May 292019
 

 

“History is not the soil in which happiness grows. The periods of happiness in it are the blank pages of history.”
―G.F.W. Hegel

As a representation of the philosophical leanings and musical expressions of the black metal duo Ancient Hostility, Hegel’s quote points in the right direction, toward the cycles of violence and misery that persistently drag human endeavor two steps backward after each step forward. To come closer to the source, the band’s shattering vocalist Imber provides her own summing up: “Ancient Hostility is just referencing the hate humans have had for each other since the dawn of our existence. It’s all about how we’ve treated each other – how we’ve always killed each other and we always will because this is what we’ve evolved to do. It’s part of human nature.”

Depressive sentiments, but for those with eyes to see, who could insist with any genuine conviction that they are wrong? For those who choose to look away, the music of Ancient Hostility may not prove to be appealing, for it screams its rage and pain with genuine conviction. Yet the sheer emotional force of this music may penetrate even the most hyper-optimistic minds, while simultaneously casting spells that might break down the defenses of even steadfastly resistant souls. For the rest of us, who need no convincing, but relish the catharsis of music that channels with raw feeling our darkest reflections, Ancient Hostility‘s self-titled debut album is a black gem.

We have an excerpt from the album to share with you today in advance of its June 7 release by the cassette label Akashic Envoy Records, and it’s a powerful statement of intent that won’t leave you in the same place it found you. Continue reading »

May 292019
 

 

(Earlier this spring Todd Manning reviewed the new album by the Indianapolis-based sludge/doom quintet Conjurer, and today he introduces our premiere of a video for a track from the album.)

At the beginning of April, Conjurer debuted the track “Across the Void” from their second album Sigils here at NCS, an album released later that same month. The song is immense and suffocating, reveling in the sort of rituals that can tear open the very fabric of the universe.

Today we bring you the premiere of the lyric video for that song. Heed the warnings, or heed the call, this is for those who dare to play with flames that feed on the minds of humanity. Continue reading »

May 292019
 

 

(We missed our usual Sunday appointment for the SHADES OF BLACK column, but Andy Synn has stepped in to fill that void with this selection of new releases from the black realms.)

Even though we’ve just come off several days of relative quiet here at NCS (due mostly to a certain Deathfest) we’re already at risk of entering another quiet period as Islander (and various others) gets drawn into the day-to-day running of this year’s edition of Northwest Terror Fest.

However, as luck would have it, I’ve got a massive backlog of artists/albums I’ve been meaning to cover, and so have promised that I’ll deliver something new every day this week so that he doesn’t need to worry about juggling both NCS and NWTF at the same time.

So to kick things off I’ve decided to publish my own version of “Shades of Black” to make up for the lack of one this weekend, featuring short reviews of a bunch of bands, taking in a mix of well-known and (reasonably) obscure names, beginning with… Continue reading »

May 282019
 

 

Devil-worshipping black metal has taken a multitude of shapes, but the word that comes to mind most frequently in listening to the new album by Malum is “glorious”. Unmistakably, the music within Legion carries the hallmark fire and ferocity of Finnish black metal, but the songs reach mythic heights, becoming magical anthems of praise and exaltation that electrify the senses. Yet Malum have a gift for creating the kind of dynamic changes that hold listeners in place for the full run, and so they also use their beautifully crafted melodies and ever-changing momentum to carry the mood into dark places where peril and tragedy dwell.

Malum have been a prolific force since their founding in 2013, with a multitude of EPs and splits to their name, in addition to three albums, of which Legion is the newest — and most signal achievement yet. It will be released on May 31st by Purity Through Fire, and we have the great pleasure of presenting a full stream of all its extravagant tracks today. Continue reading »

May 282019
 

 

(Todd Manning prepared this review of the new album by Nocturnus AD, which was released late last week by Profound Lore Records.)

There is a small but dedicated group of metalheads who have been waiting a long time for a new record from Floridian Sci-Fi Death Metal powerhouse Nocturnus. Well, the wait is finally over. They have returned, now known as Nocturnus AD, and their new album Paradox dropped on May 24th.

Most fans consider their first album, 1990’s The Key to be their best. Nocturnus’ style was jarring to say the least, and at the time, it certainly triggered strong opinions both positive and negative from Death Metal fans worldwide. The production was cold and the band’s technical Death/Thrash hybrid could be bizarre at times. The most divisive element, though, proved to be their heavy use of keyboards. In the early days of the genre, this amounted to pure heresy. Continue reading »

May 272019
 

 

2019 is shaping up to be a pivotal year for Chrome Waves. With a revised line-up in place, they released their powerful debut album, A Grief Observed, in March. In April they released a great cover of Nirvana’sSomething In the Way” on the twenty-fifth anniversary of Kurt Cobain’s death. Earlier this month they announced their signing with Avantgarde Music for the European release of A Grief Observed on vinyl and CD. They have also recently announced tours with Tombs in June, and with Suicide Forest in August. And today it’s our good fortune to premiere a new Chrome Waves single named “Bound“, accompanied by a video that provides a beautiful match for the music.

For those who might be encountering Chrome Waves for the first time, or perhaps for the first time since the band’s self-titled EP in 2012, the current line-up is as follows: Continue reading »

May 262019
 

 

After the first three days of Maryland Deathfest 2019 my feet are protesting, my back is mewling in pain, but my brain feels like it’s 13 years old again, jumping up and down and anxious for the last day to begin.

I’m here in Baltimore with my NCS comrades Andy Synn and DGR, and a big crew of good friends from Seattle and scattered other locations. Needless to say, we haven’t been blogging, but I thought I’d check in real quick before running the metal gauntlet one more time, beginning this afternoon. Continue reading »

May 242019
 

 

Strap yourself in and prepare for a wild ride, as a passenger in a big gas-guzzling turbocharged metal machine with nothing but open road ahead of it and nothing but scorched pavement in the rearview mirror.

Carnival of Contradictions“, the song we’re presenting through a music video, is the second advance track to be revealed from the forthcoming debut album (Ultimum Judicium) by Concrete Funeral, a quartet of metal veterans based on Calgary, Alberta, who pull from a wide range of metal influences, chiefly thrash, death, and groove metal in this new song. Continue reading »

May 242019
 

 

(Professor D. Grover the XIIIth [ex-The Number of the Blog] returns to our pages with this review of the new album by Odyssey from Spokane, Washington, which is being released today.)

Greetings and salutations, friends. A week ago I promised a full review of the new Odyssey album, The Swarm, and today I return to deliver on that promise.

Now, when you’ve been listening to a band or artist for the majority of their career, often you begin to foster a sense of casual ownership, that feeling of I Knew Them Back When, that helps to deepen your connection to them. You know their albums intimately, to the point that when you somehow manage to go an indeterminate stretch of time without listening to them, everything still feels comfortable and familiar. Continue reading »

May 232019
 

 

What we’re about to present is the second play-through video released for the same song by the Canadian death/thrash band Tessitura. If you already know the song — “Wounds of the Righteous” — you’ll understand why it merits both of these videos (and why both are a kick in the ass to watch). And if you’re encountering the song for the first time, prepare for a multi-faceted experience, one that’s a real thrill-ride but with some beguiling detours long the way.

Wounds of the Righteous” is the opening song on this Edmonton band’s 2018 EP, Unearth the Underworld, and probably the strongest of the five tracks on that 30-minute release (though the other four are definitely well worth your time). The video features performances by guitarist Stephan Ceña and bassist Leillyn McColman. Continue reading »