Jun 122012
 

This is a day for album reviews at NCS. We started with Andy’s SYNN REPORT on V.A.S.T., and a couple more are on the way. But I thought I’d mix things up a bit by posting two videos before the next review appears. These are not new, but they made this grey Seattle day brighter for me, and I thought they might brighten your day, too, unless you’ve already been staring at the sun, in which case I guess you probably can’t read this. You could get a friend to play the videos and just listen while you get used to your new burned-out retinas.

ASG

Until yesterday I had never heard of this band. I found them through a Facebook link from XII Boar. The link took me to a video for a song called “Horeswhipper”. With a name like that, I had this powerful psychic intuition that I would like it, because in general I like metal that makes me feel like I’m being horsewhipped. And no, I’m not into BDSM, or maybe I am and just don’t realize it.

Anyway, I think maybe one reason I liked it so much is because I had been listening to Borracho, and I think their music re-aligned my neurons into a configuration that increased receptivity to this song. Or it could have been because the song is such a titanic riff-fest, with such attention-riveting dynamics and acidified by punk-like vocal snarls and balls-out attitude. Headbanger heaven. Continue reading »

Jun 122012
 

(In this latest edition of THE SYNN REPORT, Andy Synn reviews the discography of V.A.S.T., with musical accompaniment, of course.)

Recommended for fans of: Nine Inch Nails, Solstafir, Anathema

In a recent conversation with Islander I mentioned some reservations I’ve been having about the format of The Synn Report. Over time they’ve grown a bit lengthy – originally they focussed on key tracks from key albums, but they’ve slowly drifted more toward the track-by-track format I initially reserved just for my album reviews. Now, while each edition of The Synn Report is definitely intended for those of you who have the necessary drive and attention span to sit through something pretty extensive, I feel like they’ve gone a bit too far away from their original intent, which was to simply select the best tracks from each release and use them to promote each album, impartiality be damned.

So today’s edition sees me trying to move back toward the initial intent of The Synn Report, and to do so I’m bringing you the industrial tinged world-music stadium rock Americana of V.A.S.T.

Primarily the brainchild of wunderkind Jon Crosby, V.A.S.T. (Visual Audio Sensory Theatre) have gone through many different physical and musical incarnations over the years. With the key influences being Nine Inch Nails, Metallica, U2, and The Beatles, the group have released a number of records, in a number of styles, over the years, though I’m going to be focussing on the five “core” releases.

So if you’re looking for something with a lot more rock than metal, and don’t mind a host of clean vocal melodies, as well as a shovel-load of musical ambition and progressive intent, this could be the band for you. Continue reading »

Jun 122012
 

I’m thinking about having the words “Kartikeya Pimp” tattooed on my forehead. I’d have to convince my wife that Kartikeya is the name of a Russian metal band instead of a middle school cheerleader with a budding crack habit, but other than that it should be clear sailing, don’t you think?

I’m just trying to be honest, because we do write about this band a lot at NCS, and for good reason. They put the BAD in badass and the ASS in ass-kicking. Their latest release is the Durga Puja EP, which emerged last fall. It included two rewritten songs from the band’s debut album, two outstanding covers, and one new original song — the EP’s title track.

Yesterday, TheMadIsraeli tipped me to the fact that the band’s main man Arsafes had uploaded a video of himself performing a guitar playthrough of “Durga Puja”. It’s a reminder of how great that song is, and it’s just fun to watch Arsafes extract such beastly rhythms in the flesh.

The video is after the jump. It will tide us over until June 22, when Kartikeya has promised delivery of their next single (“Vayu”), which we presume (though we’re not sure) will appear on their next album, Samudra, and which will include guest appearances by NCS favorite Keith Merrow and Serbian vocalist Aleksandra Radosavljevic.

While I’m on the subject of Kartikeya, I want to mention that the band has now made all of their releases available for streaming and download on Bandcamp, which you can find via this link.

And while I’m on the subject of Arsafes, I also want to provide an update about one of his other bands — Above the Earth, which last week released their first single, “Trapeze”. Continue reading »

Jun 112012
 

I spent so much goddamned time this past weekend researching and writing today’s ridiculously long post about Facebook that I fell even further behind in doing what I like to do best: finding new metal to feature on this site. So, unfortunately, I don’t have much ready for the site today in the way of music. But I’m not totally empty-handed. I have the following collection of musical goodies, which should provide some balance to the site today.

BORRACHO

Borracho are a band based in Washington, DC, who recently made us aware of a new music video they’ve created for a song called “Concentric Circles”, which is the first single from their June 2011 debut album, Splitting Sky. The video was self-produced by the band, directed by their friend Dicky Southcott, and edited by Kevin Bradley. It’s a combination of the band performing the song live, interspersed with film clips of “destruction, atrocity and mayhem” — the band’s words, but quite accurate.

And on top of that, the band have suggested a drinking game of “Boom!” to be played while watching the vid: Every time you see an explosion, chug a beer. Having seen the video, I’d suggest you get a shitload of beer and be prepared to drink fast.

But frankly, you can have a shitload of fun with this video even without a shitload of beer, because the song is irresistible. It’s a high-energy, heavy-assed, rifftastic blast of stoner/doom that will brighten your day and give you a natural buzz. But wait . . . there’s more! Continue reading »

Jun 112012
 

Facebook’s recent rollout of Promoted Posts and Pages Insights has stirred up a storm of controversy among members of the Facebook community, including the little corner of it occupied by metal bands, their fans, independent labels, and blogs like this one. The development that generated the most intense feelings of betrayal was the revelation that Facebook shares Page posts with only a small fraction of fans who have “liked” the page, and that Facebook will deliver page posts more widely only if you pay them to do it.

Much has been written about these changes — and much of it has been wrong.

Last week I wrote an article on NCS about these changes, and I got some things wrong, too. I spent hours this weekend surfing the web, trying to separate fact from fiction, instead of listening to metal. That was a really piss-poor tradeoff. I’ve learned some things, but even after some fairly intensive research, I still haven’t found the answers to some important questions. That in itself is worrisome, not so much because I’m a mediocre researcher (though I am), but because Facebook hasn’t been entirely open and above-board in what it’s been doing.

But, I do seem to have learned more than a lot of people who’ve unwittingly been spreading misinformation on Facebook band Pages during the last week. So, what I plan to do in this post is separate fact from fiction (expressly citing the sources of my information) and clearly identify the questions that I still haven’t been able to answer definitively.

I’ll also report on the results of our own experiment with Facebook’s new Promoted Posts feature — the one that lets you access more of the people who have already liked your Page by paying for it.

This is a long post, even by NCS standards, so here’s an “Executive Summary”: I’m still fuckin’ pissed off, and you should be, too. Continue reading »

Jun 112012
 

The demise of The Number of the Blog was one of those “their loss is our gain” kind of events. Since TNOTB went to the Valhalla of metal blogs in a burning longboat last fall, the site’s founder groverXIII has been slumming here at NCS, gifting us with reviews and always-interesting write-ups about new free music, biding his time until the advent of the Next Big Thing.

The Next Big Thing hasn’t yet arrived, but groverXIII has decided to spice up our lives with something else in the meantime: Over the weekend he launched a new site that he has named OCULUS INFERNUS, which is Latin for “The Eye of Hell”, with “the express purpose of documenting his thoughts regarding the Devil’s music and the world of the occult.”  Mother pus bucket!

He has also taken upon himself a new moniker, befitting his role as preceptor of the paranormal: Professor D. Grover the XIIIth.

And what, you may ask, does the good Professor have in store for us in the curriculum of OCULUS INFERNUS? Continue reading »

Jun 102012
 

I came across this song and video after I had finished the post that preceded this one today, or I would have included it there. On the other hand, that post was pretty long anyway, and besides, this song deserves a spotlight of its own.

The band is Apostate. They’re from Prague in the Czech Republic. Almost exactly a year ago, I reviewed their debut EP, Seaborne. They’re now putting the finishing touches on a follow-up, five-song EP called Λ ♦ Λ ♦ Ø.

Near the end of last week, they put up a video in collaboration with Vice magazine for the first track on the new EP, “The Town”. I’ve been listening to it over and over again since yesterday afternoon. It’s a beautiful piece of music — beautifully imagined and beautifully rendered. It’s almost entirely instrumental, in a style I suppose could be branded post-rock, until the explosion near the end (and I love that they ended it the way they did). 

There were hints of this kind of song in Seaborne, but in most ways it seems quite different to me, and makes me even more curious to see what else Apostate have gotten themselves into on Λ ♦ Λ ♦ Ø. They’re showing that, musically, they’re mature way beyond their years.

The video shows the band playing the song in what looks like a rehearsal studio, with no distractions from the music other than the sights of some serious dudes playing some serious music, which works just fine. Check it it out following the jump and let me know what you think.

UPDATE! Apostate has just made “the Town” available for free download on bandcamp (though I’d encourage you to chip in some bucks to help the band finish recording their latest release). HERE is the link for that. Continue reading »

Jun 102012
 

Lately I’ve been writing posts in which I collect new music, album art, and metal news items that I’ve seen recently which I think are worth sharing. I keep saying it’s not going to become a regular kind of series, but I might as well stop fooling myself. I still need to find a title for them. Today I’m trying out a couple of ideas I got from Kazz (with my addition of some Demilich-style parentheses) and Phro. I’ve got some more reader suggestions I might try out the next time I do this.

SCARAB

I saw that Egyptian death-metal band Scarab have revealed the artwork, tracklist, and title for their next album — Serpents of the Nile. The artwork (above) is by an Egyptian artist who calls himself Bombest, (Mohamed El Sherbieny). and I think he did an awesome job with this, don’t you? Actually, the album cover is only a part of a larger piece, which you can see after the jump.

I discovered Scarab back in July 2010 when I put together a series on metal from North Africa, and wrote this post about them, focusing on their superb last album, Blinding the Masses. It reminded me of bands like Behemoth, Immolation, and Italy’s Hour of Penance, but with a marked use of oriental melodies in the riffs.

Along with details about the new album, Scarab also premiered the title track two days ago. “Serpents of the Nile” still calls to mind those bands I mentioned above, and it’s an excellent song. It proves all over again that this is a band who deserve to become more widely known internationally. Continue reading »

Jun 092012
 

Rumpelstiltskin Grinder is a Pennsylvania band formed by current members of Absu, Woe, Azure Emote, Ashencult, Fucked Forever, Total Fucking Destruction, Smoker & the Rollers, and more. I have their last album, Living for Death, Destroying the Rest (2009), which I really enjoyed. Their new album Ghostmaker is set for release by Candlelight Records on June 19. The eye-catching cover art is by artist Mike Hrubovcak.

I’ve held off listening to our promo copy of Ghostmaker because I’m hoping Phro will review it for us so I can perceive the music through the gloss that Phro puts on it, and by gloss I mean that translucent sticky substance that turns crusty when it dries.

However, yesterday our friends at Stereokiller premiered Ghostmaker‘s title track, and I couldn’t resist giving it a listen while deciding what else I need to give Phro as a bribe for his review, other than the ebullient gratification that will come to him for pleasing me. And man oh man, is that song a sweet head-fucker. Continue reading »

Jun 092012
 

I have DGR to thank for introducing me to Sacramento’s Soma Ras. Back in March, he wrote a review (posted here) of a show headlined by Conducting From the Grave that included a Soma Ras performance, and he was obviously very impressed. By chance, it wasn’t long after when Soma Ras uploaded a three-song demo to Bandcamp, and off and on since then I’ve been letting it wreck my fucking head. It seemed only fair that I ought to provide a public thank-you. So . . .

Thank you Soma Ras for wrecking my fucking head.

To be clear, I quite enjoy having my head wrecked by death metal when it’s as vicious, voracious, and well-executed as the songs on the Soma Ras demo. And I chose those adjectives with care, because the music definitely has a predatory quality. Soma Ras attacks like a ravenous beast that’s fast, nimble, and loaded with big teeth.

The drumming (by Flint Marshall) is off the hook — an almost non-stop flood of blast-beats, double bass, and pounding toms. It triggers an immediate adrenaline rush and maintains the intensity level in the red zone from start to finish. The blazing drum assault is matched by rapid-fire riffing and heated bursts of swarming shred, punctuated by big, jolting breaks and slams in the rhythms and rapidly slithering melodies. Continue reading »