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Jan 252022
 

 

We’re about to venture off our usual beaten tracks, lured away from the usual ferocity by music that beckons like ghost lights on the other side of our midnight walls of thorns and vipers. It conjures spells and splendid visions, and it often irresistibly quickens the pulse, but the lights are ephemeral and hopes are dashed where these alluring wraiths reside.

The allure of the new album by Deeper Graves that we’re about to premiere in full is powerful. The Colossal Sleep combines visceral rhythms and mesmerizing soundscapes that shine like moon-lit mists and reach heights of even greater splendor, but it harbors harsher aspects as well, and it doesn’t go too far to say that there is a deep and haunting darkness at its core. It often makes you want to bounce, but the gloom of sorrow persists. Continue reading »

Jan 062021
 

 

On Monday of this week when I began the rollout of this list I noted that there were only 11 songs in my massive list of candidates that received more than two nominations among the sources from which I compiled it. Two of those, both of which were on my own personal list, are among the three in this Part of the list. The third one (which I’ve put in the middle of this threesome) is also tremendously good, drawn from an album that has received a lot of completely deserved acclaim.

SELBST

In his review my friend Andy proclaimed Selbst’s Relatos de Angustia one of the best black metal albums of the year (an opinion with which I completely concur). He later added it to his year-end list of Great Albums, and it also took the No. 4 spot on the year-end list by our friend Johan Huldtgren of Obitus. And of course those aren’t the only year-end lists I’ve seen which anointed it in similar fashion (I found it on five of our reader lists, and on many others scatted about the web). Continue reading »

Dec 042020
 

 

(The time has come for us to again launch the rollout of year-end lists by NCS writers and guests, and as always we begin with Andy Synn‘s lists. As has usually been the case, Andy begins with his personal list of the year’s best EPs. We’ll continue with his other year-end lists every day next week.)

Well, here we are again.

Next week I’ll once again be rolling our my yearly round-ups of the “Great”, Good”, and “Disappointing” albums which I’ve heard this year, culminating, as always, in my attempt to narrow down these literal hundreds of entries into ten “Critical” selections and ten “Personal” favourites.

But, first of all, I want to give a shout-out to the many, many, fantastic, fascinating, sometimes frustrating, EPs which I’ve heard over the course of the last twelve-ish months.

This isn’t, obviously, intended to be in any way comprehensive (I never got round to listening to the new Carcass, for example, and I’m still digesting both the new Nexul and Descend to Acheron EPs),  nor is it a definitive statement about which EPs are the year’s “best” (though some of them definitely are) but my hope is you’ll all discover something new in what you’re about to read.

So, with all that out of the way, let’s get started, shall we? Continue reading »

Nov 092020
 

 

Void & Decay is the forthcoming second album by the Canadian band Within Nostalgia from North Bay, Ontario. Since the release of the first album, the band has down-sized to become a duo, combining the talents of Alyssa Broere (Rhythm Guitar/ Bass/ Vocals/ Drum Programming) and Kye Bell (Lead Guitar/ Bass/ Drum Programming). In addition to the changed line-up, fans of the band will discover that the music has morphed as well, and as represented on the new album it resists easy classification. The song we’re premiering today (through an official video) proves that, and it also proves what powerfully good songwriters Within Nostalgia have become.

That song, “Desideratum“, closes the album in stirring fashion, and both the song and the video connect as well with the themes of the album as a whole. As the band explain, “Void and Decay portrays the two extremes; the void is the destined path of our society whereas the decay represents the result of the chaos in the world we live in. The lyrics come from a personal expression that encompasses many forms of emotion and observation as well as relating these things to nature. The inspiration comes from self-reflection and the reflection of the world around us, turning negative events and emotions into something relatable.” Continue reading »

Nov 092020
 


artwork by Alexandra V. Bach

 

(In this post Andy Synn presents a listing of recommended black metal albums (or at least blackened ones) for each of the last 10 years, focusing on records and artists that he hasn’t written or read enough about.)

Wonder of wonders, Kerrang (yes, it’s still around) recently published a list of “The 13 Best Black Metal albums of the New Millenium” and… it was actually pretty solid?

I know, I was (pleasantly) surprised too!

And it got me thinking that, since I recently celebrated my tenth anniversary as a writer for NoCleanSinging, now might be a good time to publish my own thoughts on how the black (or, at least, “blackened”) arts have evolved, and endured, over the last ten years.

As far as possible I’ve tried to stay away from the biggest/most notorious names and focus more on those artists/albums which either I didn’t manage to cover myself, or which I feel didn’t get enough wider coverage/attention overall, but that doesn’t mean this article should be interpreted as an attempt to prove who is more “kvlt” (because it’s certainly not me).

What this is is simply a way of celebrating the art of Black Metal, in all its endless vitality and variety while also bringing some much-needed attention to some bands who richly deserve it. Continue reading »

Oct 202020
 


Daughter Chaos

 

(Andy Synn returns to NCS from the injured list and brings us reviews of three excellent EPs released in September or October of this year.)

Some of you may have noticed (or maybe you didn’t, I don’t know how much attention you’re all paying) that I haven’t published anything here at NCS for a little while.

The reason for this is that last weekend (not the one just gone, the one before that) I managed to do myself an injury – not the worst I’ve ever had, but significant enough to affect my life – that has basically kept me in pretty much constant pain, and prevented me from sleeping more than an hour or two at a time, ever since.

As a result I really haven’t been in any mental or physical shape to focus on my writing here, hence my absence over the last week or so.

Thankfully I’m slowly beginning to heal up (and have gained access to some better drugs) meaning I’m now finally capable of diving back into the massive backlog of bands/releases which has developed over the last few days/weeks/months, so expect to be hearing a lot more from me – about a lot of new releases – over the next several days.

And to start things off, here are three pretty damn killer EPs from three pretty damn killer bands. Continue reading »

Sep 162020
 

 

(This is Wil Cifer‘s review of the new album by Chrome Waves, which is set for release on September 25th by Disorder Recordings.)

So far in 2020 there have not been more than a handful of black metal releases that have inspired me to put them in heavy rotation. The sub-genre of depressive black metal has become even more scarce in terms of quality. I find this odd because 2020 has begged for bleaker, darker music. I know I can plug DSBM into the search bar of Bandcamp and find an abundance of poorly programmed drum machines under thin over-processed guitar tones.

This is what makes Chrome Waves‘ new album such a treasure. It sounds great and is as dark and melancholy as I might want when I am taking my meds. Continue reading »

Aug 282020
 

 

(This is Andy Synn‘s review of the new album by Expander (from Austin, Texas), which Profound Lore Records released on August 21st.)

We don’t often cover much Thrash, or Thrash-adjacent, material here at NCS. For whatever reason it’s something of a blind spot in our regular coverage, and it generally takes a particularly special (or audaciously strange) example of the style to attract our attention.

As you might have guessed, Neuropunk Boostergang is one such example, which is why, just a week after its official release, I’ve decided to write a few words about it.

Of course the fact that we’re turning our gaze towards the realm of Thrash right now, just after the sad and untimely passing of Power Trip frontman Riley Gale, adds an extra dose of poignancy to this write-up, especially when you consider that, much as PT could never be fully summed up by the over-simplistic “Thrash” tag most often applied to their music, likewise Expander don’t fit neatly within the confines of the genre either.

Which is probably why I like them so much. Continue reading »

Aug 182020
 

 

The Chrome Waves song we’re presenting here has multiple meanings, some intended and perhaps one that’s merely a relevant coincidence. As for the intended meanings, the band’s James Benson (also in Amiensus) explains:

“‘New Skin‘ is quite literally about shedding away your past, and the growth of humans as they begin to learn. It pertains to the way someone is raised is not always the worldview of the entire population of the country, or world. However it also addresses recognizing that there is some type of comfort in going back to how you were raised, and the worldview you grew up around, or the culture.”

That conception is a kind of dichotomy: The process of maturation inevitably involves, to greater and lesser degrees, shedding the skin of where we came from and who we were, sometimes for the better, sometimes for worse. If we’re lucky, we continue to slough away bad habits and bad memories and allow ourselves to become new, but sometimes we lose good things as well. Especially in godawful times, what we’ve left behind can sometimes be worth re-discovering. Continue reading »

May 202020
 

 

(Andy Synn introduces our premiere of the self-titled debut EP by the western U.S. black metal trio Devil With No Name, which is set for release on May 22nd.)

Unlike most Black Metal bands, Devil With No Name take their inspiration not from the chilling heart of winter but from the burning heat of the Arizona desert, whose desiccated desolation is, in its own way, just as bleak and inimical to human life as the icy vastness of the frozen wastes. Continue reading »