PESTIFER: “EXECRATION DIATRIBES”

 Album Reviews  4 Responses »
Jan 242017
 

 

(We present Todd Manning’s review of the new album by the Portuguese death metal band Pestifer.)

If you’ve ever become frustrated trying to parse out what’s Old School Death Metal and what’s New, and maybe what’s just plain Death Metal, Portuguese trio Pestifer (who have recently become a four-piece) leave no doubt about where they stand.

Inspired by only the most atavistic and savage originators of the genre, they are poised to release their debut full-length, Execration Diatribes via Lavadome Productions on February 14th. It is nothing short of a love letter to their forefathers. These Old School maniacs have no goal but to satiate the bloodlust of Death Metal’s most dedicated fans. Continue reading »

LATE DECEMBER AND EARLY JANUARY GEMS (PART 3): PARIUS AND KERATOCONUS

 Album Reviews  2 Responses »
Jan 242017
 

 

(This is a delayed Part 3 of what started as a planned  3-part series by Austin Weber about noteworthy January releases and a few from the end of last year. However, during the interval between Part 2 and Part 3, the series has expanded to 5 parts — so more lie ahead.)

Parius – Let There Be Light

Parius are a Philadelphia-based melodic death metal band, one that was unknown to me until last week when my friend showed me their newest release that dropped on January 17th, Let There Be Light. Continue reading »

AN NCS PREMIERE: EVER CIRCLING WOLVES — “LENORE”

 Premieres  1 Response »
Jan 242017
 

 

Like all the broad genre terms of metal, “Doom” covers a lot of ground, so much musical landscape that the term by itself gives only the sketchiest of clues about what you may be about to hear. But even the more specific sub-classifications of the genre really don’t fit the unconventional twists and turns of the song by Ever Circling Wolves that we’re now presenting to you.

The name of the song is “Lenore“, and it comes from this Finnish band’s second album, which bears the wonderful title Of Woe or: How I Learned to Stop Worrying and Love the Gloom. It will be released on January 27 by Colorado-based Cimmerian Shade Recordings. Continue reading »

OUR LIST OF 2016’S MOST INFECTIOUS EXTREME METAL SONGS (PART 16): ABBATH, DORMANT ORDEAL, DARKEND

 MOST INFECTIOUS SONGS-2016  1 Response »
Jan 242017
 

 

Well, I did it again. I let two days go by without posting a further installment of our growing list of Most Infectious Extreme Metal Songs. Unfortunately, I don’t have time at the moment to double up, as I did the last time I fell behind. If the day goes well, I might be able to add Part 17 before the day ends.

Once again, I perceive a sense of musical belonging between the three songs I’m grouping together, although there are important differences among them and I’m not sure I could articulate the connections even if I had more time.

ABBATH

The self-titled debut album by the former frontman of Immortal landed very early in 2016, and I think it convincingly answered the questions and doubts of most fans who had been left with a bad taste in their mouths from the public squabbling among the former Immortal brethren — because the album is damned good. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): VITRIOL — “VITRIOL”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Jan 242017
 

 

Vitriol have accomplished something remarkable on their first release, in fact so remarkable that it’s going to leave the brains of a certain segment of the listening public spinning around like they’ve been dropped in a blender set to puree. It’s one of the most stunning and stupefying death metal releases I’ve heard in this new year, and I probably won’t hear its equal by year-end. But I must say in the same breath that it may repel all but the most scarred and hardened listeners, the kind of people who (like me) revel in new extremes of noxious but electrifying filth. For those kinds of fans, however, Vitriol have already reach dizzying heights of appalling power.

Vitriol is a two-man operation based in Nuremberg, Germany. They originally released this self-titled debut demo last summer on tape, and now Hellthrasher Productions will expose the music to a wider audience through a CD release on January 27. We’re about to expose you to it with the premiere of a full stream. Prepare yourselves for something completely wild, and uglier than sin. Continue reading »

HOUR OF PENANCE: “CAST THE FIRST STONE”

 Album Reviews  2 Responses »
Jan 242017
 

 

(DGR reviews the new album by Italy’s Hour of Penance, which will be released on January 27 by Prosthetic Records.)

There is a temptation when writing reviews to believe that everything needs to have some sort of deeper meaning attached to it — especially when it comes to music, because the idea of describing sound with words is one that can paralyze a person. So whenever something is pretty much exactly what it says on the box, you can often find yourself spinning endlessly.

Italy’s long-running Hour Of Penance have made a name for themselves in the brutal death scene since their full-length starter in 2003 as one of the forebears of the hyperblasting death metal bands who now seem to extrude out of that country like few others. Since 2010’s Paradogma, Hour Of Penance have really found a sound for themselves, a relentless battering of metal that is driven almost entirely by a wall of hellfire-belching guitars and drumwork that exists somewhere between Gatling gun and machine gun in terms of speed. Continue reading »

ODD LOGIC: “EFFIGY”

 Album Reviews, Exceptions to the Rule  3 Responses »
Jan 232017
 

 

(TheMadIsraeli is the author of this review of the new album by Odd Logic.)

I always try to put some serious thought into why an exception to the rule should be an exception to the rule here at NCS. I confess that sometimes it really comes down to the fact that I just like the album, and fuck the rules and the site and blah blah blah, but for the most part I believe there is an integrity that the NCS brand, as it were, has an obligation to maintain. I’ve basically boiled it down to three things that help me decide what a good exception to our rule is. Any one, or a combination, of these three:

A:  The music is sufficiently heavy without extreme metal vocals.
B:  The music is extreme in either virtuosity, progressiveness, pretentiousness, or eccentricity, despite the absence of harsh vocals.
C:  The writing of music around clean vocals offers definitively different avenues of instrumental expression. Any band that really understands and gets this on a transcendent level is an exception.

Tacoma-based Odd Logic are B and C but not A. Effigy is their 7th record. Continue reading »

AN NCS VIDEO PREMIERE: SCORDATURA — “SERVANTS OF ENTRAPMENT”

 Premieres  No Responses »
Jan 232017
 

 

The knife-wielding horrors of Pär Olofsson’s imagination stare out at you from the cover of Self-Created Abyss, the new album by Scotland’s Scordatura that’s set for release by Gore House Productions on March 24, but those blood-chilling visages still don’t adequately prepare the listener for the barbaric savagery and explosive destructiveness of the music. It’s an electrifying (and electrocuting) experience, and we have a sample of it for your tender ears as we premiere the lyric video for a monstrous track called “Servants of Entrapment“.

The song hits with typhoon-strength power, the massive grinding riffs eviscerating and disemboweling at a high rate of speed, matched by the clatter and boom of spitfire drumming. With hoarse growls and incinerating shrieks as vocal accompaniment, the sound is merciless and marauding. It’s like being teleported into the munitions frenzy of a war zone. But that feeling of utter mayhem is only part of the sensations of the song. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HORN — “TURM AM HANG”

 Album Reviews, Premieres  2 Responses »
Jan 232017
 

 

Turm am Hang is the new album by Germany’s Horn and it’s a unique experience. “Unique” is an overused and misused word, but here it’s not hyperbole. The album is so distinctive that it defies comparisons — as you’re about to discover for yourselves, because we’re presenting the premiere of a full album stream in advance of the record’s release on January 27.

The work of Horn’s lone creator Nerrath, Turm am Hang is Horn’s seventh album and, among the ones I’ve heard, the most successful. It was inspired by a variety of historical subjects, as well as by an appreciation for ancient valor and an animating spirit of tribalism. Continue reading »

INSOMNIUM + BARREN EARTH + WOLFHEART — LIVE AT MAMA ROUX’S, BIRMINGHAM, 16/01/17

 Concert Reviews  4 Responses »
Jan 232017
 

 

(As part of his continuing effort to make his NCS colleagues jealous, Andy Synn attended the performances of Insomnium, Barren Earth, and Wolfheart in Birmingham, England, on January 16, 2017, and files this tardy report.)

Last week I managed to snag myself a guestlist slot on the Birmingham date of the Insomnium/Barren Earth/Wolfheart tour. And a good time it was indeed.

But why has it taken so long for me to get this write-up together?

Laziness. Pure laziness. Or, you know, some other reason. Take your pick.

Either way, better late than never, right? Continue reading »

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