MERCH ON BANDCAMP!

 Metal News  18 Responses »
Aug 112012
 

As if there weren’t already enough reasons for metal bands to set up camp on Bandcamp, there’s now one more.

On August 1, Bandcamp launched new functionality that allows bands to create a separate, dedicated merch section for their site, through which they can offer shirts, posters, and other shit indepenently of the music. But it also allows bands to create music+merch bundles, and it allows checkout through the same shopping-cart function that exists for music.

The merch sections can be tabbed in the navigation bar at the top of the band’s Bandcamp page — though I suspect fans will need a bit of training to realize it’s there. Bandcamp is also planning to have the merch feature added to the Bandcamp app that can be integrated with Facebook, so merch sales can be processed directly from within the Facebook band page.

Yes, Bandcamp will take 10% of the revenue, but they’ve got some pretty reasonable-sounding arguments about why bands will still make more money using Bandcamp for merch orders than standalone sites.

And while I’m on the subject of Bandcamp, it’s worth mentioning that a couple of months ago they rolled out a Discover feature that allows fans to browse for music by genre. The “Metal” category is further sub-divided into “new arrivals”, “best selling”, and “artist-recommended”. The “artist-recommended” category is further sub-divided in a way that allows you to see the albums most-recommended by artists. When you click on an album cover in these sections, you get to hear a sample track immediately, without leaving the Discover page. Continue reading »

SHUFFLE

 RANDOM FUCKING MUSIC, SHUFFLE  17 Responses »
Aug 112012
 

As much as I like working on this blog, it has changed my listening habits. One of our missions is to stay abreast of song and video premieres and new albums, sifting through the flood of new metal to find things we believe are worth recommending and reviewing. So I spend almost all my listening time nowadays checking out metal I’ve never heard before. The cost, unfortunately, is that I rarely listen to what’s in the library of albums I’ve accumulated over the years. No more “oldies but goodies” for me.

But yesterday, on a whim, I decided that I’d spend the time walking to and from my job listening to what was on my iPod already, and I used Shuffle to pick what I heard. My iPod Classic is full. It has 22,331 songs on it, and almost all of the shit is metal. To put a new album on there requires that I delete another one, which is horribly painful to do. That process has made the library more top-heavy with newer music over time, which may explain why most of the Shuffle choices turned out to be of relatively recent vintage.

Anyway, it turned out to be a blast, because the first five songs that Shuffle picked were all really good and really beastly. The next couple weren’t as killer, so I decided to just go with the first five in this post. Oddly, two of the five turned out to be from Japanese bands.

DISMEMBER

Fuckin’ Dismember! What an auspicious way to start the Shuffle medley! I didn’t need reminding about how completely amazing Like An Ever Flowing Stream was — and still is — but it’s been a couple of years since I’ve listened to “Skin Her Alive”. What a thoroughly skin-flaying, meat-grinding experience. Continue reading »

SHORT BUT SWEET: AUTARCH

 Album Reviews, Free Shit, SHORT BUT SWEET  2 Responses »
Aug 112012
 

Genre mixing and matching can lead to wretched results, with music that sounds like a forced integration of cats with dogs, or worse (if such a thing is possible). But it can also lead to interesting listening experiences where the genre crossing works even when you think it might not. Autarch’s new self-titled EP works.

This Asheville, NC, band say that they play what they want to hear, and it appears that what they mainly like to hear, based on this EP,  is crust/punk and post-metal. Those two genres may not seem like a natural fit, but Autarch’s four-song mash-up makes for an appealing listen.

The most interesting and most thorough combination of the styles occurs on the EP’s opening track, which is also its longest (at nearly 8 minutes): “Kings”. The song’s extended instrumental introduction makes use of gripping dual-guitar melodies and a tremolo-picked lead that rises and falls through a darkened scale, with enough distortion and hard-hitting percussion to give warning that something brutish lurks in the shadows.

When the guitars begin to growl and prowl and grow more dissonant, and harsh barking vocals join in, things take a turn toward the crustier, more aggressive side of the mix. Though the pacing is dynamic, the band stomp, storm, and gallop with a vengeance before the song ends, yet the atmospheric quality established by the intro never completely disappears. Continue reading »

WORMFOOD, ANT NOISE, AND THE CALL OF THE WILD

 Metal News, RANDOM FUCKING MUSIC  11 Responses »
Aug 102012
 

The weekend is nearly upon us. Almost time for the revels to begin. In addition to reveling in my own preferred way after a tough week (i.e., sleeping like a dead man), I hope to catch up on my metal listening. But before diving into a big batch of album-length goodies that are high on my list, I thought I’d close out the week with one more grab-bag of song-length sounds.

Two fresh tracks caught my ears this morning, one from a French band named Wormfood and one from a Brooklyn outfit, Call of the Wild. I also have ant noise. I also have this photo from Mars, beamed back to the mother ship by the Curiosity rover. What look like hills in the distance are the rim of the Gale Crater, where Curiosity is now located.

There’s a better photo of the crater rim after the jump, though it’s in black and white. Continue reading »

RELINQUISHED: “ONWARD ANGUISHES”

 Album Reviews  1 Response »
Aug 102012
 

(In this review, TheMadIsraeli introduces us to the music of an Austrian band named Relinquished — and there’s a full-album stream at the end, too.)

Alright, time to get off the anticipated and major releases and get back to the more under-the-radar shit.

Relinquished are a quite potent progressive melodic death metal band hailing from Austria. Honestly, I foresaw this as being some kind of shitty-ass deathcore judging from the cover, but was quite surprised.  Influences ranging from Into Eternity to Bloodbath, from The Faceless to even Daylight Dies are all here.  The guitar work is technical, intricate, and layered, and the songwriting does a  stellar job of integrating dynamics and drama.  The music also features a lot of harsh/clean vocal interplay, evoking memories of Opeth, Ihsahn, and the afore-mentioned Daylight Dies.  This is good stuff.

Today I’m reviewing the band’s sophomore album Onward Anguishes, released on April 8.  They have a debut entitled Susanna Lies in Ashes (an album I intend to hunt down now) and an EP by the name of Rehearsal Doom for those who like the music enough to check them out further. Continue reading »

NEW VIDEO FROM EX DEO AND NEW SONGS FROM HOODED MENACE

 Metal News, RANDOM FUCKING MUSIC  2 Responses »
Aug 102012
 

Ex Deo — the “other band” of Kataklysm frontman Mauriozio Iacono — has completed a new album entitled CALIGVLA, the thematic focus of which is Rome under the unhinged rule of Emperor Caligula.

You remember Caligula, don’t you? The emperor who demanded that he be worshipped as a living god, threatened to make his horse a consul (and actually did make him a priest), slaughtered innocent people for amusement, prostituted his sisters to other men (and allegedly engaged in incestuous relations with them), and indulged all manner of sexual perversity, turning his palace into a brothel? The first Roman emperor to be assassinated? The subject of an infamous 1979 movie starring Malcolm McDowell and financed by Penthouse?   Yeah, that guy.

The album is scheduled for release by Napalm Records on August 31, and a couple days ago Napalm began streaming the first official video for the album, for a track called “I, Caligvla”. Two things jumped out at me about the song: First, it’s a real headbanger. Second, it includes a lot of bombastic orchestral music in conjunction with the thundering riffage — more so than I remember from Ex Deo’s last release.

As for the video, if you’re getting your hopes up about scenes of bestiality and fisting, I’m afraid you’ll be disappointed. About as deviant as it gets are a few swats at a shapely female butt and some gladiatorial combat for the emperor’s amusement. Still, I thought it was worth sharing. And after that . . . I’ll come to two new songs from Finland’s Hooded Menace. Continue reading »

EVOCATION: “ILLUSIONS OF GRANDEUR” ON THE WAY

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Aug 102012
 

I really can’t get enough of Sweden’s Evocation. They combine old-school death metal with some newer-school learning in a way that just really hits my sweet spot. Their music is raw, it’s heavy, it’s galvanizing, it’s groove-filled, and it’s memorable. Their last album of new material, Apocalyptic, was released in 2010, and after that Century Media signed ’em up. Century then compiled a collection of demo, unreleased, and rehearsal material from the band — whose roots go back to the early 90’s — and unleashed it in June as Evoked From Demonic Depths – The Early Years.

Today, we got the news that Century will release Evocation’s fourth studio album, Illusions Of Grandeur, on September 24 in Europe and October 23 in the US. It will include guest vocals by Amon Amarth’s Johan Hegg on a song called “Into Submission”, as well as three studio bonus tracks on a limited-edition digipak. And it features the eye-catching artwork of Michal “Xaay” Loranc — about whom more in a minute.

I wish I had a new song from the new album to play for you (and for myself), but we’ll have to wait a bit longer for that. But I do have a handful of videos as well as a track from the Evoked From Demonic Depths compilation as a reminder of why the new album should be eagerly anticipated. All of that is after the jump (we’ve streamed some of this stuff at various places and times in the past, but some of you might be new to this band).

Xaay is a Polish artist whose work we’ve featured before at NCS. He’s been a professional designer and digital artist since 1999 and has created album covers and/or merch designs for the likes of Nile, Behemoth, Kamelot, Vader, Necrophagist, and Decapitated. He also created the cover art for both Evocation’s Apocalyptic and for the 2012 compilation. Check those out here: Continue reading »

THE SYNN REPORT, PART 28: ANATA

 THE SYNN REPORT  9 Responses »
Aug 102012
 

(In this latest edition of the Synn Report, Andy Synn reviews the four-album discography of an amazing technical death metal band from Sweden — Anata.)

Recommended for fans of: Gorod, Nile, Necrophagist

 

I told you I wanted to break up the more black metal-y trend of the column, didn’t I? Well feast your eyes, ears, and whatever other senses you feel inclined to use, on the blistering technical death metal of Anata!

Hailing from Varberg, Sweden, the band (currently a three-piece, but historically performing and recording as a quartet) have produced four albums since the release of their debut in 1998, each one getting steadily more complex and refined, more intense and blistering, as the years have unfolded, striving to achieve a perfect balance between progressive complexity, technical wizardry, and shocking brutality.

With tech-death, what primarily differentiates the bands from each other is the roots they draw from. Obscura draw more obviously from Morbid Angel/Death than many others. Gorod owe a large debt to Cynic/Atheist. Beneath The Massacre pull mostly from the Cryptopsy/Dying Fetus school. What I hear most strongly from Anata, though, is the undercurrent of early Nile/Decapitated that runs through a lot of their material (particularly on the first two records) – the sort of blistering, sand-blasting technicality that focusses more on harsh tempo shifts and syncopated discordance over unerring blasting or whirlwind fretwork.

Granted, there’s more than a hint of Suffocation to their sound as well, coupled with a hefty dose of capital-M morbid melody, but the group’s delivery is less about extroverted extremity and more focussed on expressing their introverted neuroses and contradictions. Indeed, this sets them another step apart from the more extreme of their technical brethren, as the difficulty and complexity of Anata’s songs comes from more than just outrageous technicality or brutality, but also from the off-kilter, unsettling arrangements and unquantifiable methods the band employ! Continue reading »

QUICK AND DIRTY

 Metal News, RANDOM FUCKING MUSIC  16 Responses »
Aug 092012
 

Due to a combination of morning-long work commitments and another 5-hour flight home without wi-fi, this will likely be the last NCS post of the day.  Things should be more (ab)normal tomorrow.

In this post, I’ve quickly collected a variety of items that caught my eyes (and ears) last night.

CATTLE DECAPITATION

Cattle Decap posted this status on their FB page last night: “We sodomized the city of Budapest, Hungary tonight. On Thursday we spill our seed upon the citizens of Czech Republic at Brutal Assault. Bye, bye fuckers”  At times like these, it’s fun to imagine the reaction of people outside metal if they knew how our bands showered gratitude on their fans. We, of course, only laugh.

CONQUERORS OF THE WORLD

I included news of this tour in a post on July 10 when only 13 dates had been announced. Now, a more complete schedule is available. I’m so fucking pleased to see a Seattle stop on the list. Septic Flesh . . . Krisiun . . . Melechesh . . . Ex Deo . . . Inquisition . . . wow . . . Continue reading »

“THAT’S MUSIC!” – BUT IT AIN’T METAL: SOEN – “COGNITIVE”

 Album Reviews, Exceptions to the Rule, That's Music -- But It's Not Metal  7 Responses »
Aug 092012
 

(In this post, DGR reviews the 2012 album by Soen.)

Talk about a disc about which it has taken forever to compose my thoughts. It’s been floating around since mid-February as a Spinefarm release in Europe but only saw digital release here in the States much later. Soen are a conflicting-as-hell band to discuss because one of the first things everyone does is drop a comparison to Tool. Given that I am a Tool fan and very familiar with their work, I can confirm that the comparison is definitely warranted, but you know what? Soen deserve to stand as their own band.

Yes, they have some elements of the aforementioned band’s spacey prog-rock tone attached to them, but very few bands do it as well; even those who are influenced by it and try to mimic it to a T usually fail. Soen have somehow managed to get close enough to that band’s sound without becoming them or even adopting the Philosophy-101-styled thinking buried in new age mysticism that I’m perfectly okay with Soen.

Yes, getting David Bottrill involved (famed producer, worked with a ton of groups, including Tool) feels like an incredibly shrewd maneuver, and he does his damnedest to give them the exact same mix, but so what, it sounds great. They’re really not mimics. Believe me, Soen are something of an all-star group who manage to do enough things on their own that they feel like a new thing. Cognitive is a really good bit of prog-rock with quite a lot of individuality buried in between echo-heavy bass lines and singalong-worthy choruses, much of which, surprisingly enough, is provided by the drumming work of former Opeth drummer Martin Lopez.

I know it’s impossible to analyze this album in a vacuum, as if I had never heard some of what’s being done here before, but now that I have gotten that rant out of the way, let’s talk about Cognitive. Continue reading »

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