Mar 222012
 

I’m just taking a short break from slaving away at my fucking day job . . . just long enough to tell you that TERRORIZER just premiered brand new videos from Insomnium and Paradise Lost in advance of their UK tour next month, the poster for which you can see above.

The Insomnium video is for “Regain the Fire” from One For Sorrow. The Paradise Lost video is for “Honesty In Death” from their new album Tragic Idol.

To see these videos, go past the jump. I haven’t even seen them yet, so please let me know what you think so that I will know what to think when I watch them during my next momentary break from my fucking day job.

Thank you for your service. Continue reading »

Feb 142012
 

Huh, it still seems to be Valentine’s Day. And I found someone else who loves you, even if no one else does (besides your friends at NCS, of course, because we love all of you). The someone else is Paradise Lost. I discovered that they love you last night (thank you DemiGodRaven), and meant to tell you about it earlier today, and . . . just fucked up.  What a shock.

Here’s how much they love you: They and their label (Century Media) are giving away a song from their next release (their 13th studio album), Tragic Idol. The song is called “Crucify”, and you can listen to it after the jump and get the download link if you like it — but the free download is only for today.

I may have listened to Paradise Lost once long ago, but if I did, I’ve forgotten. I became interested more recently because of all the coverage we gave the UK death-doom band Vallenfyre last year. Vallenfyre was started by Greg Mackintosh, who is a key member of Paradise Lost. I liked the Vallenfyre album so much that I decided to give Paradise Lost a chance, even though I knew their music wouldn’t be my standard fare.

If you’re unfamiliar with the band, their music is melodic doom, with mainly clean singing. Much of it is slow. Of course, much of it is atmospherically bleak. But much of it is also beautiful, and it achieves that without sacrificing heaviness. Continue reading »

Feb 012012
 

This post is really about news of new spring tours, but I couldn’t resist adding that just-released cover artwork for the next studio album by Paradise Lost, Tragic Idol, which is scheduled for release on April 23 in Europe via Century Media Records. The album’s artwork was designed by Parisian designer Valnoir (www.metastazis.com), who has also worked with other artists such as Morbid Angel, Ulver, Watain, and more than 150 others.

Now, on to the tours news:

First, Lambgoat reported this news earlier today: “Late this spring there will be a festival type tour in the U.S featuring OriginCattle DecapitationMisery Index, AbortedVital RemainsThreat SignalRings Of Saturn, and Dawn Of Ashes. The trek is currently being booked, with dates expected to surface in several weeks. We’ll keep you posted.” I mean, holy shit, that’s a helluva tour right there. But there’s more:

Hails and Horns reports that Skeletonwitch and The Black Dahlia Murder will be mounting a U.S. tour this spring. The dates are after the jump.

But that’s not all: MetalSucks will be co-sponsoring a 24-city U.S. tour consisting of Protest the Hero, Periphery, Jeff Loomis, The Safety Fire, and Today I Caught the Plague. The schedule for that one is after the jump — and there’s one more tour after the jump, too. Continue reading »

Dec 022011
 

November is done, and the countdown begins to the end of 2011 and he beginning of the New Year. We’ve been so focused this week on the year behind us, since 2011 Listmania is now in full swing, that we almost forgot that there is a future, and it will be filled with metal.

So, here’s the deal:  In these METAL IN THE FORGE posts, we collect news blurbs and press releases we’ve seen over the last month (November) about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album before November, we wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier.

This month’s list begins right after the jump. As usual, this list is half-assed rather than comprehensive. So, feel free to leave Comments and tell all of us what we missed when we put this list together. Let us know about albums on the way that  you’re stoked about! Continue reading »

Oct 272011
 

Anyone who’s been reading NO CLEAN SINGING over the last two months knows how pumped we are for the release of the debut album, A Fragile King, by Vallenfyre. Hell, we got very excited before we knew who was in this band or how they came together, just based on hearing pieces of two songs the band had released on a 7-inch single — which apparently was sufficient to land them a record contract with Century Media. Sharp ears, those Century Media folks have.

Once we found out who was in Vallenfyre, our excitement grew. The band was started by Greg Mackintosh, whose name you will recognize as the long-standing guitarist and a co-founding member of Paradise Lost. He wrote Vallenfyre’s music and the lyrics and called together a group of friends to fill out this band — and they happen to be top-shelf musicians too:   Hamish Glencross (My Dying Bride) – Rhythm and Lead Guitars; Mully – Rhythm Guitars;  Scoot (Doom, Extinction of Mankind) – Bass; and Adrian Erlandsson (At the Gates, Paradise Lost) – Drums.

Many albums are inspired by the songwriter’s personal experiences, but A Fragile King is a more personal creation than most. The music and the lyrics were largely the result of Greg Mackintosh’s effort to work through the grief he experienced over the death of his father John from cancer. It’s an album that’s in part a reflection of the anguish and the anger he felt, in part a tribute to his dad, and in part a re-connecting to the kind of metal he loved in younger and happier days — a voyage back in time to a place of refuge and comfort. Continue reading »