Jan 032018
 

 

From their inception in Orlando more than seven years ago, Druid Lord had a firm grasp on what they wanted to do. As described by guitarist Pete Slate in our recent interview of him, the vision was: “Four guys playing Doom/Death Metal. Nothing pretty or overproduced. Just nasty music taking from the influences I grew up with, like Hellhammer, Celtic Frost, Cirth Ungol, Necrovore“. And as a huge fan of B-type horror movies from the ’60s and ’70s, Slate also wanted the music, lyrics, and artwork all flowing together “to make one horrid package”.

The band released their debut album Hymns For the Wicked in 2010 and followed that with a series of splits and EPs, but now their second full-length is approaching its international release date of January 19th via Hells Headbangers. Appropriately entitled Grotesque Offerings, it features hideously colorful artwork by Daniel Corcuera. A couple of grisly new tunes have surfaced already, and today it’s our ghoulish pleasure to present a third one: “Night Gallery“. Continue reading »

Nov 282017
 

 

(We are very happy to greet Comrade Aleks, who returns to NCS with an interview of guitarist Pete Slate of the doom/death band Druid Lord, whose new album Grotesque Offerings will be released by Hells Headbangers on January 18, 2018.)

 

Druid Lord from Orlando, Florida have nothing in common with elves, Celtic myths, or forest fairies. Their blood-soaked death/doom metal took form in their LP Hymns For The Wicked seven years ago when two ex-members of Acheron and EquinoxPete Slate (guitars) and Tony Blakk (vocals, bass) – gathered their energy with Ben Ross (guitars) and Steve Splillers (ex-Equinox drummer).

Three years after Hymns For The Wicked, Druid Lord continued their ominous work recording split-albums and two EPs. But their latest effort Baron Blood saw the light of day in 2013, so I was wondering if we would ever hear new stories of horror and blood from Druid Lord. Here’s a fresh interview with Pete Slate, who’ll tell us not only about a new forthcoming full-length, Grotesque Offering, but also about his obsession with horror movies and about the band’s inner machinery. Continue reading »

Feb 172017
 

 

A couple of nights ago NCS contributor Grant Skelton asked if I knew of any “psychedelic death metal”. He said he’d been hunting for that and was finding the search to be a difficult one. One song in particular leaped to my mind immediately, but I decided to do some further thinking and word-searching through previous posts at NCS. And by coincidence, I also came across an announcement about a new band that seemed relevant.

What I’ve compiled below is the playlist of songs I sent Grant later that night. I’m probably stretching the boundaries of the term “psychedelic death metal”, though it’s not exactly a recognized genre label. But I had fun putting this together and thought I’d share it. But I’d also like to ask you to chime in with ideas of your own in the Comment section.

JOHN FRUM

So I thought I’d start with that announcement about a new band (pictured above), the name of which is John Frum. The announcement caught my eye both because of who’s in the band and because of the source of the band’s name, which is quite interesting. Here’s the explanation: Continue reading »

Jan 072014
 

Your humble editor is behind (or is A behind, depending on who you talk to). Behind on reviews, behind on news and new song premieres, behind on the vaunted list of 2013’s Most Infectious Extreme Metal Songs, and behind in posting things that our staff and guests have written for publication. There are many reasons for this tardiness, but I’d rather not dwell on them. Instead, let’s look ahead to the future.

As far as NCS is concerned, we do have a few late-breaking year-end lists to post. Honestly, I’m somewhat amazed that these lists continue to draw as much interest as they have, given how many we’ve posted during this year’s LISTMANIA extravaganza, but even our most recent ones have attracted strong interest. So, we’re not calling a halt to them just yet. And just as that series is finally winding down, another one will begin: Finally, I’m going to start rolling out the Most Infectious Songs list later today, with the first three picks.

I also expect to resume our usual features now that the holiday season is over, beginning with the following round-up of news and new music. And we begin with…

ORIGIN

Two and a half years have passed since Origin released Entity, and yesterday brought the welcome news that the band are about to begin recording their next album, which will be entitled Omnipresent. Continue reading »

May 202012
 

(NCS reader, commenter, and occasional contributor SurgicalBrute volunteered to help educate me about death/doom.)

It’s been a while since I’ve written one of these . . . sorry about that. Unlike some of the other guys here, I’m not a writer by profession. So when you combine that with my natural laziness . . . you end up with long periods of inactivity.

I actually requested the chance to write this post though. While I don’t really enjoy Traditional Doom (there are some exceptions), and I really have to be in the right mood for Funeral Doom. Death/Doom hits a sweet spot for me. Never so slow that I start to lose interest, it still manages to establish the crushing atmosphere that’s so important for this style of metal.

Now, I know Death/Doom can be a rather ambiguous term . . . I’ve seen it applied (and not incorrectly) to everything from the mid-paced death metal of Asphyx and Autopsy to the slow moving riffs of Ahab. For the sake of simplicity I’m going to limit this article to my own personal definition . . . where, more often than not, the pace is kept slower than the average Old School Death Metal band, but still quicker than any kind of Funeral Doom.

As usual, I’ll do my best to provide links for distros/labels that may still have merchandise available (and if anyone’s curious as to what Ive been spinning, you can find me on http://www.last.fm/user/Surgical_Brute)

Enjoy the music \m/ Continue reading »