Oct 062016
 

solution-45-nightmares-in-the-waking-state-part-ii

 

(DGR reviews the new album by Sweden’s Solution .45, which is out now via AFM Records.)

Five years after their debut, Solution .45 returned to the musical stage with Nightmares In The Waking State last year. The band had intended for Nightmares to be a multiple-part release, and in that sense the group were not fucking around.

Often, when a band announces multiple-part albums some sort of wrench will get thrown into the works that results in delays, or extended waits between the discs — so if you enjoyed the themes present on said hypothetical first disc, you often had to just sit and twiddle your thumbs for a few years whilst waiting for a followup.

Nightmares In The Waking State doesn’t have that issue, as earlier this month saw the release of the second part of that album — with a color-muted and sepia-toned version of the first part’s Pär Olofsson drawn artwork. Continue reading »

Oct 032016
 

insomnium-winters-gate

 

(DGR reviews the new album by Finland’s Insomnium, which is out now.)

A few times over the course of my time here I’ve been able to function as an NCSstrodamus of sorts, and when it came to Insomnium’s recently released album Winter’s Gate, that time came once again. Winter’s Gate is Insomnium’s seventh full-length release and one of those albums where we could not possibly have been more prepared for it, almost like a couple of the reviews we’ve done this year were prescient glimpses into the future, so that when the band announced that Winter’s Gate would function as one strict over-forty-minute-long song, we were ready for it. Continue reading »

Sep 142016
 

frozen-gate-behind-the-dark-ice

 

(In this post DGR reviews the debut album by the Swiss band Frozen Gate.)

Occasionally some questions will arise as to how the NCS reviews process works. To be honest with you, the answer is fairly simple — we’re pretty freewheeling. We try our best to keep up with recent and relevant releases but often the authors of the site are pretty free to write about whatever strikes our fancy, which is why you’ll occasionally see reviews for albums that came out anywhere from the beginning of this year to two years ago on this page. If we think our readers will like it, we’ll write about it.

But, there are occasional quirks in this system that can often bring about discoveries: In this case it is that I am a giant manchild, who at his “wizened” age will still occasionally check out albums if the combination of cover art and album name strikes my fancy or in this case, amuses me.

Switzerland’s Frozen Gate released their debut album Behind The Dark Ice earlier this month and I came about it whilst scrolling through my various resources for recent releases. In this case the cover art for Behind The Dark Ice caught my eye — mostly for how stark it is. It can best be boiled down to just the band’s logo with a crest and some dark blue paint-brushing, evocative of a frigid land. It’s bare bones but it manages the job of matching its name sake of Behind The Dark Ice. I just had to have a look — while having no idea what sort of music Frozen Gate put out. Continue reading »

Sep 132016
 

Wormrot-Voices

 

(DGR steps forward with a round-up of new songs and videos. We will have a second round-up later today as well.)

Wormrot – Eternal Sunshine Of The Spotless Grind

If it feels like this summary is a little shorter than usual, it’s because the song itself is kind of like a car crash that you didn’t see coming. One moment, you’re blissfully unaware of anything around — then you blink, you see headlights and hear the crunch of metal, and that is the end. Such is the case with Wormrot’s new blink-and-you’ll-miss-it song.

Yes, the end of last week brought welcome news to the NCS fold in the form of new music from Singapore’s Wormrot. The newly released song, entitled “Eternal Sunshine Of The Spotless Grind” comes off of the group’s new album Voices — due next month and their followup to 2011’s Dirge. Like many of Wormrot’s songs, “Spotless Grind” clocks in at just over a minute and is punchy as can get, having said all it needs to say in the meantime — which can mostly just be boiled down to “AAAAAAAAAAAAAAAAAAAAAAAGGGGHHHHH” over a series of unrelenting grind blasts. Continue reading »

Sep 122016
 

vrtra-my-bones-hold-a-stillness

 

(DGR reviews the debut album by Sacramento’s Vrtra.)

A half hour of music is honestly not a tall order when it comes to heavy metal. Most of the time you’ll find (especially amongst reviews here at NCS) that a half hour is really concise, more often than not an exciting prospect due to its propensity for constant repeats, and usually tied into jokes about a half hour being strictly reserved for Infinite Jest-length grind albums.

A half hour is actually something of a selling point, easily packed into work commutes and lunches. A half hour across three songs makes things much more interesting, and now the concessions start: A half hour available right now only through digital means or via cassette tape is when we start getting into strange territory. Such is the case with Vrtra’s My Bones Hold A Stillness. Continue reading »

Sep 112016
 

Rearview Mirror

 

(Our Sacramento-based writer DGR is the author of this Sunday’s edition of our series on metal from the past.)

Dismal Lapse were a Sacramento-based death metal band who were active for a brief period in the later 2000s, with their roots in an earlier Sacramento band known as Bled. During their time playing, the group would release one EP entitled The Nameless Faceless and then a 2009 album called Eon Fragmentation — which surprisingly enough this very site wrote a brief bit about long before they gave me the opportunity to set my roots down and burn this place to the ground.

Dismal Lapse played what should be a very familiar sound to a lot of our readers as they were a technical death metal band, although at the time that label hadn’t really homogenized around the sound that we currently associate with it. This fair city where I live would actually have a small hand in that though, alongside a swath of groups from the Bay Area who had been cutting their teeth for a long time on the I-5 touring run, when they were all picked up around the same time and divied up amongst labels like Unique Leader.

In 2009, that wasn’t really too much of a thought though, and Dismal Lapse were one amongst a handful playing a style that was intense and, yes, hyper-complicated. Continue reading »

Sep 072016
 

Vader-Iron Times

 

(In this post DGR reviews the new EP by the Polish legends, Vader.)

It’s not too often that we review an EP ahead of a full disc, but Vader’s Iron Times is one that I’ve been privately intending to get around to, especially since I would hazard to say that for metal fans, Iron Times really is a “fun” listen — and I’ll explain what I mean by that.

Iron Times came out in Mid-August, which is about the time I got in my first listen,  and with four tracks, two of which are covers, Iron Times is an unassuming release, one that is quietly understated with its album art — but the moment you press “play”, Iron Times tells a much faster, heavier story. However, it was Vader themselves revealing the album art to their new album The Empire, which is due out in early November, that triggered this review, especially since the two songs on Iron Times that are not the cover track or a brief Panzer X resurrection will be present on the full album. Continue reading »

Sep 062016
 

Khonsu-The Xun Protectorate

 

(DGR prepared this large roundup of new music streams, with one item added by the editor.)

I’ve been slowly gathering up this veritable feast of heavy metal for this roundup, basically doing my usual duty of being the last line of defense for metal news that often pops up and we didn’t catch right away for a variety of reasons. This time around, I’ve got a huge collection of six [now seven] different items, some of which I’m sure you’ve likely crossed paths with but we didn’t dedicate words to and others because they may not be in the usual NCS coverage wheelhouse. I even managed to include some serious lighter fare this time, to help brighten up the mood musically after the first two full onslaughts [now three] hit your musical listening systems.

So let’s kick this thing off with a real quick one that happened as I was writing this intro, and then dive into the meat of it and romp around in its innards for a while.

 

KHONSU – ARTWORK TRAILER / “A DREAM OF EARTH” SNIPPET

This one is going to be quick, mostly because there isn’t a huge block of heavy metal music proper — but it just happened, and I’ll be goddamned if I don’t say that I am immensely excited for this disc. Continue reading »

Aug 242016
 

Ovaryrot-Suicide Ideation

 

(DGR prepared this review of the new album by the Swedish/U.S. band Ovaryrot.)

This disc sounds like a goddamned nightmare.

Every once in a while we’ll come across a release that makes the hair fly back from minute one and then leaves us glued to the wall for the entirety of its run. Not that it is usually a mark of quality, but sometimes from the first moment an album will start out sounding like someone taking a saw to sheet metal and somebody else hammering on a trash can behind it. Sometimes the music is so abrasive that you kind of can’t help but be entranced by it; judgments of quality usually come after the second or third listen, which is just about the time when  you parse out exactly whatever the fuck that previous forty-some-odd minutes of whirlwind was.

Ovaryrot’s Suicide Ideation — which came out on August 14th — is one of those albums. Not that we would ever expect a band who go by the moniker of Ovaryrot to play nice; we’ve learned our lessons there before. Continue reading »

Aug 232016
 

Volturyon-Cleansed By Carnage

 

(DGR reviews the new album by Sweden’s Volturyon.)

Sweden’s Volturyon are a band for whom I’ve been waving the banner pretty frequently — most of that faith inspired by the EP they put out in 2014 entitled Human Demolition. It’s one that I bring up often because I feel like it flew under the radar of a lot of metal listeners; to me that seems insane, because I am hardly ever on the cutting edge of anything, and if I have something that I feel flew under the radar — something that seems to consistently surprise listeners every time I show it to them — then something isn’t right, and I need to do more to shout it from the mountaintops.

Human Demolition was a concise EP, with four songs and an intro, and three of those songs were blisteringly quick death metal grinders, with one sort of mid-tempo chuggathon to break up the pacing a tiny bit. “Concrete Devotion” is a constant highlight for me. That’s why I was pretty much locked in from the start with the group’s upcoming early-September release, Cleansed By Carnage. Continue reading »