Andy Synn Archives - Page 149 of 160

PAINT IT BLACK: DELUGE / HORNA / REGARDE LES HOMMES TOMBER

Sep 302015

(Andy Synn presents a trio of album reviews.)

Now I’m sure you all know by now just how much I love Black Metal, in all its many and varied forms. Whether it’s the grime-soaked grooves of Horned Almighty… the blast-furnace assault of 1349… the harrowing sonic rituals of Enthroned… the grim grandeur of Secrets of the Moon… the riff-packed assault of Nidingr… the mesmerising madness of Dødsengel… the ambient anguish of Leviathan… whether it’s “Old School”, “Second Wave”, “Progressive”, “Post”… to me the very essence of the style is its simple refusal to be restricted or limited by the expectations and pressures of others, and the insistence of those who perform under the black banner on doing things their own way, no matter the consequences.

Of course there are stylistic elements that these bands all share– for all its growth and constant opposition between progressive and regressive forces, Black Metal IS still a distinct (though wide-ranging) genre – and yet there are still bands who seem, on the surface of things, to utilise most of the right sonic elements, but whom I still struggle to really think of as “Black Metal” all the same. Continue reading »

BRINGERS OF DEATH: PRION / BLACK TONGUE / THE HUDSON HORROR

Album Reviews 8 Responses »

Sep 292015

(Andy Synn brings us a trio of reviews.)

I must admit, 2015 is the first year since I’ve been writing for the site where I’ve truly felt overwhelmed by the sheer amount of music out there. I know of so many bands and albums that have slipped through the cracks over the last nine months or so, simply because there’s not enough time in the day/week to cover everything we want to.

As you undoubtedly know already, the ethos here at NCS is to cover and offer exposure to as many bands as we can, informed by a slight preference towards writing about less well-exposed bands over some of the more famous names.

This isn’t down to any form of “elitism”, and we’re not the sort of people who declare that a band has “sold-out” just because they’ve finally managed to make a name for themselves outside of the toilet circuit. It’s simply that, when it comes right down to it, the bigger bands are going to sell their albums regardless of whether we cover them or not… whereas the smaller bands will probably benefit far more from us writing about them. As such we’d rather target our limited support towards where it can do the most good! Continue reading »

ABIGAIL WILLIAMS: “THE ACCUSER”

Reviews 27 Responses »

Sep 252015

(Andy Synn reviews the new album by Abigail Williams.)

Oh look! Perennial bandwagon jumpers Abigail Williams are back once again, with another trend-chasing collection of….

Actually. Fuck that.

Seriously. If you’re honestly still thinking like this… then there’s the door… feel free to let it hit you on the way out.

Because, and I say this with all the love in the world… this sort of attitude is complete bullshit and an example of precisely the sort of self-sustaining, media-created narrative mostly adopted by people too lazy to form their own opinions, and disseminated widely by sites and magazines more interested in following the herd and copying what they’ve read elsewhere than putting in any critical effort of their own.

Ironic, isn’t it, when it’s the media themselves blindly following the very trends they’re accusing others of… Continue reading »

FIVE OF MY FAVOURITE… NACHTMYSTIUM TRACKS

RANDOM FUCKING MUSIC 7 Responses »

Sep 232015

(Andy Synn returns to an irregular series in which he shares favorite things that come in fives.)

I’ve not done one of these in a while it seems, so while I’m tinkering away on a few other bits and pieces (I’ve got an EP review in the pipeline for this week, as well as another Synn Report in-progress… and maybe one day soon I’ll even complete that column about the importance of lyrics… though don’t hold your breath for that) I thought I might as well just throw something together for the sheer hell of it!

So, ignoring the well-documented douchebaggery of Blake Judd (he’s a toxic cunt by all accounts… but damn, he can write some mighty fine drug-induced Black Metal jams when he wants to), here’s five of my favourite Nachtmystium songs from the Black Meddle-era. Continue reading »

SHORT BUT SWEET: HUMAN IMPROVEMENT PROCESS — “ENEMIES OF THE SUN”

Album Reviews, SHORT BUT SWEET 2 Responses »

Sep 222015

(Andy Synn reviews the new EP by Italy’s Human Improvement Process.)

This has been a bumper year for EPs so far, with several of my favourite releases of 2015 coming in the old Extended Play format…. Barús, Wild Hunt, Sanzu, Pyrrhon, Exgenesis, Barishi, The Monolith Deathcult… the list goes on.

Well, now you can add Italian Tech-Death collective Human Improvement Process to that litany of names above, with their all-killer, no-filler, new EP Enemies of the Sun. Continue reading »

THE BEST OF BRITISH, PART 2: NINKHARSAG / ETHEREAL / CHRONOCIDE

Reviews 3 Responses »

Sep 182015

(Following the first part of this two-part series that we posted yesterday, Andy Synn reviews three more albums by British bands.)

So for the second part of this (extremely limited) series, let’s delve into the UK’s too-often-overlooked and underappreciated Black Metal scene, shall we?

Now, much like the Black Metal scene in any country, the real gems of the UK scene are (in my opinion at least) far too often occluded and denied the attention they deserve by the hordes of corpse-painted copycats which clutter the scene like maggots, each one somehow convinced that their particular brand of insipid Satanic bluster makes them a unique and special proposition.

Whether it’s the pasty-faced nerds (replete with appropriately “evil” pseudonyms) whose music sounds more like the soundtrack to a late 90s RPG, or the ramshackle racket put out by the trve-kvlt-elite, who equate a lack of musical talent or identity with “integrity”… there’s just as much opportunity for those without any creative vision to simply ape the sounds of their forebears as there is a chance for those with real vision to express themselves.

And perhaps that’s as it should be. It is, after all, the way of the world. Thankfully, however, there are always going to be those who are simply better than others, diamonds in the rough shining more brightly than those around them could ever hope to.

And so I’ve (hopefully) picked out three of them for you today. Continue reading »

THE BEST OF BRITISH 2015, PART 1: DE PROFUNDIS / RANNOCH / ABHORRENT DECIMATION

Album Reviews 6 Responses »

Sep 172015

(Andy Synn puts the spotlight on new releases by a trio of British bands.)

As I’ve said a few times before, I’m occasionally called to task for a perceived lack of “support” for the British metal scene, either because I’ve said something to criticise whatever flavour of the month band is currently riding high on a wave of second-hand riffage and easily-digestible snack-sized song-bytes, or simply for having the sheer gall to write for an American website instead of a UK one (conveniently ignoring the fact that I also contribute regularly to London Metal Monthly and, somewhat less regularly, Terrorizer magazine).

The thing is, for purely selfish, self-promoting reasons, I probably SHOULD spend more time shucking and jiving for every bunch of jokers with even a little bit of scene-cred in the hope that those good vibes will rub off on either of my own bands… But I’m not going to. I like to pretend I have at least an iota of integrity after all.

Ultimately I just want to write about the music that I love, regardless of arbitrary issues of national pride or scene loyalty. It just so happens that despite being sent numerous links to different bands from all around the UK, a lot of what I hear simply doesn’t connect with me, or live up to what I consider my own critical standards. For better or worse, that’s just the way it is (though please don’t stop sending links my way).

But when I actually DO find a band I love from the UK, I am MORE than happy to throw my support behind them, for whatever good it may do. Hence why you’re about to read the first of two separate collections bringing together some of the very best metallic offerings that have come out of the British scene this year… with today’s entry erring strongly towards the Death Metal side of things.

So, let’s get started, shall we…? Continue reading »

THE SYNN REPORT, PART 62: VEHEMENCE

THE SYNN REPORT 6 Responses »

Sep 162015

(In this 62nd edition of THE SYNN REPORT, Andy reviews the discography to date of Arizona-based Vehemence.)

Recommended for fans of: Abysmal Dawn, God Dethroned, At The Gates,

I currently have more candidates for The Synn Report on my docket than I really know what to do with, and although on the plus side that means I’m in no danger of running out of options within… oh… the next year or two at least… on the negative side of things it means I’m scrambling to write-up and include a number of bands who have new releases out in 2015 (either already released or still forthcoming) and slowly but surely running out of time in which to do so.

One of those bands just happens to be recently resurrected Arizona wrecking crew Vehemence, whose three stellar full-lengths — The Thoughts From Which I Hide (2000), God Was Created (2002), and Helping the World to See (2004) – are soon to be joined by the long-awaited fourth album Forward Without Motion (out Oct. 23^rd), which largely reunites the band’s original line-up for nine freshly carved and crafted tracks which aim to put the “DEATH” back into “Melodic Death Metal”.

So what better time than now to get caught up with the band’s killer back-catalogue?

Let the riffing commence! Continue reading »

RIWEN: “THE COLD”

Album Reviews 6 Responses »

Sep 112015

(Here’s Andy Synn’s review of the new album by Sweden’s Riwen.)

Although I don’t listen to as much of it these days, there’s still a part of me that holds Hardcore very dear to my heart, as this was the music that really started my love affair with the howling distortion of a clanging, chugging, buzzing electric guitar.

Of course I’d been exposed to music before this – my Dad was (and is) a big Prog aficionado, and as a result I was lucky enough to grow up with the sounds of Pink Floyd, Yes, Rush, King Crimson, Queen, et al, as the soundtrack to my formative years – but when it finally came time for me to start spreading my own musical wings, it was the sound of Hardcore that first drew me in, possibly (probably) because it was the direct antithesis of Prog in so many ways!

I tell you this because if there’s one thing I’m sure of it’s that The Cold, the debut full-length by Scandinavian brawlers Riwen (whom I last mentioned several times in conjunction with their EP release), really recaptures that primal, gritty essence which initially drew the younger me to Hardcore all those years ago. Continue reading »

GOROD: “A MAZE OF RECYCLED CREEDS”

Album Reviews 11 Responses »

Sep 102015

(Andy Synn reviews the eagerly awaited new album by Gorod.)

In the hallowed halls of Tech-Death, some names resonate louder than others. Names like Necrophagist… Spawn of Possession… Obscura… Beyond Creation… these are the modern masters and living legends towards whom so many budding fretboard fanatics pay tribute.

This is far from a comprehensive list of course (“no Arsis/Anata???”, I hear you cry), not least because it omits the name of Gallic string-slingers Gorod, who have returned once more to try to claim their own place amongst the pantheon of the immortals with their latest album, A Maze of Recycled Creeds.

To be fair to them, the French fivesome have been teetering on the edge of greatness for almost as long as I can remember, and there’s more than a few folks out there who’d insist (with good cause) that the band belong firmly on the list with all the Tech-Death demigods whom I’ve mentioned above, but it remains to be seen whether or not A Maze of Recycled Creeds is going to be the album to finally garner the band a permanent place in the upper echelons. Continue reading »

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