:00, and Chthonic hit the stage at 7:30 on the dot, proceeding to pummel us all with 30 minutes of streamlined melodic black/death metal, augmented by oriental keyboard orchestrations and some righteous Taiwanese ire. Continue reading »

Nov 122013
 

Earlier today I included a feature in a “Seen and Heard” post about a new song by an Italian doom band named Necropoli. After posting that piece I learned that the tremendous vocals on the song were recorded by David Unsaved, one of the two collaborators in a band from Tbilisi, Republic of Georgia, named Ennui. I decided to learn more about Ennui and discovered that they have completed work on a new album (their second), entitled The Last Way, which will be released by MFL Records on November 30, 2013.

Ennui’s Facebook page also pointed to a stream of one song from the new album on Bandcamp. That song turns out to be part of a 30-track compilation called Asia: Tunes of the Rising Sun(n) assembled by a German zine called Doom Metal Front. The comp comes as an automatic digital download with the purchase of Issue #11 (which you can buy either as a downloadable PDF or as a print copy that will be sent to you).

The comp includes music by 30 bands from India, Pakistan, Israel, Japan, China, Indonesia, Japan, Georgia, and elsewhere, and features names such as Church of Misery, Coffins, Bevar Sea, Eternal Elysium, and Birushanah. But at the moment, the only song I’m going to write about is that Ennui track that will also appear on their new album. Continue reading »

Nov 122013
 


Here are a few things I saw and heard yesterday that I want to recommend to you.

MITOCHONDRION

Vancouver’s Mitochondrion are working on their third album. There’s a chance it may reverse the space-time continuum, or possibly open portals to a nearby dimension in which human beings are food stock for the nourishment of nightmares. Probably won’t happen, but with this band I never rule out such possibilities.

Yesterday they saw fit to release a demo version of one of the new album’s songs, “Writhen Unto Abraxas”. It’s a mauling frenzy of destructive riffing and horrific vocal effusions, caked with grime, splintered with jagged grooves, and writhing with maggot-ridden guitar leads. Galvanizing and merciless, doomed and infectious, the song is yet another triumph of blackened death metal malignance for this frightening collective. Listen next. Continue reading »

Nov 112013
 

Could it be that Dutch death metal heavyweights God Dethroned, in some form or fashion, may be returning after the announcement more than two years ago of of their permanent demise? Consider the following sequence of posts on the band’s Facebook page, all of them presumably authored by God Dethroned’s founder Henri Sattler:

In February 2011:

2011 is God Dethroned’s final year in existence.

We could have spent another year in a tourbus because the amount of offers was endless, but I just don’t feel like touring anymore.

People told me to take a break for a year or maybe two, but as I’m an “all, or nothing at all” type of person, I decided to call it quits.

Not immediately, but in December of this year we will definitely play our last show.

Continue reading »

Nov 112013
 

Entombed’s tenth album Back To the Front — which sports the painted cover art by Zbigniew Bielak that you see above — was originally scheduled for release by Century Media last month, but in September its release was postponed until early 2014 due to “unpredictable technical problems”. Today, one of the album’s tracks, entitled “Vulture and the Traitor”, appeared on YouTube. It doesn’t appear to be an authorized debut, so it may not last long. But it’s such a good song that it’s worth checking out while you can.

For those who foolishly continue to hope for a throwback to Left Hand Path, this isn’t that. Yet it still has a definite old-school feel in its sludgy riff tone and in its mix of d-beat, punk, and hardcore rhythms. L-G Petrov’s distinctive throaty vocals are in great form, and the song also boasts a hot-as-hell guitar solo.  Whether authorized or not, this is a damned fine teaser for Back To the Front. Listen next: Continue reading »

Nov 112013
 

Here are three new recommended videos that premiered in recent days, two of them this morning. Recommended by me, because I like them.

SATYRICON

When Andy Synn reviewed Satyricon’s self-titled 2013 album for us, he wrote this about the song “Phoenix”: “Instantly divisive, seemingly designed to be hated, its clean, almost bluesy vocals (courtesy of Sivert Høyem) and ringing guitars initially like a step beyond all bounds of the group’s history. But look closer. Those drums, those slow-blooming riffs, they retain the essence of the band. Listen to what the song represents. They have rediscovered their spark, their fire, and their roots – but not perhaps in a way that they, or any of us, would have thought. It’s strange. It’s unexpected. It’s provocative… It’s Satyricon through and through.”

On September 8 Satyricon performed “Phoenix” as part of their concert with the Norwegian National Opera Chorus in the Norwegian Opera House in Oslo. That performance has now become the first official music video from the new album, and it again features Sivert Høyem on vocals. I love this song (and yes, I know it’s nothing but clean vocals), and the video is damned cool, too. Watch it next. Continue reading »

Nov 112013
 

Hope you had a good weekend. And if you didn’t, hope you have a good week. And if you don’t, I apologize for the feebleness of my hopes. At least your life will be enriched by seeing and hearing these things I saw and heard over the weekend (and yes, I had a good weekend, thank you).

HEXIS

When last we wrote about this Danish band it was during 2012 in a review of their three-way split with As We Draw and Euglena. They’ve now recorded a new album entitled Abalam which is projected for release on January 11, 2014. Over the weekend I saw a music video released earlier this month for one of the new songs — “Tenebris” — which was made by London filmmaker Craig Murray. Murray’s video is an homage to a certain unforgettable scene in William Friedkin’s The Exorcist, with a bit of a twist in its finale.

As for the music, it’s a storm of razors, thunder, and vocal lightning, a ravaging assault of fused black metal and hardcore. Continue reading »

Nov 102013
 

Vanhelga are a Swedish band, the brainchild of Jacob Ottosson (aka “145188”), who until recently has been the band’s vocalist and sole instrumentalist. With Vanhelga’s most recent EP, Sommar, he is joined for the first time by Johan Gabrielson (“1853”), a former member of the late, lamented Lifelover, as a vocalist and lyricist. To be honest, that Lifelover connection was what finally drew me into Vanhelga’s music, although the band have previously released two full-length albums and five shorter works.

Although Vanhelga themselves characterize Sommar as an EP (which explains the “Short But Sweet” title of this review), it’s almost 32 minutes long and includes seven songs. Other bands have used the “full-length album” label for shorter collections of music. But whatever the right characterization, there’s no denying that Sommar is a significant achievement.

Trying to describe, much less summarize, the music is difficult. It’s an unusual combination of styles, including (but not limited to) black metal, post-rock, post-punk, and gothic. Its overall atmosphere is melancholy and at times even depressive, with textures of urban angst and desolation — and occasional eruptions of fierce anger. The mainly mid-paced song structures are relatively simple and relatively conventional, with the component parts looping back on themselves in a way that cements the infectious but tormented melodies in the listener’s mind. But that’s not to suggest that the music itself is utterly stripped down or simple, and it’s certainly not to suggest that it ever ventures into any kind of comfortable territory. Continue reading »

Nov 092013
 

This is a review of a split release by two German black metal bands — Unru and Sun Worship — that will be issued on 12″ vinyl on December 10, 2013, by An Out Recordings and Sick Man Getting Sick Records. Each band contributes a single song, one per side. Both songs are now streaming on Bandcamp and both are available as immediate downloads with pre-orders of the record. And both are really good.

UNRU

Unru’s first release, Demo MMXIII, came out this past January. It was an 11-track affair in which none of the songs reached four minutes and more than half were less than two. By contrast, Unru’s contribution to this split, “Von der Flüchtigkeit des Todes”, is nearly 10 minutes in length. For most of that time, it’s a storming cascade of distorted tremolo-picked guitars and blasting drumbeats through which a grim melody rises and falls like heaving waves. The seething intensity of the music is enhanced by acidic, reverberating shrieks. Continue reading »