Jan 102017
 

 

(Our Norwegian contributor Gorger, who usually embarrasses and rewards us by identifying releases that flew under our radar, brings us a year-end list divided into three parts, with this being the second (Part 1 is here). To find more of his reviews, type “Gorger” in our search bar and visit Gorger’s Metal.)

This entire list… the more I reflect, the more pointless it seams. Just like one of those words that all of a sudden loses all its meaning. First of all, comparing and ranking all these individual expressions of profound art, oftentimes completely incomparable, causes grievous frustrations. Just how the hell does one compare such diverse stuff as Borknagar, Fleshgod Apocalypse, Obscura, and Schammasch, just to name but a few?

Secondly, I’ve only heard a fraction of what 2016 had to offer. At the time of writing, Encyclopaedium Metallum has 6,922 albums and 9,165 other releases registered for 2016 alone. Those numbers will continue to grow well into 2017. But for now, that’s 19 full-length studio albums each and every day on average.

Allow me to spread the rest of my gibberish in between the following albums. As much as I’ve enjoyed the albums on the previous list, here’s a bunch of even better albums, or at least better received by me. Let’s call them the “second best”, albeit in their own right, they are second to none. The order is partly sorted by release, but you can view it as totally random. Continue reading »

Jan 092017
 

 

I took a break yesterday from my rollout of this year’s Most Infectious Song list but am back at it again today, and every day this week, barring a meteor strike. For those who have just blundered into this evolving list for the first time, you can check out the previous picks and an explanation for what the list is about by clicking this link.

Some days I include two songs in the installments of this list, and sometimes three, which is what I have today. This is another instance when this particular grouping made sense to me, but I don’t pretend that I have good sense so you be the judge. And if the inclusion of clean vocals in this collection rubs you the wrong way, be patient. Tomorrow I’m returning to much nastier fare.

IHSAHN

I’m going to start with some “Mass Darkness“, which will be found on Arktis, the latest solo album by Vegard Sverre Tveitan, aka Ihsahn. My colleague Andy Synn wrote our review of the album, characterizing it as “easily the most gleamingly melodic, intimately accessible… and, yes, poppy, album that the ever-adversarial artiste has put his name to thus far”, while “still very much a Progressive album underneath the glitz and glamour”. Continue reading »

Jan 092017
 

 

(Wil Cifer brings us one more year-end list to accompany his earlier ones.)

This could almost be the Top 10 Hard Rock albums of 2016, as many of these bands ride the line between what is considered metal and what might not meet today’s standards of metal. They are much more likely to be heard on Sirius Radio or any air waves that venture into metal, like KNAC. Some of these acts are veterans who are back in fighting shape, and the very fact that they are mainstream means they have already paid their dues in the clubs, at the very least. These are not bands some sites I write for like Cvlt Nation would cover.

Varied sub-genres like thrash, power-metal, and even folk metal are thrown in, but in terms of heaviness these album ride the middle road. If you have still not figured out how I am defining mainstream metal here, then go back to sniffing glue, as here are your Top Ten mainstream metal albums of 2016. Continue reading »

Jan 092017
 

 

Today Maze Of Sothoth come blasting out of the north of Italy with the release of their debut album Soul Demise, and today we trigger the detonation with a premiere stream of all 10 songs.

We’ve already premiered one furious, utterly morbid track (“Seed of Hatred”) and followed that with a review of Soul Demise, in which our writer TheMadIsraeli praised the album as embracing “the most timeless of death metal’s elements combined with a refinement of its greatest decade”, challenging “modern death metal’s gratuitous excess” by defying its “excessive musical ornamentation”, and confounding expectations by upending “humanity’s innate need to find or maintain order”. It is, in his summation, “a powerful and vicious death metal record”. Continue reading »

Jan 092017
 

 

I first paid attention to the UK black/death metal band Vacivus when discovering their 2015 EP Rite of Ascension, much as one might pay attention to a nuclear air burst overhead, just before the shockwave hits. We delivered the premiere of Rite of Ascension in all its terrible glory, and today we bring you the premiere of another Vacivus EP, this one a two-song detonation named Nuclear Chaos that will be released in March on 7″ vinyl by Goatprayer Records. It can be considered a prelude to the band’s next full-length album, which this time will be released by Profound Lore Records.

I frothed at the mouth over this band’s last EP, writing of Rite that “it’s not for the faint of heart, but I think it will hold a strong appeal to fans of savage, void-faring death metal that brings both killer riffs and a poisonous, otherworldly atmosphere.” I also ventured the guess that it marked “the stunning appearance of a band whose name we expect to see praised throughout the dark places in the underground where ancient death worship is the order of the day.” The Profound Lore signing could be seen as confirmation of that forecast. Continue reading »

Jan 092017
 

 

The Dutch black metal band Turia made a powerful first impression with their debut album Dor in 2015. Much of the music (which was recorded live) could be characterized as propulsive atmospheric black metal, with teeth — barbed with melodic hooks and relying on sequences of repeating movements that drove the music into your head like railroad spikes. But the album revealed other dimensions as well, including slower and gloomier ones, all of them equally seductive.

The band’s second album, Dede Kondre, will be released on January 23 by Altare Productions (12″ vinyl) and Haeresis Noviomagi (cassette tape). Its title track was released near the end of last year, and today we have the pleasure of bringing you a second song, “Waterzucht“. Continue reading »

Jan 092017
 

 

(Our Norwegian contributor Gorger, who usually embarrasses and rewards us by identifying releases that flew under our radar, brings us a year-end list divided into three parts, with this being the first. To find more of his reviews, type “Gorger” in our search bar and visit Gorger’s Metal.)

So, then. Here we fucking are. Committing a closure of 2016.

It’s the dawn of 2017. Blinded by the cold light of January, we’re standing on the threshold of what may turn out to be a mighty tower or just another deadly cliff in the fog. Halfway ignorant of what lies ahead, though parts of the path are visible, it feels safer to turn around and behold what is left behind.

One would think you guys were fed up with lists by now, but you’re an enduring pack of bloodthirsty wolves, and if it’s any consolation, the traditional list-mania is nearing its demise. Is this the grand finale, perhaps? I initially wrote that “my list is too long to comment on everything without cutting it into fitting slices, which I will consider doing next year”. This just proves what a naive schmuck I am. Obviously, I couldn’t help myself, and walked straight into the “comment everything” trap regardless of strategy and determination, and I eventually had to send the first part to Islander before we hit April, or something.

Let’s start with a bunch of “good, but not entirely superb” albums. They might be better than traditional “honorable mentions”, but placing them in a particular order based on all those subjective (and partially objective) factors is a seemingly hopeless task. Thus we abide by the alphabet for now, and I’m stealing Andy’s way of linking you to Bandcamp (where possible) or other sources of sound. Continue reading »

Jan 082017
 

 

I was again torn between writing a “That’s Metal!” post, which I foolishly promised to do on the first Sunday of each month and still haven’t done for December — or January — and compiling another collection of recent music in a blackened vein. You can see how that internal struggle ended.

KJELD and WEDERGANGER

This split by these two distinctive Dutch bands was released on December 16 by Ván Records and is now available on Bandcamp. It includes three tracks by Kjeld and two by Wederganger. I had intended to write about it prior to release, but failed. It’s very good, and deserves more extensive discussion than I’m able to give it now. But with a full stream now available, it can speak quite well for itself. Continue reading »

Jan 082017
 

 

For this Sunday’s Rearview Mirror post I’m reverting to the original concept for the series, and just posting one good old song.

Correction: This song isn’t good. It’s goddamned stupendous.

The song is “Life Is A Coma” by the super-group Demiurg off their last album, 2010’s Slakthus Gamleby. And yes, Demiurg are a straight-up super-group, with Rogga Johansson as guitarist and vocalist, Dan Swanö as lead guitarist and keyboardist,  Ed Warby hitting the skins and vocalizing, and Johan Berglund on bass. Oh, and let’s not forget Marjan Welman from the Dutch goth metal band Autumn, whose vocals on this song are one of the twists that make it so stupendous. Continue reading »

Jan 072017
 

 

I mentioned in yesterday’s Seen and Heard post that I’ve been under the weather and wasn’t sure if I would be posting much this weekend. I still feel like a piece of frozen shit that’s leaking rivulets of mucus, but I suppose it’s a testament to my obsession with metal that I’ve nevertheless compiled the following playlist of new songs for your enjoyment. I really enjoyed all of them as well, despite the best efforts of the cold virus to turn all my joy into slag.

PANOPTICON

A couple of days ago DECIBEL magazine premiered a stream of a new song by Panopticon that’s included as a flexi disc in the new issue of the magazine (the one with Immolation on the cover). The song’s name is “Sheep In Wolves’ Clothing”. It was specially recorded for the flexi series, so I’m not sure whether it will appear on Panopticon’s new album. And yes, if you hadn’t heard, there will be a new Panopticon album in 2017. Continue reading »