Apr 012015
 

 

(Our Russian contributor Comrade Aleks presents his interview with Henry Bones, bassist of Italy’s Caronte.)

There are a lot of bands who use the tag “occult” in speaking about their music. But the Italian dark masters in the doom stoner band Caronte are not ordinary followers of this genre. They play their songs with true and darkest passion and energy in practicing their mystic sacraments and sharing this experience with Caronte’s listeners. The second full-length album of this Italian cult was released by Van Records under the name Church of Shamanic Goetia in 2014, and once again Caronte have shown their best, revealing new heavy super-hits, as if Danzig himself were playing with them! I’ve used a chance to speak with Henry Bones (bass) about this new record.

 

Hello Henry! Caronte has released the album Church of Shamanic Goetia through Van Records in 2014. And though the band’s core remains the same, I hear some advancements in your music. How do you class the band’s evolution?

From the previous releases we are all matured a lot, both on a human level and at the level of composition. On our last album we really expressed ourselves as never before.

 

By the way, how many virgins did you put on the devil’s altar to gain such driving riffs and catchy tunes?

You should ask at our drummer Mike. Normally he is dealing with the virgins. Continue reading »

Mar 302015
 

 

(In this post Comrade Aleks returns to take us off our usual beaten paths with an interview of J.N., the creator behind Picture Ann, Signalfeide, and Sagntid.)

I learned about the projects of this Danish artist because J.N. was a part of the atmospheric doomy band Sick Room 7, which was a good band and one I miss. But after (or during) Sick Room’s disbanding, J.N. continued to compose dark music, but of another kind: He put his hands onto atmospheric, guitar-based, and ambient songs with deep and murky feeling. What new does J.N. have for us today? Let me clarify it.

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Hail J.! How are you? How does your creative life go?

Hails Aleks, all is well here. I have no complaints whatsoever regarding my creative life and it is somewhat constant and solid in a sense. I am always either creating, planning, or thinking about something in relation to music and lyrics. It never really stops… and I do not want it to stop either!

 

J., you have finished a new record in 2015. It is a Picture Ann full-length record, The Darkness Had Texture. How has this project evolved since its first album?

In a certain sense there are quite a few similarities between the very first PICTURE ANN album, the one named Blaspheme 2009, and the brand new one that you are referring to, the one entitled The Darkness Had Texture. The linear drum patterns, monotonous melodies, hypnotic moods, and trance-like atmospheres are thoroughly back in place on this new album of mine, and I could not be happier with how that turned out. The album that came out last year (A Bone Case for Papery Skin) was slightly more varied, dynamic, and weird, but now that some time has passed, I consider that particular album my least favorite of the three full-length assaults. However, I think my new record sounds pretty focused, and all five songs complement each other and underline certain thoughts and emotions perfectly well. I hope that the open-minded listeners out there will give it a spin or two on a dark and stormy night. I am very proud of The Darkness Had Texture, as you can probably tell. Continue reading »

Mar 192015
 

 

(In this post Comrade Aleks interviews Paul Attard, guitarist/bassist of the Australian band Mother Mars.)

I learned about the great stoner band Mother Mars from my mate Kamille of The Grand Astoria band. He told me that both bands had prepared a fantastic split-album and that I needed to check these guys out. Well, it was an easy task because it turns out that Mother Mars are from our planet, indeed they are Australian, so with the help of modern internet technologies we’ve done this interview with Paul Attard, one of Mother Mars pilots. Get ready for boogie stoner from the heart of the Australian deserts.

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Aleks to Mother Mars! How do you hear me?

Loud and Clear! This is Paul from Mother Mars! Continue reading »

Mar 042015
 

 

(NCS Russian contributor Comrade Aleks interviews Archie Hunt of North Carolina’s Atten Ash, whose excellent new album The Hourglass was released by Hypnotic Dirge Records in February and whose similarly excellent split with Lycanthia was released by the same label in January.)

Hypnotic Dirge surprises me again! The label has another killer release after a one-year hiatus, and this time it’s by a melodic death-doom band from North Carolina named Atten Ash. The band’s name literally means “near the ash”, and this trio has created a fantastic – and I use this word very rarely – a really fantastic album, The Hourglass. The album was completed three years ago for digital release by the band, but lay on the shelf until Hypnotic Dirge suddenly found it.

I think you need to know that the band consists of three members – Archie Hunt (who roared with Legion of the Fallen) on vocals, with James Greene responsible for the great clear vocal parts and most of instruments, and Barre Gambling of Daylight Dies playing guitars and keyboards.

The Hourglass is a perfect gift for those who like the old death doom stuff of Katatonia from the Brave Murder Day period, the progressive and emotional works of Opeth, and the melancholic and melodic works of Daylight Dies as well. Without any delay we’ve done this interview with Archie Hunt, with the help of Nic Skog, the head of Hypnotic Dirge. Continue reading »

Feb 272015
 

 

(Our Russian friend Comrade Aleks has been busy — for the second day in a row he brings us a new interview. Today, his conversation is with Nicolas Miquelon, lead vocalist and multi-instrumentalist of the Québec band Norilsk.)

Norilsk is a Russian industrial city, the world’s northernmost city, with more than 100,000 inhabitants — and it’s one of most polluted cities in the world due to intense mining, a bleak land of ore and melted metal, of biting frost and acid rains. But Norilsk is also the name of a death/doom band from Québec, Canada, and their debut full-length record The Idea Of North will be released on the 10th of March through Hypnotic Dirge Records.

I found the band on their label’s new compilation Subarctic Nocturnes: Doomed to Be – Vol.1 (available here), and it was a worthy discovery. Are you ready for the cold, distorted, and burning breath of arctic wind? Nicolas Miquelon (all instruments but drums, and vocals) is here to spread the very idea of North. Continue reading »

Feb 262015
 

 

(In this post our Russian contributor Comrade Aleks interviews Alex Schenkels, vocalist of the Dutch psychedelic doom/stoner band Yama.)

Yama have been playing their heavy and driving stoner for about five years, but their first full-length album Ananta was released only at the end of 2014. It was worth waiting for it — a bunch of strong, highly energetic, and catchy songs that evoke no less enthusiasm than the new works of more famous bands. Yet I don’t want to waste your time with a long foreword, ’cause Yama’s frontman Alex Schenkels is already here.

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Hail Alex! You have released Yama’s grand debut about a month ago. How long did the band work for this release?

Hail Aleks! Yeah, Ananta has finally found its way to the public. It’s been quite a long process to be honest. We recorded Ananta approximately 1.5  years ago. Due to many factors the release got postponed several times. Continue reading »

Feb 232015
 

 

(Our Russian contributor Comrade Aleks returns with this interview of Christian Draghi, vocalist/guitarist of Italy’s Doctor Cyclops.)

Take the map of Italy and find the small town Vaghera in Lombardy. Do you see it? It’s there in the North… Yes, that’s right. It’s a place where the Maserati Brothers were born, four gentlemen who created what has become one of the world’s best luxury sports cars for a long time. But today this place is more interesting for us because of Doctor Cyclops; they’re a trio who have been playing pretty original retro doom rock since 2007. Their songs have a unique Italian touch – some prog elements, something from the atmosphere of Argento movies, and something elusive and really fresh. And they are not as simple as one might think.

I had this interview with Christian Draghi (guitars, vocals), and we discussed their two albums Borgofondo and Oscuropasso. After that I have even more respect for the band. So here he comes – Doctor Cyclops. Continue reading »

Feb 172015
 

 

(Comrade Aleks, whose name is usually seen in our pages because of the interviews he delivers, has now brought us a review of a most interesting album by the Peruvian band Reino Ermitaño.)

Peruvian shamans of traditional doom Reino Ermitaño have a consistent approach to their work throughout, and they’re always loyal to their roots and folk traditions. I think that is one of reasons why, step by step, the band have created stable and quality stuff since 2001, improving their skills and succeeding with new, authentic records. Reino Ermitaño’s last album Conjuros de Poder was released in autumn 2014 on the band’s own label Ogro Records right before the start of their European tour.

The title of the album translates as “Spells of Power”, and they’re not empty words. For those who hear the band’s name for the first time, I need to tell that the key elements of Reino Ermitaño’s music are heavy, doomy riffs, highly enthusiastic and profound guitar solos, the strong and seditious vocals of Tania Duarte, who sings in Spanish, and lyrics on mystical topics enhanced by elements of tribal melodies and rituals. But first of all, Reino Ermitaño play doom. Continue reading »

Feb 092015
 

 

(Our Russian contributor Comrade Aleks brings us this interview of Scotty Simpson, vocalist/guitarist of Ohio’s Beneath Oblivion.)

It’s time to dig out this piece of doomy sludge! Beneath Oblivion (Ohio, USA) have been in business since 2003. This band isn’t hyperactive, as they have only two full-length records so far – Existence Without Purpose (2006) and From Man to Dust (2011). But Scotty T. Simpson (guitars, vocals) sent me an e-mail with the good news of some new songs that Beneath Oblivion is working on. Do you need some violent, maniacal, and depressive tunes? Scotty has a few ones for you.

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Hi Scotty, how are you? What’s the weather in Cincinnati?

Hi Aleks! I’m doing alright as of late; been playing a lot of doom metal lately, and that has a way of pushing all of the negativity out of my system… The weather here is snowy today, and it could be warm tomorrow. Cincinnati is always up and down, never consistent.

 

Hah, do you always play doom when you feel negative vibrations? And what do you do when you have no chance to play but you really NEED to push this negative stuff out?

Haha. I wish I could play doom metal whenever I feel negative vibrations… but I don’t always have an amp and guitar right next to me. Fortunately, I probably could just scream my head off whenever I feel that way, but people would think I’m totally nuts, which I may well be. What I do is let that build up and go to the stage, studio, or rehearsal space with said energy and put it out that way. If I don’t get to put out that energy, crank up an amp, and scream my head off, I can turn into a real manic depressive asshole. My girlfriend will usually let me know if it get’s to that point and tell me to get the fuck out of the apartment and into the rehearsal space. Continue reading »

Jan 282015
 

 

(Comrade Aleks interviews Markus Stock of the German band The Vision Bleak, among others.)

If you like really dark and mystic metal, then you should certainly know the German project The Vision Bleak, a duo of Markus Stock and Allen B. Konstantz. They boldly explore a world of myths and horrors, writing album after album; the fifth full-length record Witching Hour was released in 2013, and I felt a need to know if the band had plans for something new for us.

Markus is also a mastermind of the forest-influenced band Empyrium, and an honorable member of post-black-metal project Eudaimony; it was obvious that he had a lot of things he could tell us about. Continue reading »