(This is the last installment of Wil Cifer’s year-end series. Part 1 focused on “Mainstream” metal, Part 2 on black metal, Part 3 on death metal, and Part 4 on doom.)

The emphasis here is sometimes on the experimental and sometimes on the more progressive side of things. Some of these bands have pushed the bounds of what they do so far that it’s hard for any label to confine them, much less “metal”. They are all in their own way heavy. Heavier emotionally than most of the more conventional metal that came out this year. There are jazz artists throwing up their horns, and a New York hipster who wants to burn the traditions of metal like a church in Norway. Some shred, others show a more difficult level of mastery in connecting their instruments to their bared hearts.

Here are the albums that gave their middle finger to what you thought heavy was supposed to be. They are ranked according to what Last FM told me I listened to the most.

10. John Zorn – “Simulacrum”

This slab of wonderful weirdness, is more accessible than his classic Naked City album. He has put John Medeski together with the guitarist from Cleric, who I had no clue could shred like this. Yes thats right, it’s the dude from Medeski, Martin and Wood, playing with a dude from a metal band. There is more Crimson and Zappa influence on this one than what you normally hear from Zorn. Continue reading »

(Here’s Part 3 of Wil Cifer’s five-part year-end list. Parts 1 and 2 can be found here and here.)

While death metal doesn’t get as much air time with me, I am no stranger to the genre, having bought my first death metal album Leprosy in 1988. From there Morbid Angel and Deicide would become my favorite death metal bands, with Incantation, Obituary, Cancer, Nocturnus, and Unleashed picking up the slack. As with all things, the darker the better, so that will factor in as we leave no grave unturned and dig into the best of 2015.

This list is going to touch on every aspect of the genre, sometimes getting so melodic I had to question if they were death metal and then give the album another listen to ease my doubts. There was not one sub-genre or genre that dominated this year. Though I tend to lean more toward the doomier and more blackened side, we still have more traditional, tech, and experimental death metal bands making good showings. So here are my top ten death metal albums, ranked according to which ones got the most rotation on my iPod.

10. Vehemence – “Forward Without Motion”

Certainly could have stood to listen to this one more, but I suppose I’m not always in need of this much shredding mixed in with my death metal. It was a guitar player’s album for sure. The drummer was no slouch either, but the focus is more on the sweep arpeggios. Continue reading »

(Wil Cifer has written a five-part year-end series that includes top albums in the genres of black metal, death metal, doom, and experimental/progressive metal, but the first part of the series is this one.)

First, before the weeping of the message board rises to a fever pitch, “Mainstream” here is not referring to bands selling out, playing arenas, or becoming a household name, though some of those things might apply to a few of the bands on this list. “Mainstream” in this case means too middle-of-the-road to belong on the Top Ten lists for more extreme forms of metal such as black metal, death metal, doom metal… you get the picture. They could appeal to your average metalhead who does not just listen to cassette pressings limited to only 200 copies. So in other words, in most cases these bands are not ones I would be able to cover over at my other home Cvlt Nation. The bulk of this is just fun, driving-to-the-liquor-store metal.

These are ranked thanks to my Last.fm in the order of which got the most rotation on my iPod. It’s fine for an album to be highly regarded for its artistic merit, but what is a great piece of sonic art really worth if it’s not inspiring me to come back to for repeat listens? Continue reading »