BLOODHUNTER: “KNOWLEDGE WAS THE PRICE”

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Jun 022022
 

(Here’s DGR‘s review of the new album by the Spanish metal band Bloodhunter, which was released on May 27th by Maldito Records.)

It would’ve been fully understandable if Bloodhunter had chosen to rest on their laurels for their third album Knowledge Was The Price. After a nearly five-year gap and some lineup shifting since their previous release, 2017’s The End Of Faith, the band would’ve been fully justified in playing it safe. They already have a rock-solid – and recognizable – formula in place that works pretty well for them, and yet on the group’s newest release  Bloodhunter don’t quite play into that.

They wrote a ton of music – Knowledge Was The Price is a weighty beast musically – over the timespan between their two albums, but it’s so surprisingly varied that they never fully settle into the bog-standard galloping guitar riff with mighty shriek on the vocal-front style of song. It wouldn’t be such a common trope if it didn’t work so well, which is why Knowledge Was The Price is an unexpectedly interesting album, because for as much as the band do play close enough to that fire and bend it to their will, they also try to differentiate themselves a lot from it. It’s an acrobatic listening experience for sure and one that will be intriguing to gauge people’s excitement for, since each release for them feels like their biggest yet. and it’s highly likely Knowledge Was The Price will once again be placing them in front of a bunch of new people. Continue reading »

ASTRONOID – RADIANT BLOOM

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Jun 022022
 

(Andy Synn makes another well-deserved “exception to the rule” for the new album by Astronoid)

Before we get started with this review, allow me to take you on a quick trip down memory lane.

To say that the dreamy, yearning vocals, euphoric, soaring melodies, and irrepressible, irresistible energy of Astronoid‘s debut full-length were “a breath of fresh air” (pun intended) would be an understatement.

Not only did it quickly become my favourite album of the year but it’s also remained one of my “go to” records for whenever I’ve needed a quick pick-me-up and a jolt of refreshing energy ever since.

Sadly, as has been previously documented here, the band’s self-titled seemed to abandon much of what made their previous album so unique, in favour of a more familiar and – barring a few stand-out tracks – largely forgettable take on the predictable Post-Rock formula.

As you might imagine then, I approached the release of Radiant Bloom (which is set to come out on 3DOT Recordings this Friday) with a fair bit of trepidation.

Would it be able to recapture that same lighting-in-a-bottle magic as Air, or would it follow in the faded footsteps of its eponymous predecessor?

Well, let’s find out.

Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): SACRILEGIOUS CROWN — “FORBIDDEN VESTIGES OF VENERATION”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Jun 012022
 

Life is fear. Of course it’s other things too, but fear is inescapable. It always lurks, and sometimes dominates. Every living thing is prey, even if sometimes also predator, and that condition is rooted in our genes. How else could it be, when death eventually comes for all?

Music can channel fear, just as life is haunted by it, and sometimes it dives into esoteric dimensions where fear might be extinguished, because what causes it may be illuminated and embraced.

Well, these are obviously heavy thoughts, but what spawned them today is the hideous hypnosis created by a new EP named Forbidden Vestiges of Veneration from the Italian one-man raw black metal band Sacrilegious Crown, which is set for a June 3 release by Xenoglossy Productions. As the label describes, this new work is a concept release “about forbidden and forgotten religious cults, their mysticism blending occultism and religion with rituals involving hypnosis and underground processions”. Continue reading »

AN NCS VIDEO PREMIERE: MANOS SIX AND THE MUDDY DEVIL — “THE DEVIL WILL TAKE ME BY THE HAND”

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Jun 012022
 

 

As we all well know, the Devil is a central figure in the sprawling musical narratives of extreme metal, sometimes as a central figure and sometimes as the diabolical Muse who fuels the inspirations and philosophies of the artists. But of course the Devil is present across a wide span of other musical genres, from old-time gospel music to blues, country music, and much, much more. What Lucifer represents are ideas and feelings that know no bounds.

The Devil is certainly a powerful presence in the music of Manos Six and the Muddy Devil, and so even though that music is far, far beyond the soundscapes to which we usually devote our attention at this site, it is a kindred spirit to much of what occupies our attentions. The music is also captivating, which made it even easier for us to agree to the premiere we’re hosting right now. Continue reading »

HAUNTER: “DISCARNATE AILS”

 Album Reviews  1 Response »
Jun 012022
 

(We present Todd Manning‘s review of the new album by Haunter. It was released earlier this month by Profound Lore.)

Hailing from Austin Texas, the trio known as Haunter released Discarnate Ails via Profound Lore on May 6th. While only consisting of three songs, the album is nothing short of an epic journey through complex and progressive death metal.

The album opens with the ten-plus-minute song “Overgrown With the Moss”. The clean guitar that opens the track hints slightly at early Metallica at their most subdued, but this quickly gives way to a mammoth riff and powerful vocals. The feel is black metal in its scope but death metal in its density. A melodic guitar figure adds to the feeling of grandeur, yet things change again to a bit of Gorguts-inspired dissonance. More clean guitar work returns and things continue to shift and transform. And all this in the first half of the lengthy piece.

Obviously, Haunter are not lacking in ambition, and thankfully they’re able to execute all of this with great skill. Continue reading »

AN NCS PREMIERE: ATARAXY — “VISIONS OF ABSENCE”

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May 312022
 

The music of Ataraxy has become a confluence of heart-rending and hideous poetry, and violent, pulse-pounding turmoil. It brings together the soul-splintering downfalls of doom and the electrifying ravages of death metal, and shrouds those striking unions in an atmosphere that isn’t of this world, but seems instead to radiate from spectral realms that lie on the other side of death.

Even from their beginnings, Ataraxy have been very good, but the old cliche that “This is their best work yet!” is inarguably true in the case of this Spanish band’s newest album The Last Mirror, which will be co-released by Me Saco Un Ojo and Dark Descent Records. The songwriting here is both more refined and more unsettling — more elaborate, more prone to the creation of startling contrasts, and even more effective in drawing the listener down haunted and harrowing pathways of heartbreak, horror, and rampant savagery.

Everyone who has been paying attention already got a vivid sign of Ataraxy‘s multi-faceted achievements on this new album through the advent of its stunning first single, “Decline“, and today we bring you another sign via our premiere of “Visions of Absence“. Continue reading »

THE SYNN REPORT (PART 146): ARTIFICIAL BRAIN

 THE SYNN REPORT  1 Response »
May 312022
 

Recommended for fans of: Gorguts, Demilich, Wormed

So I’ve finally found a chance to break my streak of writing about Black Metal bands for The Synn Report, and what better way to do that than with the mind-melting Death Metal madness of Artifical Brain?

And what better time to do so than now, with the band’s self-titled third album (the culmination of their ongoing sci-fi trilogy which began with 2014’s Labyrinth Constellation) due for release at the end of this week?

Those of you already familiar with the group will obviously need no introduction to their sound, and are probably just here to glean a little bit of advanced insight into what their upcoming new album has in store.

But those who are a little more, shall we say, unprepared for the oncoming onslaught of extravagant technicality, extra-terrestrial vocalisations, and extinction-level heaviness, may find themselves a little overwhelmed by what will probably – at first listen – seem like the very epitome of “organised chaos”.

Thankfully, I can reassure you that there most certainly is a method to the band’s musical madness, it just takes a little while to fully acclimatise and tune into the right frequency in order to truly get what’s going on here.

But when you do… things will never be the same again.

Continue reading »

SEPTICFLESH: “MODERN PRIMITIVE”

 Album Reviews  1 Response »
May 312022
 

 

(We present DGR‘s review of the latest album by SepticFlesh, which was released by Nuclear Blast earlier this month.)

Modern Primitive, the eleventh release from Greek symphonic death metal group SepticFlesh, was quietly waiting to strike just out of our visual periphery. It’s a big, lumbering beast of an album that was patiently waiting for its moment of impact, and like many SepticFlesh releases there’s a lot to unpack here.

Now firmly ensconced in their specific style of symphonic death metal, SepticFlesh have become a band that moves in iterations. They have a solid and recognizable through-line in their music and one that has largely remained unchanged since the early-aughts – the general big, booming void of a SepticFlesh song is hard to mistake for anyone else.

What has become the story of each SepticFlesh album is just how far the band will drift from that line on each album, just how much they will go symphonic or just how death metal the band will be, with each release becoming a differing ratio of each. Continue reading »

AN NCS PREMIERE: SERPENT ASCENDING — “HYPERBOREAN FOLKLORE”

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May 302022
 

Serpent Ascending‘s new album Hyperborean Folklore is one in which a questing wanderer may travel far in the company of an unusually gifted guide and find wonders galore, both on the surface of the path and far below it.

The music is the work of a sole adventurer, the Finnish musician and vocalist Jarno Nurmi, who was once a member of Slugathor, Nerlich, and Desecresy. Because it is a solo work, the inspirations, the words, and the music are all inter-connected in ways that are rare for a full band, and here they all come together in truly extravagant and fascinating ways. Continue reading »

DEMONICAL: “MASS DESTROYER”

 Album Reviews  1 Response »
May 302022
 

(Here’s DGR‘s review of the new album by the Swedish death metal band Demonical, released earlier this month by Agonia Records.)

Demonical operate like clockwork. They’re one of the least presumptuous bands out there, playing a style of music that requires very little pretense to understand from the get-go. You know what you’re in for with a Demonical album by this point and they’ve stuck rigidly to that formula for some time.

They’ll have eight songs for you, weighing in at a little over half an hour, and the cover art will likely be of the same school of the last few releases from them. Mass Destroyer is the group’s second release with the current lineup; one that saw some minor shifting right around the time bassist Martin Schulman‘s other project Centinex went through lineup changes as well, but you’ll recognize Mass Destroyer as a Demonical release quickly. Continue reading »

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