Mar 272016
 

Rearview Mirror

 

Asunder made their home in Northern California’s Bay Area, with a line-up that included drummer/vocalist Dino Sommese (Noothgrush) and guitarist/vocalist John Gossard (Dispirit, ex-Weakling). Between 2000 and 2009, when the group disbanded, they released splits with Like Flies on Flesh and Graves At Sea, as well as two highly regarded albums — A Clarion Call (2004) and Works Will Come Undone (2006). The former included four tracks, each of them in the 12 – 15-minute range, and the latter consisted of two tracks totaling 73 minutes.

I discovered the band’s music only after they had ceased to exist. Of the two albums, my favorite is Clarion Call. It’s a wrenching, devastatingly powerful doom/death album, both titanically crushing and heart-achingly beautiful. The pacing is generally slow (though it’s still rhythmically dynamic), and the vocals are divided between a voracious, agonizing, bestial growl and clean, melodic, quasi-chanting. Despite the songs’ significant lengths and deliberate pacing, they are so well-written that they hold the attention all the way through — or at least until you get to the last track. Continue reading »

Mar 262016
 

Sorcery-Garden of Bones

 

I blogged like a blogging fool last week, shirking my fucking day job to an embarrassing extent. Now I have to pay for all the shirking by working this weekend. Or at least that’s the plan; I wouldn’t bet a lot of money on that if I were you. But before I attempt to make good on that noxious plan, here’s a collection of news and new music that’s not noxious, except in a good way.

SORCERY

I discovered yesterday that Xtreem Music will be releasing a new Sorcery album named Garden of Bones on May 15. I’m as excited as a springbok being chased by a cheetah. Continue reading »

Mar 252016
 

Hissing-ST

 

I’ve been meaning to write about the 2015 self-titled EP by Seattle’s Hissing for a long time, but now that it’s being re-issued in CD format by Jeff Wilson’s Disorder Recordings today, I’ve been given a second chance to make amends for my past failings — and the band have a couple of noteworthy tours beginning this week that I’d like to spread the word about as well (they’re playing in Seattle this very night along with LycusUn, and Eye of Nix).

As noted, Hissing are based here in Seattle, and this EP was their debut release. There’s not one moment of reassurance in its roughly 20-minute run-time, not even in the minute of silence that begins the “Outro” track, when you’re left to stew in your own juices before being surrounded by what sounds like some kind of ghastly industrial assembly line backed by the sound of altered strings. Continue reading »

Mar 252016
 

Mantar-Ode To the Flame

 

(Andy Synn reviews the new album by Germany’s Mantar, coming next month from Nuclear Blast.)

When I say that Ode to the Flame, the second album by German blackened sludgemeisters Mantar, is one badass motherfucker, you’d best believe that I mean it.

Fuelled by rage and empowered by the divine spirit of “the riff”, practically every aspect of it – from its punishing, stone-cold grooves, snarling, punked-up hooks, and monstrously heavy guitar sound – is a huge step up from the band’s debut, with Messrs. Hanno (vocals/guitars) and Erinc (drums/vocals) upping their game on pretty much every level.

Bristling with barely restrained aggression, and gifted with a brash, belligerent swagger and a malicious streak a mile wide, it’s also the first album in a long, long time, to fill that twisted, Nachtmystium-shaped hole in my heart, though its tar-soaked and sludge-encrusted underbelly and downright surly demeanour mean that the final product offers up a much different experience than Judd and co’s self-loathing anthems. Continue reading »

Mar 252016
 

0 - collage2

 

(Straight outta Norway, our friend Gorger is back with a new edition of his series recommending releases that we’ve managed to overlook. And be sure to check out Gorger’s Metal.)

“Hot on the heels” after part 8, here’s part 9 of stuff that Islander and other contributors have overlooked in the abundance of releases. Well, that’s what I wrote almost two weeks ago before slipping into a new hiatus anyway.

Today I bring you black metal and atmospheric/symphonic derivatives thereof, thrash, tech-death, blackened death, and a blackened thrash gem from down under that you could sort of sort under Islander’s Tourism posts. Not in that order, though.

Also, I originally increased this post from the usual four to five, as I recently came across an elder piece that I’ve fallen in love with. But than, when assembling the collage above, I realized that five just wasn’t doing, and thus it grew to six.

Let’s get to it, shall we? Continue reading »

Mar 252016
 

Benighted In Sodom

 

I’m working on a Friday round-up of new songs, but I decided I would carve these two out from the larger group and post them separately. Both of them are covers of well-known songs. The first one is actually a cover of a cover.

BENIGHTED IN SODOM

The prolific Matron Thorn seems to be one of those people for whom making music is as essential to his continued existence as oxygen and food are to the rest of us. He’s the principal creative force in Ævangelist — whose next release will be a split with Blut Aus Nord (!) — as well as a new project I’ve written about before named Death Fetishist, but one of his longest-running solo projects is Benighted In Sodom, and that’s the name under which he recorded the first song in this little collection. Continue reading »

Mar 252016
 

Variscythe-Deluding Paradigm

 

Last fall the Dutch metal band Variscythe released their debut album Deluding Paradigm, which followed EPs released in 2011 and 2013. Today we’re bringing you the premiere of the band’s video for the new album’s third track, “Hollowed Mind”.

In “Hollowed Mind”, the band combine jolting rhythms and rapid-fire riffs, spidery lead guitar flurries and gut-punching drum work, agile bass somersaults and ferocious vocals — along with melodic hooks that are catchy but with an undercurrent of darkness (and bit of dissonance in the mix, too). Continue reading »

Mar 242016
 

Infinite Death-The Endless Suffering

 

Almost exactly two years ago I came across a debut EP named Beyond the Gates by a Southern California band named Infinite Death, and spilled some words about it here. Infinite Death have now completed work on a follow-up EP called The Endless Suffering, and today we’re bringing you the premiere of the EP’s second single, “In Despair“.

Infinite Death make no bones about the fact that they’re inspired by Gothenberg-style melodic death metal, and for fans (like me) of that distinctive, Swedish brand of metal, The Endless Suffering will be a welcome dose of well-executed, high-energy extremity. Continue reading »

Mar 242016
 

Thanatopsis art

 

We’re about to bring you a blast from the past that’s now very much a part of the present.

Thanatopsis are originally from Oakland, CA, where the four founding members, Chris Stolle, Dave Couch, John Bishop, and Thom Hall got together in 1992 under the name Existence. Shortly thereafter, the band changed their name to Thanatopsis, after the poem by William Cullen Bryant, which translates to Meditation upon Death.

Between 1993 and 1997, the band released four demos and played some high-profile shows in the Bay Area, gaining a reputation for their distinctive approach to death metal. However, the group officially disbanded in 1997. There was a brief reunion in 2004 when the band played one show with death metal brethren Deeds of Flesh and Vile, and one show with Agent Steel, but beyond those two successful shows, the reunion was short-lived. Continue reading »

Mar 242016
 

Abnormality-Mechanisms of Omniscience

 

Just about 10 days ago we excitedly reported about the advent of the title track to the first album since 2012 by Abnormality from Massachusetts — Mechanisms of Omniscience — which is coming our way on April 29 via Metal Blade Records. And now we get to bring you the premiere of the new album’s opening track: “Swarm“.

You’d better be sitting down before punching the play button on “Swarm”, because it detonates like a megaton warhead right from the start. Continue reading »