Feb 272019
 

 

I feel like I should subtitle this installment of the list “The DeathGrind Bloc”, or at least “The DGR Bloc”.

Heretofore, I haven’t included much grindcore, of the deathly variety or not, on this list. It’s not that I don’t enjoy grind. In fact, as a mechanism for achieving a cathartic release through the kind of violent fury that would land me in jail if I tried to act it out myself, it’s hard to beat. But for some reason I don’t often encounter grind songs that have the kind of catchiness and distinctive memorability that would make them “infectious”, as I conceive that classification.

In the case of the three songs below, I think they pass that test. Or maybe I’ve just fallen too far under the influence of my comrade DGR, who recommended each of these songs for the list, and reviewed two of the three albums that include them — hence that other subtitle.

ABORTED

I think it’s likely that during the more than 9 years NCS has been in existence, we’ve written about Aborted more than any other band (and by “we”, I mean every one of the longest-standing writers for our site). I count 36 articles, which include premieres of songs and full albums, interviews, show reviews, commentary about a host of advance tracks, and even a previous appearance on the 2014 edition of this Most Infectious Song list — not to mention appearances on year-end lists, which I didn’t attempt to count.

So yes, we have a soft spot in our hearts for Aborted, or at least a soft spot in our skulls, which becomes softer and more worn-down with each new Aborted release. Continue reading »

Jan 022019
 

 

(Here’s the third installment of DGR’s 5-part year-end effort to sink our site beneath an avalanche of words and a deluge of music.)

Now that I’ve broken it out from the tremendous bulk of the rest of my year-end collective, I’m amused by how much world traveling this specific subset of the list does. It spends a surprising amount of time in France (which has done very well for itself these past few years), some time in the States, some time in Australia, and even manages to touch base with both Canada and Sweden for a few. It is also probably the most varied intsallment so far — the tech-death crews make a strong play here, but you’ll also start seeing some of the prefix-core resurgence that happened recently, as well as some ugly-as-fuck grind (on two fronts). And then there’s however in the hell Author & Punisher might be described.

Oh, did I spoil that Author & Punisher is making an appearance here? Whoops. Well too bad, Beastland is fucking killer but if you want to know why you’ll have to read on and see just where the San Diego noise-engineer found himself. There’s still a lot of list left to go, and knowing me, at least two-thousand more words of intro paragraph left to be written somewhere so let’s get the third chunk of this motherfucker going. Continue reading »

Feb 282018
 

 

(Here’s DGR’s review of the new album by Wake from Calgary, Alberta, Canada.)

 

Some albums take a while to review. On a personal note: I’ve always been the type to really want to listen to a disc a ton, really learn what each song is about, how it flows, get a general sense of what informed the disc, before writing about it.

Going from a first glance often feels like criminally short-changing bands sometimes, although by that same token the first impression can also be an immensely valuable take on things in a world where time is incredibly limited, and some — like many of our readers here, given the constant refrains about how much music we post — have limited listening time. So it doesn’t hurt to have a sense of immediacy in the delivery.

And therein lies the opposing side of the “album that takes a while to review”. You have the ones that are so up-front, so immediate, the kind that grab you by the throat and ragdoll you around the room so quickly that you can’t help but almost immediately lock-in with the group’s chosen sense of ferocity. The urgency with which the material is delivered becomes the driving force behind it.

Those album’s don’t take nearly as long, because as a listener you can recognize every aspect and every weapon deployed from moment one, and from there the experience becomes more about how a band uses them and with what amount of lethal auditory force. And that brings us to the recently released Misery Rites, by Canadian noise-heavy grinders Wake. Continue reading »

Aug 022016
 

Theories-Wake-Vermin Womb Fall 2016 tour

 

During the month of October and continuing into the first week of November, three bands with tremendous firepower at their disposal will threaten the structural integrity of venues up and down western North America, from Tijuana, Mexico, in the south to Vancouver, BC, in the north. The bands are Wake, Theories, and Vermin Womb, and we’re helping spread the word about this tour, basically because we enjoy the spectacle of large-scale demolition jobs — and because this is a completely DIY tour booked by the bands that deserves our support.

If you get out a map and trace the precise route of this tour, it comes uncomfortably close to tracking some major fault lines that run down the West Coast.  Theories play two shows in Nevada and then join Wake and Vermin Womb for performances at the Southwest Terror Fest in Tuscon (headlined by Pig Destroyer and Agoraphobic Nosebleed). After that the tour heads to Tijuana for the bands’ first-ever appearance there and then turns north and rampages right up the coast, through California, Oregon, Washington, and then on across the border into British Columbia. Continue reading »

Jan 102016
 

Aegaeon-The Integral Path

 

For the second day in a row, I’m afraid I’m going to have to throw some new music your way without the enormous benefit of me telling you what it sounds like. I really do like all of these new songs and I wish I had time to explain why, but it’s an NFL playoff weekend and the Seattle oceanic raptors are playing today and I’ll be biting my nails in front of the TV instead of blogging.

Anyway, here’s a big collection of recently released songs from different genres of metal that I heard over the last 24 hours that I hope you’ll like, presented in alphabetical order. (Go Hawks.)

AEGAEON

It’s been two and a half years since we last wrote about this Indiana band, but they finally have some new music. It’s a single called “The Integral Path”, available on Bandcamp. (Thanks to Booker for the tip on this one.) Continue reading »

Jun 202012
 

(It appears Phro has taken the early results of the NCS Reader’s Poll to heart. Not the part about hand jobs or using more polite language. The part about writing more shit for NCS. Below, Phro reviews new releases by Strong Intention (U.S.), Wake (Canada), Dephosphorus (Greece), and Chemical Tomb (UK).)

Hi. It’s morning. I’m pissed about that. Also, I have three things I’d like to shove in your ear hole. Don’t worry, it won’t be a pleasant experience. Least of all for the cockroaches. Probably you’ll have the second worst time of it. Unless you’re one of these girls. Don’t worry, that’s totally safe for work if you work in the vomit porn industry. Or a daycare. Very informative for children. Teaches them the dangers of not listening when Daddy tells not to touch the drugs. (Bad Phro, no touching Daddy’s drugs.) But Phro wants to play!  Phro wants…

Umm…

First up! Strong Intention’s Razorblade Express!
(http://www.facebook.com/STRONGINTENTION)

Daddy…uh…I mean, Islander sent me some albums for review. The first one was the Rumplestiltskin Grinder album from last week. (Great album, isn’t it?) The other two were short grindcore releases. Usually, when I think of grindcore I think of stuff like Wormrot and Circle of Dead Children. Strong Intention wear their hardcore influences a bit more prominently. In fact, like a lot of hardcore, you can actually almost make out the lyrics. I think. Pretty much all I can accurately catch is “Hate this life!” (Which is incredibly apropos this morning.) It sounds as if there’s a screaming, howling, angry wood-chipper fronting the band. (Daddy says not to play with the wood-chipper or he’ll shove my arm in to teach me a lesson.) Continue reading »

Mar 132011
 

For new readers (and yes, we do seem to be picking up new readers steadily, astonishing as that may seem), here’s how these MISCELLANY posts work: We maintain an evolving list of music from bands we’ve not heard before that look interesting. At irregular times, I pick a few names off the list and check out a song or two from each band, not knowing in advance what they’ll sound like, and then record the experiences in an installment of this series. Finally, I add the songs themselves so you can decide for yourself if it’s your kind of thing.

Lots of the music on our MISCELLANY list are band submissions to our humble site. If I had more time, I would like to write full reviews of all of them (or at least all the ones I think would be worth your time), but sadly, it’s just not possible. This series remains the best way I have to spread the word about music that may be as new to you as it is to me.

The caveat is that I don’t know in advance if the music will be good — though in the case of band submissions, I figure the process of self-selection improves the odds that I’ll like it: Any bands who know anything about this site aren’t likely to send their music our way unless they think it will suit our taste in extremity. Unless they’re too high to think straight, which is always a possibility.

Today, all the music is from band submissions. Unlike most of these MISCELLANY forays, I didn’t listen to all of them in one sitting, but instead, spread it out over a few days. But I did listen to them in this random order: Destroying Divinity (The Czech Republic), Dire Omen (Canada), and Wake (Canada). After the jump, my impressions about the music . . . and the music itself. Continue reading »