This is the second part of a two-part post about the SUMMER SLAUGHTER tour’s performances in Seattle and Portland on August 20 and 21. In Part 1, we gave our impressions about the music and posted photos of about half the bands performing in Seattle.
Today, we have a random assortment of observations about our two days of metal in the Pacific Northwest, plus photos of all the bands at the show in Portland.
None of us here at NCS know what the fuck we’re doing with a camera. We like to justify our ineptitude by telling ourselves it’s just like the DIY ethic of underground metal. We also like to make excuses that divert attention from our complete lack of training, such as the constantly changing or almost non-existent light, the non-stop motion on stage, the distance from which we’re taking the photos, and — most important — the fact that we go to shows to listen to the fucking music, not to take photos, so there’s a limit to how much time we’re going to spend snapping away like a fucking tourist.
But, despite our manifold shortcomings as photojournalists, we think these pics are just barely good enough to share, so we’re sharing them — a lot of them, since 11 bands played in Portland and we didn’t miss out on any of them. (after the jump . . .)
This year’s edition of THE SUMMER SLAUGHTER tour was a celebration of death metal in some of its more brutal and technical flavors — and one out-of-place wild card that stole the show. In this case, “stealing the show” is a relative term, because the line-up of bands was so strong.
In fact, with allowances for the extremity of our musical tastes here at NCS, this was as consistently solid a line-up, from start to finish, as any tour in recent memory: Vital Remains, Animals As Leaders, Carnifex, Decrepit Birth, Cephalic Carnage, Veil of Maya, The Red Chord, All Shall Perish, The Faceless, and Decapitated.
In fact, we were so stoked about this tour that we decided to see it both in Seattle last Friday and again in Portland the next day. The tour’s last show is in San Francisco tonight, so we were catching the bands near the end of a long summer haul that no doubt wore them out. But you couldn’t tell that from the way they played. If we didn’t have day jobs and were closer to SF, we’d be tempted to take in a third performance — it was that good.
As usual, we took a crapload of photos at both performances. And in fact, most of them are crap. But we’ve been painstakingly sorting through them to find the least crappy ones that we wouldn’t be too embarrassed to share.
So, today, we’ve got some high-level reactions to what we heard from all the bands, plus photos from the Seattle tour stop. Tomorrow (now at this location), we’ll have some random observations about the scene and the crowds and a few other thoughts that aren’t really in the nature of a review, plus the best photos from the Portland show (which are a bit better than the ones we’re posting today). (continue after the jump . . .)
SUMMER SLAUGHTER was in Seattle last night. I went with one of my NCS cohorts (Alexis) but left after Cephalic Carnage. Why? Because all the perpetrators of this site are leaving at the crack of dawn to drive to Portland today. Why? To see SUMMER SLAUGHTER in Portland. Why? Don’t ask.
So, I’ll get to see the first 5 bands twice. For now, three words:
Animals. As. Leaders.
More words:
Cephalic. Carnage.
I guess this MISCELLANY thing is turning into a weekly installment. I do have fun with it, and I hope you continue to find it worthwhile, too.
For new readers, it’s a record of how I spent my time on a recent morning (in this case, yesterday), checking out music I hadn’t heard before. The process is pretty random. I see something that looks interesting — whether from an internet post somewhere or an e-mail we receive here at NCS or a MySpace friend request or something that shows up in the mail.
I’m still hoping our cat will bring me a new CD someday, thinking it’s a mouse. That would really be random, but it hasn’t happened yet. I try to explain what I want, but he just looks at me like that rare Sri Lankan loris over on the right. Except he’s a cat. I wouldn’t want a loris for a pet because they have hands. That would worry me.
Anyway, this MISCELLANY post is a record of what I heard, not knowing in advance whether it would be good, so you’re kind of taking pot luck right along with me. As usual, there’s an international flavor to what I found. And as it happens, I had amazingly good luck on this most recent excursion. Not 100% satisfaction, but pretty fucking close.
The performers whose new music I heard (or whose new videos I watched) were: Navene Koperweis and Alex Rudinger (U.S.), Sole Remedy (Finland), The Red Shore (Australia), Apocalyptica (Finland), and The Autumn Offering (U.S.) — with a little bonus from The Crown (Sweden).
You can hear the music and watch the vids after the jump . . .
We were reading today about a band called Fleshwrought that just signed with Metal Blade Records for the worldwide release of their debut CD, Dementia/Dyslexia. The news caught our bloodshot eyes because of who’s in that band (more about that later). We listened to some tracks streaming on the band’s MySpace page and got more interested. We Googled the band, and among other things, found a link to Amazon.com.
The link was not for a Fleshwrought album — of course not, because Metal Blade hasn’t released it yet. Instead, the link took us to a Metal Blade Summer Sampler released on June 22 that happens to include a Fleshwrought song. It also includes songs from 23 other bands. And guess what? You can download the whole thing for free. And guess what? There are some fucking good songs by some fucking good bands on this comp.
Here’s the line-up. And after the jump, as a public service, we’ll give you the link for the download — and we’ll tell you the interesting names behind Fleshwrought.
(more after the jump . . .)
The official line-up for the Summer Slaughter Tour 2010 has now been confirmed (by Metal Sucks). Here it is:
DECAPITATED
THE FACELESS
ALL SHALL PERISH
THE RED CHORD
VEIL OF MAYA
CEPHALIC CARNAGE
DECREPIT BIRTH
CARNIFEX
ANIMALS AS LEADERS
VITAL REMAINS
That is one mouth-watering band list of extreme metal awesomeness, isn’t it?
But as you scan your greedy eyes over that list, which band doesn’t exactly fit with the rest? If you’re like us, your eyes probably came to a halt at Animals As Leaders. Wonder how they came to be included. Mind you, we’re not complaining at all. We saw Tobin Abasi and his mates play in Seattle last week (and wrote about it here, with photos), and they are gobsmackingly good. But it’s an interesting choice.
Tour dates and places aren’t available yet. You can be abso-fucking-lutely sure that if this tour comes anywhere near Seattle, we will be there.
“Doin’ It Live ‘Til We’re Dead” appears to be the motto of The Dillinger Escape Plan for 2010. They passed through Seattle and stopped for a show at El Corazon on the night of April 10, with support from Darkest Hour, Animals As Leaders, and local favorites 7 Horns 7 Eyes. Two of your three NCS Co-Authors were on hand for the fun, and we file this report. In a word, the show was just amazing from start to finish. And for a change, we got some decent photos. You can see a lot more of them at the end of the write-up.
7HORNS 7 EYES
We last saw this local quintet (featuring two pairs of brothers) on January 26 as support for the Metal As Art tour. We hadn’t seen or heard them before that show, but they made a huge impression. We wrote then: “‘Epic” is an overused word in our community, but it truly suits the music that 7H7E delivers. The music is atmospheric but technical . . . It’s some mesmerizing shit!”
And it was more of the same last night: Complex, mid-tempo rhythms, sweeping melodies, a mix of growly and high-pitched vocals, tight instrumental interludes — and their own light show, with the fog machine pumping out the smoke. This is some mighty tasty progressive/death-metal fusion. And based on some mid-set comments from the stage, it appears we will finally have a debut album in the next couple of months. An awesome way to start the night!
(lots more after the jump . . .)
We have seen the future of extreme metal, and it is bright!
The METAL AS ART tour featuring Hypno5e, Revocation, and The Binary Code is one we’ve been waiting for with bated breath for months. We’ve been curious about Hypno5e and huge fans of Revocation and The Binary Code for a while now (we’ve written about our admiration for Revocation here and The Binary Code here and here).
On January 26, the wait ended as the tour rolled into Seattle’s Studio Seven, with support from local band 7 Horns 7 Eyes — which was the biggest revelation of the night — and two of your NCS Authors were there.
This was, bar none, one of the best shows from end to end that we’ve seen in many moons. These are young bands that are capable of carrying the future of extreme metal on their shoulders. If merit counts for anything (and unfortunately, it doesn’t always), these hard-working dudes will find a place in the vanguard and the kind of widespread notice they deserve.
For our detailed review of the performances and a big collection of our amateurish photos, continue on after the jump . . . .
About a week ago we finished posting our list of the Ten Most Infectious Extreme Metal Songs of 2009. Finishing the list turned out to be a bit of a struggle because your NCS Co-Authors had more favorites than we had open slots on the list. And each of us had some infectious favorites on our short lists that didn’t survive the final negotiations among us – but they just missed by a nose. So we’re going to roll out those songs now. It’s the next best thing to just reneging on our commitment to make our list a “Top Ten” and instead renaming it the “Top Fourteen.”
LAMB OF GOD: In Your Words
Lamb of God enjoys such a hallowed place in the pantheon of extreme metal that thousands wait with bated breath for each new release — and then, when it comes, promptly engage in vociferous debate about whether it compares favorably or not to the monster hits of the band’s past. Wrath was LOG’s first release in over two years, and predictably generated a war of words about whether LOG had lived up to its fans’ stratospheric expectations, and about what it signified about the band’s future trajectory.
We won’t engage in comparisons of the album to LOG’s ground-breaking work of the past: Considered on its own merits, it’s a well-engineered, riff-filled barrage of headbangery by some brilliant song-writers and musicians.
“Infectious” is Lamb of God’s middle name, but our most infectious favorite from Wrath is the first song that appears on the album after the (very cool) instrumental intro. ”In Your Words” launches with an insistent, immediately headbangable riff, followed by an extended scream from the almighty Randy Blythe (whose versatile vocals throughout the album are superb) and a crushing drum attack – and we’re off to the races. At about the 2:30 mark, the song defuses into a pounding breakdown and then culminates in an extended cascading wall of pulsing, groovy, tremolo-picked melody. So damn cool! See for yourself and then continue reading after the jump for our last three finalists:
Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even necessarily our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement and worm their way into your brain to such an extent you can’t get ‘em out (and wouldn’t want to).
We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re also dribbling the songs out one at a time because your lazy Authors are still debating what belongs in the remaining slots. Our list heretofore:
1. Asphyx: Sorbutics
2. Mastodon: Crack the Skye
3. Amorphis: Silver Bride
4. Goatwhore: Apocalyptic Havoc
5. August Burns Red: Meridian
6. Pelican: Ephemeral
And to see our seventh entry on the list, continue reading after the jump.
