Jul 312020
 

 

(We’ve reached the end of July, and for this month’s edition of THE SYNN REPORT Andy Synn has prepared reviews of all the albums released by the Swedish band Descend, including their latest full-length released on June 26th by Aftermath Music.)

Recommended for fans of: Opeth, Ihsahn, Disillusion

Stockholm stunners Descend have been quietly making a name for themselves in the more progressive circles of the Death Metal underground for a while now, developing a well-deserved reputation as a reliable source of intricate instrumental arrangements and rock-solid riffs that deliver all the primal punch you desire while also engaging your higher brain functions with every dynamic twist and turn.

But, for whatever reason, the Swedish quintet have never really broken through into the wider Metal consciousness in the same way that a number of their peers and predecessors have managed to.

All that might just be about to change however, as their recently released third album, The Deviant, is both a major step up for the band and a potential contender for multiple “Album of the Year” accolades.

Before we get to that, however, I invite you all to come with me on a deep dive into the group’s discography, where you’ll find that there’s also a lot to love in the band’s back-catalogue too. Continue reading »

Jul 292020
 

 

(July 31 is the date set by Translation Loss Records for the release of the new album by Portland, Oregon’s Drouth, and here we have Andy Synn‘s review.)

It looks like this week is going to be (another) one dedicated to the underdogs.

After all, I’ve already written glowingly about Question and their killer new album, which could well end up on a few “Album of the Year” lists come December, and I’m almost done putting together this month’s edition of The Synn Report, which covers another band whose latest (but largely unheralded) record also deserves a lot more praise and attention.

Then there’s today’s feature, covering the second album from Portland-based blast-fiends Drouth, which looks set to finally (and firmly) put them on the Black Metal map. Continue reading »

Jul 282020
 

 

(We present Andy Synn‘s review of the new album by the Mexican death metal band Question, which will be released by Chaos Records on July 31st.)

The annual battle for “Death Metal Album of the Year” is always a close-fought and contentious one, and 2020 is no exception.

So far I’ve seen a lot of people throwing their weight behind Ulthar’s Providence and Black Curse’s Endless Wound (and with good reason, because both albums are great), and there’s also been a hell of a lot of buzz about the new Necrot (which I’m sure we’ll be reviewing very soon) and, to a lesser extent, Draghkar’s long-gestating, soon-to-be-released debut.

However, from where I’m standing, it’s Reflections of the Void which is the real dark-horse contender for the title. Continue reading »

Jul 242020
 

 

(Here’s Andy Synn‘s review of Imperial Triumphant‘s new album, which will be released on July 31st by Century Media Records.)

There is absolutely no doubt in my mind that Vile Luxury, the career-defining 2018 release from Avant-Black trio Imperial Triumphant, is a modern-day classic.

Unorthodox, unconventional, and uncompromising to a fault, its fusion of moody soundscapes, abrasive, blackened belligerence, and free-wheeling, jazzed-up instrumentation sounded like nothing else at the time, and still has very few peers or rivals today.

Such success, however, can easily be an albatross, a noose, a shackle, and it raises the question – how does any band, any artist, respond, react to, or reject, the pressure to follow up such a magnum opus?

The answer of course, is that they go bigger, go bolder… they go back in time and back to the future… they go to Alphaville. Continue reading »

Jul 222020
 

 

(This is Andy Synn‘s review of the new album by the Portuguese band Gaerea, which is set for release by Season of Mist on July 24th.)

Isn’t it funny how the human brain unconsciously and involuntarily makes connections between things?

Case in point, I can’t think about, or listen to, Portuguese powerhouse Gaerea without also thinking about their cousins in Selbst and White Ward.

The connections between the latter two are quite obvious, as both bands released their debut albums within one month of another back in 2017, meaning they’re always going to be inextricably linked in my mind.

But Gaerea didn’t release their first album, Unsettling Whispers, until almost a full year later, making their relationship to the other two a lot more tenuous and complex.

Perhaps what it comes down to is the fact that, to me at least, these bands, both collectively and individually, are potential new standard bearers for Black Metal, both cognisant of the genre’s roots and rich history, but not limited by established traditions or old boundaries.

White Ward, of course, have already proven themselves with the release of Love Exchange Failure just last year, and the new Selbst album (set for release in a few weeks) looks set to do the same for them.

What then should we expect from Gaerea’s new album? Sophomore slump, or soaring new standard? Continue reading »

Jul 212020
 


Sharptooth

 

(After a short break, Andy Synn returns with this trio of new reviews.)

As Islander alluded to in his post on Saturday, last week was a particularly busy one for me in my life outside of the site (yes, I have one). As a result I basically ended up taking a week-long break not just from NCS but from music altogether, in order to focus my thoughts and my energy on other matters.

Thankfully, by the time Friday afternoon rolled around I had basically completely cleared my “to do” list, so I was able to spend the rest of the day – as well as much of Saturday and Sunday – getting myself back up to speed on upcoming albums, relistening to some old favourites, and digging into the plethora of recent releases, in order to select a few hidden gems to highlight this week.

And, wouldn’t you know it, I found myself falling back into my old Hardcore habits (I guess they really do die hard) and, after spending a little bit of time separating the wheat from the chaff, I landed upon the following albums/artists as perfect examples of how much there is still to love in this much loved, often maligned, but undeniably Metal-adjacent genre. Continue reading »

Jul 112020
 

 

(Andy Synn brings us another installment of his interview series on lyrics in metal, and for today’s fascinating commentary we thank Ian Gillings, lyricist/vocalist/guitarist of the British band Rannoch.)

One of our primary motivations here at NCS has always been to use our platform to highlight the underdogs and the underappreciated, the bands who don’t necessarily have the support of the labels, PR, or any of the other mechanisms which help the bigger names get all the coverage they want.

That doesn’t mean we’re totally ignorant of the “the usual suspects” by any means, but there’s a special kind of joy which comes from knowing that you’ve played a small part in introducing a relatively unknown band to a wider audience – especially when their music runs rings around many of their more famous (or infamous) contemporaries.

Such is the case with UK Prog-Death powerhouse Rannoch, as while we’re not the only site to have written about them by any means, we’ve covered all their releases so far (up to and including their phenomenal second album, Reflections Upon Darkness) with such gusto that we’ve definitely helped raise their profile both at home and abroad.

So, to continue throwing our weight behind the band I invited guitarist/vocalist and main songwriter Ian Gillings to tell us a little bit about his past, present, and future as a lyricist.

A word of warning though – much like the band’s latest album, it’s a long and in-depth piece, so get comfortable… it’s time for some deep, dark reflections… Continue reading »

Jul 092020
 

 

(In this post Andy Synn reviews the debut album of the Argentinian band Ataudes, which was released on May 25th.)

Following on from yesterday’s trip to Chile today we’re hopping across the border to take a look (and a listen) at Argentinian duo Ataudes (Cristian Viegas and Jonatan Zarate), whose promising debut album delivers a mix of deathly intensity and blackened bite strongly reminiscent of early Extol. Continue reading »

Jul 082020
 

 

(Here’s Andy Synn‘s review of the new album, released on May 30, by the Chilean band Saturno.)

One thing that I love about Metal (one of the many things I love about Metal) is how much of a global phenomenon it’s become.

And while the majority of coverage still focuses on bands from Western Europe and North America, we’re seeing more and more music from Africa, Asia, and Central/Southern America breaking through every year, reinforcing the fact that the love of the riff transcends all national boundaries.

With that in mind, today’s trip takes us to the West coast of South America to dance around the fire with Chilean Death/Doom quintet Saturno. Continue reading »

Jul 032020
 

 

(This is Andy Synn‘s review of the new covers EP by the German band Mantar, (a favorite at our site since the beginning), which is out now on Brutal Panda Records.)

Is it just me, or has it been a hell of a long week?

I’m not just talking about things here at NCS either. My job has been keeping me extra busy every single day, and between that and trying to balance things at home and with the band… it seems like I haven’t had a moment to spare, and right now I honestly feel like I could sleep for a week.

Because of that, because of everything that’s been going on, I’ve decided that I wanted to end the week on something a little bit more “fun”. After all, the only reason any of us write here for NCS (it’s certainly not for fame or fortune) is because we enjoy it. And if we’re not enjoying it, then what’s the point?

Thankfully it didn’t take me long to settle on what to write about, as not only are Mantar one of my favourite bands of the last decade but their new covers EP is one hell of way to pay tribute to the group’s influences and inspirations. Continue reading »