At last we’ve arrived at the final installment of our list of 2013’s Most Infectious Extreme Metal Songs. I could have gone on, but since we’re half-way through February it seemed time to stop and spend more time on what 2014 is bringing us.
I want to thank my fellow NCS writers and our readers for suggesting songs from albums that I missed last year; this list has included a lot of those recommendations. I also beg your forgiveness for not including other recommendations, and for otherwise omitting or simply overlooking other great songs from last year.
On Monday I’ll have a a post with a few more concluding thoughts and a complete list of every song in this series, collected in one place. (For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the three songs I’m announcing today, click here.)
I suppose there’s some irony in my choice of this next song (and the one that follows it) for our concluding installment — it includes a lot of clean singing. Beyond that, it is one of the more mellow, more pop-oriented songs DT have ever done (of the gothic/doom variety), one of the songs on 2013’s Construct that links arms with the style that DT explored in Projector. But Mikael Stanne’s clean singing is emotionally resonant, and the song also delivers his equally emotive harsh growls, along with some hammering Gothenburg riffs. Continue reading »