Jun 082020


If you’re seeing this before seeing the first two Parts of the round-up, I hope you’ll check out Part 1 and Part 2. After a lot of singing in Part 2, we’re moving back into music that’s more in line with the site’s name.


The kaleidoscopic opening track in this collection moves from mystical and mesmerizing sounds into the embrace of humming low tones and head-hooking beats (and singing), and from there into a grim, ravaging, bullet-spitting attack, augmented by doses of vocal ferocity (as well as flaring melody and soaring song). Skittering, darting, and delirious fretwork and blaring chords propel the song to fiery heights, and the singing becomes spine-tingling. A welcome return from these talented dudes…. Continue reading »

Sep 192017


(Austin Weber wrote this review of the new album by Pyrrhon, which was released on August 8 by Willowtip Records and Throatruiner Records.)

Pyrrhon occupy a unique place in the death metal landscape. From their inception on, they’ve only gotten stranger, darker, weirder, and more unorthodox, after beginning as an already outside-of-the-norm band but one still recognizable in most ways as a purely death metal group in their early years.

The real turning point was 2014’s The Mother of Virtues, a release that really saw them dive into the deep end of madness and experimentation paired with searing and uncomfortable heaps of dissonance. It was an album that even I struggled to comprehend initially, though countless repeat listens helped, as did seeing them play the material live in 2014, which really helped it click for me even more.

After that, they embarked on a series of EPs, simultaneously pushing the improv. and experimental aspect harder, while also returning to a more “digestible” form of death metal for some of the songs. Given that, I had high hopes and a lot of questions as to what their newly released album, What Passes for Survival, would have to offer. But above all, I went into it knowing not to place expectations on it, since Pyrrhon are an amorphous and ever-shifting beast — and this album holds true to that established maxim. Continue reading »

May 182017


I don’t know how far I’ll get with this project. I have a lot of music I want to share today, but I’m also boarding a plane for central Texas in a couple of hours. I’ve got two more parts of this round-up partially written, but still want to re-listen to the songs I’ve chosen before spilling out my impressions in print. I either will or won’t finish before I have to board, when streaming the music will become technologically  impossible.

As a last resort, I might just have to throw the remaining streams at you without my own words of wisdom. What a cruel twist of fate that would be. More likely, the series will just spill over into tomorrow.


What Passes For Survival is the new album by New York’s Pyrrhon. Given this band’s track record, it will be a must-listen release, simply to discover what kind of twisting terrors their imaginations have conceived this time around. But we do now have a clue. Continue reading »

Mar 262017


The weekends at NCS are usually all mine. No one else’s compositions to ready for posting, no premieres to write, no day job to fuck around with my own desires (usually), and this weekend my spouse has also been away having fun without me (or at least I hope she is). With all the cats away, this mouse has plenty of time to play (metal).

And so, in addition to all of the reviews and streams I tossed your way yesterday, I have a torrent of more metal to share on this Sunday, beginning with this collection of singles, advance tracks, and one full release selected from a massive list of things I heard over the past week. I’m not including streams and new videos from better-known bands, such as the ones that appeared from Solstafir and Heaven Shall Burn, but you can view them through those links.


As previously reported, Nashville’s Loss have a new album named Horizonless, which is due for release by Profound Lore on May 19. We finally got a taste of the new music last week through the premiere of a track named “All Grows on Tears“. Continue reading »

Aug 262016

Seputus-Man Does Not Give


(Austin Weber introduces our premiere of a song from Man Does Not Give, the debut album of Seputus.)

Ever since Doug Moore of Pyrrhon told me earlier this year that he’d be participating in a new side-project, I’ve been anxiously awaiting it. In the last few months the name of this new group was announced: Seputus. In terms of its roots and definition, “seputus” is a Latin term that means buried, sunk, or immersed. Considering the kind of dark and pummeling music the band Seputus play, this is a very fitting name, which exemplifies the feelings and experience that listening to their music creates.

To back up a little and give you some information on the group’s history, the project first started as a collaboration between multi-instrumentalist (and current Pyrrhon drummer) Stephen Schwegler and Doug Moore way back in 2005. Together, they worked on material that was left unreleased before the project slipped into inactivity around 2009, which was the result of Stephen shipping off into the military. Continue reading »

Mar 152016

Pyrrhon-Running Out of Skin


(Austin Weber reviews the surprising new EP by Pyrrhon.)

Since their inception, NYC-based death metal weirdos Pyrrhon have developed a reputation as an experimental force to be reckoned with. And with each new release the band venture further into new territory and new forms of chaotic, genre-bending insanity. Last year they dropped an EP called Growth Without End that got a lot of critical praise and really seemed to be a breakthrough moment for the group in terms of their growing name recognition. If you remember, that release was itself a quick turn-around, with the band having previously released a phenomenal full-length just two years ago called The Mother Of Virtues.

Now, seemingly out nowhere and with no advance hype, the band quietly dropped a new EP today called Running Out Of Skin. With the only Pyrrhon constant seeming to be a penchant to change and shift their sound, it should come as no surprise that Running Out Of Skin is both familiar and different from their prior works. It consists of three original tracks, two of which were improvised in the studio, and a damn heavy cover of Death’s ”Crystal Mountain” to end the EP. Continue reading »

Dec 112015

NCS Best of 2015 graphic


(So far, our year-end LISTMANIA series has mostly been devoted to year-end lists from other sites and print zines, but today we begin rolling out our own lists, and we start with the first of six that Andy Synn is preparing. Every day next week we’ll post his remaining five.)


Such is the chaos that is my life at the moment (in between trying to get my End of Year List/s done, I’ve also been putting together a PhD proposal/application, booking a photo shoot for Beyond Grace, TRYING to book shows for next year for us, and helping some good friends move house) that I almost forgot about my annual semi-traditional round-up of all the great EPs I’ve heard this year!

Yes, yes, I know there are several bloggers and/or sites out there who argue that EPs should be considered right alongside full-length albums when it comes to summing up matters at the end of the year… but I’m not one of them.

No, I think EPs deserve their own category, and their own specific focus, and so I’ve written this little round-up to give some of the year’s shortest, sharpest, releases their due. Continue reading »

Jun 022015


(Andy Synn reviews the new EP by Pyrrhon.)

The veritable smorgasbord of styles and variants on the Death Metal template available today means that the genre offers the potential to satisfy seemingly every urge and craving.

Whether you’re looking for a quick snack of savagery, or a multi-course feast of diverse, Deathly dishes, there’s always going to be something in the recipe book – from Floridian flavourings to Blackened spice – to tantalise the taste-buds.

Case in point, Brooklyn-based Death Metal mixologists Pyrrhon have certainly come up with their own particular formula for sonic disorder, a foul and brackish brew of scalding fury and sickening intensity that practically compels the listener to gorge themselves senseless on the depraved delights it offers. Continue reading »

May 142015


(In this post Austin Weber introduces our premiere of a song from the new EP by New York’s Pyrrhon.)

After last year’s outstanding album, The Mother Of Virtues, I had no expectation of hearing new music from Pyrrhon for a while. Yet here we are a year later and they’ve already churned out an impressive new EP called Growth Without End set to drop on June 2nd (both vinyl and digitally). We here at NCS felt it supremely fucking necessary to help spread the word about it, and now we offer up a disturbingly brilliant new track called “The Mass” to infect your earholes.

It’s probably best to take a deep breath before listening to “The Mass”, because it will immediately throw you into a deafening war zone of caustic and spastic riffing, schizoid vocal exorcisms, booming bass-lines, and bafflingly complex drum-work. Once it has thoroughly decimated you, the track unfolds into a slower mid-section replete with eerie grooves, taunting you in demented fashion, until it shifts back into the chaotic vortex with which it began. Continue reading »

Sep 262014


(Austin Weber witnessed the live performances of Artificial Brain, Pyrrhon, and Gigan in Covington, Kentucky, on September 24, 2014, and provides this report and a big collection of photos.)

With this tour, three of the brightest and best modern American death metal bands have united to present one of the best tour lineups of the year — one with no crappy/boring support bands, and with each bringing a defined and unique identity to the table. All three share a similar convention-denying approach and an out-of-the-box nature.

So I made the hour-and-a-half, each way, trek to Covington, KY, near Cincinnati, to take in this most marvelous show. While I have often had Nik Vechery accompany me and take photos, I was unable to line that up, so I took the pictures as well. A few are scattered throughout the review, and the rest are collected at the end.

Unfortunately, the camera I borrowed from my roommate I had never used before, and due to putting Gigan up for the night on the evening preceding the show, I had no time to mess with various photo settings, exposure settings, and the like. So, while shooting the show I had fun going nuts switching up the ISO settings and varying the exposure speed to trippy effect, although I didn’t get as many pictures of Artificial Brain as I would have liked.

Still, I think I got some wild shots that express the energy and insanity of the bands who played. I missed most of the opening band, whose name I did not catch, so I focused on shooting and covering the bands who were touring. I was pleasantly surprised that the sound for the small venue in question, Backstage Cafe, was excellent and perfectly captured the spirit and vitality of all the bands present. Continue reading »